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In 1921 and awakening in the dark, Perveen realizes she is still trapped in the bag. She tries to imagine who is responsible: Cyrus, Ravi, Jayanth’s angry boss, or the person who killed Mukri. She uses a hairpin to sharpen her fountain pen nib and manages to cut herself out of the bag. She realizes she is at the docks and has been locked in a storeroom. When she finds the door, it is locked, and she hears no one on the other side. In an epiphany, she realizes if she spills the rose attar in her purse, the expensive and feminine scent might attract workers who would want to find out where the unusual smell was coming from. She spills the attar and pushes some coins under the door. When she hears voices, she screams for help and Jayanth and his friends rescue her.
A policeman arrives and starts to investigate the storeroom, assuming someone has been kidnapping women. His light illuminates the sacks’ logos, which read “Farid Fabrics.”
Reunited with her family, they recount their frantic search for Perveen. She confesses that she is worried it could be Cyrus, and her father tells her that he already knew her ex-husband was in town. He explains that the Bengali stranger outside the law office was a private detective he hired to keep an eye on the Sodawallas and that Cyrus is currently staying at a charitable hospital in Bombay.
To convince her to stay home and rest, Gulnaz and Camellia invite Alice to lunch. Rustom returns to work, but Perveen asks him to bring the plans for the Farid residence, which the Mistry Construction built many years before. At lunch, Alice charms Camellia and Gulnaz, especially when she tells them she can handle spicy food because she was raised in India.
After lunch, Perveen gives Alice a coin as a token payment and, declaring her in the employ of Mistry Law, asks her to help decipher the bungalow plans that Rustom sent. Together, they realize that there is a hidden passage that allows entrance from the husband’s room into the wives’ rooms.
After a restless night, Perveen and her father have an early breakfast. She tells him what she learned about the passage, and he reports back from a visit he paid to the Farid widows and Mukri’s family. All the widows denied any knowledge of what happened to Perveen and said they were relieved she was safe. However, when visiting Mukri’s family, Jamshedji learned that he and Sakina were first cousins. As teenagers, they became too close, and fearing a romantic entanglement, the family married her off to Farid. He was 39 years old, and Sakina was only 15.
Initially, Jamshedji is reluctant to let Perveen visit the bungalow alone, but she argues that it is her duty as the women’s lawyer. Finally, he relents, and Perveen hugs him, grateful for his affection and support.
Hatching a plan with Alice, Perveen sneaks into the back of the bungalow while Alice knocks on the door, pretending to be applying for a governess position. In Sakina’s room, Perveen uses a hairpin to pick the lock to the passage. While doing so, she remembers that Sakina commented that the body of Mukri was wearing a suit. She realizes that the only way Sakina could have known this detail was if she had done the killing since no one told her what the body was wearing.
Inside the dark passage, Perveen finds Amina lying unconscious and barely breathing. She realizes that she must get her to safety but is interrupted when Sakina enters.
Dispensing with any deceit, Sakina angrily confronts Perveen. She admits to her affair with Mukri but says that he became cruel to her after Farid died. She realized from Perveen that he was lying about the wakf and decided that she should kill him for threatening them all. Additionally, she became jealous and worried that Mumtaz was pregnant by him. She used an ancestral family dagger but planted Razia’s letter opener on him to keep Razia quiet. She explains that she would have gotten away with it except that Amina found her bloody sari in the passage. She told the young girl that they would have drinks and discuss it, and she drugged her with morphine. She now intends to finish the job.
Stalling for time, Perveen questions her and learns that Sakina also orchestrated the kidnapping, promising Mohsen a share of jewelry if he could do it. Sakina rushes toward Perveen with the knife, shouting that she has ruined everything. The appearance of the police, led by Alice, saves Perveen. They capture and handcuff Sakina, and Alice explains that she became worried when Perveen was gone for so long. In a moment of compassion, Perveen covers Sakina’s face with her sari so that the men will not look at her and asks them not to touch her directly as she goes with them to prison.
Sir David meets with Perveen and thanks her for her help with the case. They discuss the Parsis and their charitable work in Bombay, and she convinces him to let Alice work part-time for Mistry Law.
