55 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of death, graphic violence, and racism.
Woods’s novel uses the setting of a small town in 1946 South Carolina to examine the far-reaching issue of the erasure of Black contributions and the subsequent fight for recognition. This theme is reflected in the title, which celebrates Meriwether’s heroism while making it clear that he doesn’t receive the thanks he deserves. From the very beginning, the narrative depicts life in a segregated town during the Jim Crow era, and these details reflect Woods’s efforts to educate readers about the specific contributions that Black people have made to American history, such as the 761st Tank Battalion’s role in the Battle of the Bulge. The novel also highlights the ways in which racism impacted Black servicemen upon their return home from World War II.
Through the diametrically opposed characters of Meriwether and Lucas, the author juxtaposes Black veterans’ loyalty and valor with the cruelty and cowardice of white supremacists who would seek to erase their contributions. Woods develops this theme by alluding to actual historical examples of racist violence, such as the 1946 attack on Sergeant Isaac Woodard in Batesburg, South Carolina. This atmosphere of fear and hatred deeply wounds the novel’s deuteragonist, turning Meriwether’s proudest achievements into a secret that places his family in greater danger of persecution. Lucas’s attempt on Abigail’s life represents the most extreme example of the racism directed against the Hunters, but the 10-year-old has already been harmed by white supremacists’ efforts to erase her father’s military contributions. As Meriwether explains to Gabriel, Abigail is familiar with accounts of the maiming and lynching of Black veterans because she must understand the gravity of keeping his secret. As he comments to Gabriel, “Mosta our young ones lose their innocence long before mosta y’all do” (144). This excerpt depicts the sheltered joy of youth as yet another privilege that Black people are denied due to the omnipresent ugliness of racism.
Amid their society’s normalization of intolerance and inequality, the protagonist and his allies fight for recognition of Black contributions. The parade in Charleston marks an important moment for the theme, and Woods underlines the event’s injustice by describing the bitter irony of Mrs. Victory’s situation, as she is forced to prepare for a party to celebrate a decorated white veteran while her son, who heroically gave his life “helpin’ carry wounded American soldiers to safety” (117), isn’t recognized at all.
Gabriel joins the fight for recognition by listening to stories about Homer Victory and Meriwether’s brothers-in-arms, thereby keeping their memories alive. Near the end of the novel, Abigail bravely envisions herself as part of a future in which Black Americans exercise control over their own narratives and no longer suffer their contributions to be suppressed. As she declares, “One day I’m gonna write my very own book […] ’bout my daddy drivin’ a tank durin’ the war so that way it won’t be a secret anymore, and even though he didn’t get a parade, everyone’ll still know how brave he was” (170). Abigail and Gabriel’s beliefs in a future in which veterans like Meriwether are honored for their heroism gives the resolution a hopeful tone, but Woods also notes that Meriwether’s “heart wonders if [such a future] could ever be” (193). By not giving the novel a tidy happy ending, Woods crafts an honest narrative and acknowledges the reality that the fight for equality and the recognition of Black contributions continues today as well.
The power of friendship is frequently explored in middle grade fiction, and Woods provides a distinctive approach to this familiar theme through Gabriel and Meriwether’s intergenerational bond. Due to the differences in their ages and backgrounds, the two characters are initially portrayed as unlikely friends, particularly given the novel’s setting of a segregated town. However, Meriwether argues that “age has little to do with genuine friendship” and that their shared values are more important, saying, “Recipe for friendship is liking and trust. Respect gets mixed up in there too” (149). The veteran demonstrates his great trust in the boy by revealing his military service, even though he “promised [Phoebe] not to talk about it ’round white folks…ever” (135). Given that this information could place him and his family in danger, he shows Gabriel a great deal of trust. In return, Gabriel acts as an attentive and respectful confidante who recognizes Meriwether as “a war hero just like [his] uncle” (137), the highly decorated Lieutenant Earl Haberlin.
The novel is a coming-of-age story, and Meriwether’s mentorship guides the protagonist’s maturation. At first, Meriwether contributes to Gabriel’s character development by identifying opportunities for growth in his mild childhood exploits. For example, after the boy rides his bicycle without his parents’ permission, Meriwether strengthens Gabriel’s willpower and teaches him that “[r]esistin’ temptation builds strength” (98). One of the most significant values that Meriwether instills in the protagonist is empathy; when he says, “[L]ooking at things with more eyes than just your own lets you see things more clearly” (1), the boy takes his lesson to heart. As the story unfolds, the gravity of this lesson intensifies. Considering the world from other people’s perspectives reveals to Gabriel that the discrimination in his town (and in the nation as a whole) is far more severe than he realized. This new perspective increases his resolve to act with kindness and fairness toward all people. Despite the brevity of their acquaintance, Meriwether imparts many valuable lessons that Gabriel will carry with him throughout his life.
