51 pages • 1-hour read
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A taxi drops Jess at her parents’ house, and everyone rushes outside to greet her. At the funeral mass, Jess prepares to eulogize Lil and, thereby, honor her uncle too. She delivers a loving, funny, and poignant eulogy that includes the family’s children passing out Lil’s coveted recipe for zeppole, a type of fried Italian pastry.
At the luncheon afterward, Jess is back on coffee and dessert duty, as though nothing has changed, but she feels very differently about it now. There’s no anxiety, no need for validation. Jess tells her mother that her lipstick needs to be touched up, and Phil laments that it took Jess coming home for Phil to be “seen” or noticed. Meanwhile, Jess’s friend and stylist, Lisa, is acting strangely, and so is Bobby. Suddenly, the front door opens, and Jess sees Mauro and Angelo standing there.
Everyone ogles the strangers. Jess tries to beat Phil to the front door, but Phil arrives first, and Mauro introduces himself as her nephew. Jess tries to pull her mother aside to talk quietly, but Phil is already getting upset.
Angelo asks why Jess didn’t let him know she was leaving as Conor and Gaetano walk in. Lisa is happy to see that Jess and Angelo seem to be in a relationship, as she’s been seeing Bobby since Ash Wednesday. Jess is genuinely happy for them, and Bobby says she’s a “good girl.” She knows this is the highest compliment he can pay her, though she feels she’s outgrown it. She says she intends to return to Italy, and her cousin Marina speaks up about being a travel agent. Everyone is shocked that Lil’s quiet niece found her voice.
Campovilla arrives. The FBI wants Jess to wear a wire to visit Googs in prison. They believe she’s told the truth about her non-involvement in the Elegant Gangster, but they need to prove that Googs was linked to the money to access it. She says she’ll consider it, and then rescues Angelo from the circle of tittering women. She kisses him before retrieving her old engagement ring and returning it to Bobby.
Phil asks about Angelo and if Jess is happy. Jess is shocked because her mother has never asked that question. Phil says she wanted Jess to marry Bobby because she knew he would never take Jess away. Jess says she had to leave home to “grow up” and to teach her family how to treat her. Phil realizes that Jess has “outgrown” them, and Jess wonders how to let go and hold on at the same time.
Angelo and Mauro sleep at Lil’s. Conor and Gaetano stay with Conor’s sister. The family comes over for breakfast, and Connie says they want to buy Grandma Cap’s house. Diego was recently let go, and they need to downsize; plus, she’ll be close to her parents when Jess goes back to Italy. Katie and Joe announce that she is pregnant with their third child, a girl they plan to name Giuseppina.
Jess tells her siblings that she’s not going to wear the wire; she signed the accounts over to the FBI. She’ll get no money, but she’s not implicated in any wrongdoing. Joe is shocked because the cash could be life-changing, but Jess says the only thing that can change her life is her. She knows it’s never about the money, but about family taking care of each other.
Jess eyes the “peachy pink” sky over New Jersey when she goes to visit Googs. He tells her that they planned to pay the taxes, but Louie wanted to build up the accounts first. Louie once called him the “elegant gangster,” and that’s where the name came from. He has found something to get out of bed for everyday: The first cup of coffee in the cafeteria before anyone else arrives.
When Jess goes to the car, she sees the spirit of Uncle Louie in the driver’s seat. She doesn’t understand why Louie did it, as he made plenty of money to support him and Lil. She asks his spirit. He says he was worried about her, Connie, and Joe. Phil isn’t good with people, and Joe Sr. isn’t good with money. He says Jess and her siblings gave him a purpose. Then he vanishes.
Jess pulls the car into Lil and Louie’s garage. Angelo is there, and he gets in. He tells Jess that he loves her and wants to be with her. They kiss until Jess’s mother taps on the window. She tells them it’s time for dinner. Angelo and Jess try to think of somewhere they can be alone, and Jess suggests the Motel 6. Then Jess’s dad arrives, and she knows they should go to dinner. Angelo doesn’t want to, and he slides his hands up Jess’s coat sleeves. They run.
One year later, Jess is struck, once again, by the beauty of the Italian sunrise. She’s been renovating the Montini farmhouse where her Grandma Cap was born. She journals briefly, noting that she is happy both alone and in love, that her worth isn’t dependent on pleasing others, that work is the soul’s creative expression, and that she is a person of the world.
Jess unpacks her books and hears her mother calling. Her parents, Joe, Connie, their families, and Angelo are all there. Jess designed a collection of marble and granite flooring that Conor sells worldwide. She’s in school at the University of Pisa getting her architecture degree.
Phil and Laura bond over their shared complaints. Jess asks Angelo to move in with her, and he agrees. Everyone climbs into a van to go see the quarry.
Jess writes a letter to all her Thera-Me doctors. She tells them that, with their help and her willingness to embrace solitude, she learned to live. She feels that one must “[l]et go” of what scares them; this is when happiness arrives, unannounced.
Jess’s choice to make her forever home in Italy is foreshadowed by many of her experiences in New Jersey and abroad, reinforcing Independence as a Catalyst for Transformation. When she describes the sky in New Jersey, on her way to see Googs, she says it is “a peachy pink” (370). However, when she describes the sunrise in Carrara a year after Lil’s funeral, she says “the sun […] rises in ribbons of hot pink and incandescent orange over the Montini farmhouse” (385). The difference between the scale and detail of these descriptions makes it clear that Italy offers Jess a kind of happiness that she just doesn’t find in her hometown. Though both skies are pink and orange, she is much more descriptive, even artistic, in her verbal rendering of the Italian sky, reflecting the sense of expansiveness and freedom her life in Italy gives her.
Furthermore, when Bobby calls Jess a “good girl” after Lisa confesses that they’ve been seeing each other, she knows this is the “most prized compliment in all Lake Como” and one that she has “outgrown” (353). She is more than a “good girl,” though she isn’t offended by the infantilizing phrase. Jess understands that this is the nicest thing Bobby could say about her, about any woman, but it doesn’t fit and never will again. She feels the same way about her hometown: She needs more than it can offer her now. Her ability to be happy for Bobby’s new romance reinforces the sense that she has fully processed her feelings about the relationship and moved on, which in turn opens her up emotionally for a new relationship with Angelo.
Jess’s insistence on Prioritizing Courage Over Conformity has led to increased self-respect, so she no longer feels the need for validation from anyone. When she returns for Lil’s funeral, she says, “I have learned to stand up for myself, but real strength comes in standing up for others. Aunt Lil, like me, was an other in the family” (332). Jess knows that she never really could conform, though she tried for many years; she never fit the social and domestic role she’d been assigned by her community and family. Lil was similar, an outsider, whose people came from a different area of Italy than the Capodimontes and Barattas. She also couldn’t have children, which differentiated her from the other Italian American women with large families. Jess is determined to honor Lil, to portray her fully and show that she was a woman worthy of deep respect, even though she didn’t conform. She is courageous enough to do this now that she understands the value of making oneself happy rather than trying to fulfill a role one’s community has established, and that is what makes delivering Lil’s eulogy so fulfilling for Jess.
At the funeral lunch, Jess says, “I move through the rooms without anxiety. I stay in the moment and don’t look for validation” (341). Having developed the courage to be herself without regard to the role she is expected to play, Jess doesn’t mind serving coffee and desserts because it makes her happy. It doesn’t make her nervous because she no longer gauges her self-worth by what others think of her. She finds her own value by following what makes her happy, acting with love, and living with integrity.



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