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J. R. R. TolkienA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Throughout The Two Towers, Tolkien invokes the power that hope can have. While the Ents, the people of Rohan, and Frodo and Sam face seemingly insurmountable challenges in the war against Sauron and Saruman, they all miraculously overcome a seemingly superior enemy because they maintain hope when despair seems to be the more reasonable choice. This belief in the power of hope to allow good to triumph over evil is informed by Tolkien’s Christian faith.
Gandalf repeatedly reminds his companions that hope is vital to their cause because only through trust and collaboration can Sauron be vanquished. He does not suggest that hope alone can save Middle-earth, admitting, “Hope is not victory” (489), but his meeting with Théoden reveals that hope is the necessary first step to achieving victory. When Théoden is under Wormtongue’s influence, he is in a state of despair, but Gandalf inspires him to try to fight against Isengard by promising that there is at least a chance of victory. Gandalf indicates that a similar hope is required for all members of the fellowship, because they must trust that Frodo will complete his mission without knowing whether or not he is alive. He alludes to this when he tells the Rohirrim, “You live. Gondor and Rohan do not stand alone. The enemy is strong beyond our reckoning, yet we have a hope at which he has not guessed” (505, emphasis added). Gandalf connects the notion of alliances to hope, suggesting that hope is a form of faith in the goodness of other people.
The connection between hope, good, and light culminates at the battle of Helm’s Deep, when Gandalf’s last-minute return with reinforcements turns a defeat into an unexpected victory. Gandalf arrives after a long night of fighting, when Aragorn and Théoden have been forced into a desperate position, and the narration points out that “dawn is ever the hope of men” (524). By portraying hope as a light after a long period of darkness, Tolkien demonstrates the difficulty of finding hope, but also the inevitability of good winning out over evil, just as day inevitably replaces night.
In Frodo and Sam’s section of The Two Towers, hope seems even more far away. Frodo and Sam are without any strong allies, surrounded by evil and hostility, and increasingly aware that their quest is likely to require them to sacrifice their lives. Frodo’s persistence despite the unlikelihood of success demonstrates that hope is not always based on rationality. Frodo knows that his quest is nearly impossible, but he continues to try, even when Faramir tells him that it will almost certainly fail and end in his death. Tolkien’s narrative implies that Frodo’s willingness to persevere based on a very slim chance of success is what makes him a more worthy and heroic ring-bearer than anyone else could be. While great and virtuous warriors like Faramir urge him to turn back, Frodo keeps going even in the darkest moments of his quest, thinking that “if once he could do that impossible thing, then somehow the errand would be accomplished” (695). Frodo’s attempts to do what seems “impossible” connects hope to the notion of miracles, indicating that only through irrational hope do miracles become possible.
While The Two Towers depicts battles and warfare as necessary to oppose the threat of Saruman and Sauron, the text also implies that war should not be seen as glorious or heroic for its own sake. While Gandalf shows Théoden that war against Saruman is necessary, he is also aware that military strength alone will not be enough to defeat the power of Mordor. Hobbits are instead upheld as a new form of hero—a sort that does not use physical strength to oppose evil, but rather their love of peace and prosperity.
While some of the battles in The Two Towers are portrayed as exciting, heroic, and awe-inspiring, the perspective of the Hobbits reveals its human cost. Sam’s reaction to seeing an enemy solider killed denotes that even some of his enemies might deserve pity and compassion:
[I]t was Sam’s first view of a battle of Men against Men, and he did not like it much. He was glad that he could not see the dead face. He wondered what the man’s name was and where he came from; and if he was really evil of heart, or what lies or threats had led him on the long march from his home; and if he would not really rather have stayed there in peace (646).
Sam’s empathy for the fallen soldier suggests that some people who have allied with Sauron are not purely evil, and that war against them is therefore more tragic than it is glorious.
Similarly, Faramir proves his goodness by telling the hobbits that he does not seek personal glory through fighting. Unlike Boromir, who wanted to use the Ring to defend Gondor and earn accolades for saving his people, Faramir admits that he only sees war as beneficial because it defends the peace of Gondor. He tells the Hobbits, “War must be, while we defend our lives against a destroyer who would devour all; but I do not love the bright sword for its sharpness, nor the arrow for its swiftness, not the warrior for his glory. I love only that which they defend” (656). These words exemplify how Tolkien portrays war in this book—a necessity, but not something innately admirable.
In contrast, Tolkien indicates that Hobbits demonstrate more heroic qualities than any of the great warriors who are on the side of good. Merry and Pippin do not fight at the battle of Helm’s Deep, yet their friendship with Treebeard is secretly what allows Rohan to defeat Isengard. Similarly, Frodo and Sam are not skilled fighters, yet they are the only ones who are willing and able to carry the Ring into Mordor to destroy it. More powerful people like Gandalf or Aragorn might be easily tempted and corrupted by the Ring’s power, but the Hobbits can resist the Ring because they value peace and quiet over strength and glory.
At the end of The Two Towers, Sam is able to wound the monstrous spider Shelob because of his selfless love for Frodo. While Orcs assume that only a great Elven warrior could have done such a thing, Tolkien suggests this exact assumption—that only strong fighters could threaten Sauron—will ultimately lead to his undoing, as those who remain steadfast and courageous against evil will triumph against the odds.
A major theme through The Two Towers is the value of storytelling to preserve knowledge and to inspire people to endure difficult times. Characters in the book remark that they feel like they are living through an old story, often one meant for children. While such stories might be derided as absurd and nonsensical, the novel suggests that storytelling is a powerful tool for historical preservation and valuable for its artistic power to inspire goodness.
Théoden marvels at the existence of the Ents and Huorns, and as he journeys through the forest that has helped to save his people, he admits, “Songs we have that tell of these things, but we are forgetting them, teaching them only to children, as careless custom. And now the songs have come down among us out of strange places, and walk visible under the Sun” (537). Théoden’s words reveal that forms of storytelling often given less prestige, such as children’s songs, are a more valuable and powerful resource than expected because they are able to retain historical knowledge that might otherwise be forgotten.
Similarly, Treebeard indicates that the Ents’ language allows for long-term historical memory because it is like a story. He tells Merry and Pippin that they cannot learn his full name because “for one thing it would take a long while: my name is growing all the time, and I’ve lived a very long, long time; so my name is like a story” (454). The Ents maintain ancient knowledge through their stories, just as the long lifespan of trees allows them to span generations and bear the marks of past events.
Finally, Frodo and Sam discuss how stories can help them understand their own role in history, inspiring them to persevere despite the terrifying journey that they must go on. While climbing the stairs of Cirith Ungol, Frodo and Sam wonder if their journey will ever be made into a story told to children. This provides them with some joy even in a dark and horrible place. They realize that many of the stories they have read in the past have heroes who are not adventuring for pleasure or gain, but because they seem certain of their destiny: “Folk seem to have been just landed in them usually—their paths were laid that way, as you put it. But I expect they had lots of chances, like us, of turning back, only they didn’t” (696).
By empathetically connecting with stories, Frodo and Sam find comfort. Like the protagonists in other tales, they realize that the greatest and most meaningful stories are only possible when a person does not give up. By imagining their own tale one day being told to Hobbit children, they can maintain hope in a happy ending to their story, even if they suspect that they might die at the end of it—storytelling will ensure that their deeds will live on no matter what.



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