Gabriel and Meriwether’s close friendship defies the prejudicial attitudes common in their town and changes both characters for the better, and Woods uses structural parallels to emphasize the reciprocal nature of their relationship. In Chapter 2, Meriwether saves Gabriel’s life when he “pushes [Gabriel] out of the way so that [he] and the big yellow car don’t collide” (9), and in the novel’s climactic confrontation between Meriwether and Lucas, Gabriel “charge[s]” Meriwether so that his friend drops the pipe rather than attacking the racist mechanic and jeopardizing his own freedom. Gabriel’s action ensures that Meriwether doesn’t betray his values or break the promises he made to his family. Although the boy doesn’t save Meriwether’s life in quite as direct a fashion as Meriwether saves his, Woods makes it clear that the area’s white supremacists would have attacked the Hunters if Meriwether had killed Lucas. Gabriel and Meriwether therefore demonstrate the power of friendship by saving one another’s lives and supporting each other in times of crisis.
Through Gabriel’s and Jake’s character arcs, Woods demonstrates what white allyship and anti-racism can achieve. The novel addresses socioeconomic factors as well as racial ones, broadening the story’s examination of privilege and the positive impact that it can have when exercised responsibly.
Gabriel recognizing his privilege and finding positive ways to use it are integral to his growth. Early in the novel, he convinces Jake to hire Meriwether, and he repeatedly tells his father that he should fire the racist Lucas. While these business decisions are out of the 12-year-old’s hands, he tries to act as a buffer between his friend and the antagonist because he hopes that “with the boss’s son nearby, Lucas wouldn’t likely start any mess” (82). The phrasing of this excerpt makes it clear that Gabriel consciously leverages his racial and socioeconomic privileges to help Meriwether.
In addition, Gabriel’s modeling helps Patrick become more empathetic toward Black people. Even though prejudice often goes unchallenged in the segregated town of Birdsong, the protagonist confronts his best friend’s discriminatory language and rejects Patrick’s attempt to hide behind the bandwagon fallacy. As the narrative states, “Patrick defended himself. ‘You don’ havta get all mad, Gabriel. Colored men are uncles and colored ladies are aunties. That’s what a lot of the white folks around here call ’em’” (87). However, Gabriel stoutly retorts, “I don’t” (87). Gradually, his consistent example shifts Patrick’s perspective about Black people, as evidenced by the respectful way that Patrick addresses Meriwether near the resolution, when he says, “Bye, Mr. Meriwether Hunter” (179). Over the course of the novel, Gabriel shows growth by exercising his own privilege responsibly and by motivating his white friends and family members to do the same.
Just as Gabriel takes it upon himself to help Meriwether and educate his peer, Jake’s behavior offers Gabriel (and, by extension, Woods’s young readers) a positive example of an adult who exercises privilege responsibly. As a character, Jake furthers one of the novel’s main messages and shapes both the protagonist and the story’s structure. Gabriel’s father believes that he has a moral duty to use his privilege to help others, and he seeks to instill this value in his son as well. As he tells the boy, “I say this: treat all folks, regardless of color, with courtesy and respect. And be as good a person as you can be. Simple as that” (50).
However, Gabriel and his parents’ beliefs and actions starkly contrast with other adult characters who take their privilege for granted, such as the affluent and reckless Betty, who treats Meriwether “as if the man were invisible” (16). Likewise, the Haberlins are foils to the openly hostile Lucas, who actively humiliates and persecutes Meriwether and his family. Even before the main events of the story, Jake’s business stands apart from most in Birdsong because it is listed in The Green Book, a clear signal that he is a trusted ally to the Black community. Meriwether’s entrance into the Haberlins’ lives gives Jake a particularly important opportunity to practice what he preaches. Although the veteran’s employment at the garage is brief, Meriwether is deeply moved by the financial security and emotional support that Jake offers him, saying, “Y’all will never know what this means to me. Thanks again” (147).
During the novel’s falling action, Jake shields Meriwether from the sheriff’s prejudice because he understands that the town’s law enforcement cannot be trusted to treat Black and white people equally, and the Chevy that Jake gives the Hunters enables them to escape from Birdsong. Like his son, Jake holds onto hope for a more equitable and just future, and he takes concrete steps to turn this dream into a reality by exercising his privilege responsibly.



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