35 pages 1-hour read

The Waiter’s Wife

Fiction | Short Story | Adult | Published in 1999

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Background

Literary Context: Postcolonial Literature

“The Waiter’s Wife” is an excerpt from Smith’s debut novel White Teeth, one of the most influential postcolonial novels of the early 21st century. Postcolonial literature deals with the lingering impacts of Europe’s colonization of the Global South. It may be set in formerly colonized countries or—as in the case of White Teeth—in the center of the former empire, among immigrants and the children of immigrants from those former colonies. Smith’s cast of characters, in both “The Waiter’s Wife” and the novel of which it forms a part, is multiethnic and multicultural, reflecting the diversity of British life in the post-colonial era.


Postcolonial literature strives to give voice to experiences that have been silenced or ignored as a result of colonial racism. It “attempts to recapture the indigenous histories of the ‘Other’—the subalterns, or those regarded as ‘inferior,’ who are categorized as such as a result of race, social status, or ethnicity” (Darrow, Kathy D. Twentieth-Century Literary Criticism, vol. 254, 2011). Many postcolonial texts engage with The Search for Identity: Who am I, and where do I come from? Identity is central to “The Waiter’s Wife,” and almost all of the characters struggle to find their own path. Samad struggles with his identity primarily because—as both an immigrant and a waiter—he has been deemed “inferior” by the society around him. Meanwhile, Clara and Alsana struggle with their femininity: Clara somewhat hesitantly embraces the feminist and anti-racist ideas she learns from Neena, while Alsana clings to traditional values. Archie, the only character in “The Waiter’s Wife” who is not an immigrant, is the least central character in the story. He takes his Britishness for granted and therefore has no need to grapple with questions of identity as the other characters do. Instead, Smith centers her narrative around the immigrant experience, as Neena, Alsana, and Clara navigate—in very different ways—the fraught questions of identity and belonging that come with that experience.

Socio-Historical Context: Immigrant Relations in Britain Post 1960s

Throughout “The Waiter’s Wife,” Smith references the bad—and sometimes violent—treatment Samad and Alsana experience as immigrants in Britain. The story takes place in 1975, seven years after British politician Enoch Powell’s “Rivers of Blood” speech. This controversial and racist speech set the tone for how immigrants would be treated in postcolonial Britain. In the speech, Powell attacked the Race Relations Act of 1968, which banned discrimination on the basis of race or national origin. The law was intended to protect immigrants from Commonwealth nations, who had begun arriving in large numbers some twenty years earlier, shortly after the end of World War II (Kakissis, Joanna. “An Anti-Immigration Speech Divided Britain 50 Years Ago. It Still Echoes Today.” NPR, 2018). Powell blamed Britain’s problems on mass immigration and said that allowing more immigrants to enter the country was like “watching a nation busily engaged in heaping up its own funeral pyre” (Kakissis). The speech was immediately condemned by other politicians; however, an increase in hate crimes, hate speech, and discrimination toward immigrants was reported following the speech.


In the short story, there are several mentions of the National Front gangs. The National Front is a nationalist and racist movement that grew in size immediately following Powell’s “Rivers of Blood” speech. Like other white nationalists, they saw racial diversity as a threat to national identity, and for this reason they targeted immigrants for violence and intimidation. The constant threat of violence in Whitechapel—a working-class, predominantly immigrant neighborhood where Samad and Alsana live at the beginning of the story—is why they both work so hard to move to the more affluent Willesden.

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