Two days later, Perveen goes to the local charitable hospital where she meets with a man who sent a letter to Mistry Law, asking for her to write his will. Gulnaz researched his name, which meant alone in the world, causing both women to suspect it was an alias. In the hospital, a disfigured man covered in syphilis lesions greets Perveen. It is not until he greets her that she realizes that it is Cyrus. He explains that he is dying and asks her to mercy kill him, but she refuses. She leaves, feeling a burden of fear and worry lifted.
Perveen meets Razia and Mumtaz at the hotel. Both women are happy. Mumtaz gave birth to a baby girl and is also caring for Zeid and Fatima, who are attending school. Razia has discovered, to her surprise, that she likes living out of seclusion, and shares that Captain Ali recently proposed to her. She intends to accept, much to Amina’s delight. Sakina and Mohsen are in jail for their crimes. Perveen is relieved that the women’s lives are much happier and freer than they were when she met them.
Later, she and Alice meet up at the hotel bar and try to order drinks. A waiter tells them ladies are not allowed to drink, but Perveen argues persuasively until he serves them. She and Alice cheerfully toast to “the power of women” (376).
The ending of the novel offers a set of double closures: It allows Perveen to solve the mystery of Mukri’s murder and lets her move on from Cyrus and let go of the anger she feels toward him. Both she and the Farid widows (except for the culprit, Sakina) can move on with their lives in new directions. This section establishes what Perveen thinks of as “her second act,” the law career she credits to her father, who “delivered” her by rescuing her from her abusive marriage and hiring her as an attorney (344). Despite her feelings of love and duty toward him, Perveen begins to see herself as fully embodying the duties of a solicitor: “But in her second act, she was a solicitor duty bound to do the best thing for her client, Razia Farid” (344). In standing up for her client, she gently persuades her father to give her freedom and take her more seriously. She does so while still being respectful towards him, honoring their cultural ideas about filial piety. Here, Massey highlights the interplay between The Impact of Cultural and Religious Traditions on Individual Lives with that of The Intersection of Law and Social Justice and The Struggle for Gender Equality and Women’s Rights. In the novel’s final section, Perveen can strike a balance between her needs and those of her clients and father.
This moment sees Perveen becoming the adult woman she has been capable of being, someone who is a professional and should be taken seriously. Massey parallels the sense of confidence and respect Perveen now commands in her career with an earlier moment when she rescues herself from kidnapping, thinking “she had been meant to die, yet she’d cut her way out of that fate and back to the world she loved” (324). Perveen has spent many years living under the shadow of Cyrus and her failed marriage. In the final stage of her character arc, she sees herself as professionally and personally capable. By the time she meets him in the hospital, she has already established herself as someone who is beyond his power. The meeting is almost anti-climactic. Perveen doesn’t need a dramatic confrontation because she finally realizes that Cyrus is a weak and abusive person, whereas she is someone with strength and the will to survive.
The revelation that Sakina is responsible for killing Mukri further connects to the theme of The Intersection of Law and Social Justice. While Sakina is guilty of his murder and trying to murder Amina, she is also a sympathetic character. When confronting her, Perveen is struck by the parallels between her marriage and Sakina’s. She remembers feeling “as if she were being carried in a dark, furious cloud. Nobody could have stopped her from getting to [Cyrus]” (357). While she doesn’t condone Sakina’s actions, she sees that Sakina was forcibly separated from her lover and married off at a young age. She was a mere 15 while Farid was 39, and she had borne him two children by 18. Men’s choices have dictated how Sakina’s life has unfolded, and Perveen realizes she struggled, lacking real agency over her fate. Though Perveen does not agree with Sakina’s actions, she understands why she attempted to assert what control she could.
Symbolically, it is significant that Sakina’s weapon is a “long silver dagger,” with “an elegantly worked handle […] highly polished; it looked like a relic from the Mughal period, something that should have been in a museum” (358). Though the dagger is beautiful, Perveen thinks it does ugly work. It is also a reminder that Sakina’s motivation for killing stems from ancient traditions about women’s status as men’s property. The dagger is a “relic” that Perveen believes should be in the past, but in the modern era, it has turned ugly and dangerous, used as a weapon to commit a violent crime.
In contrast to Sakina, Mumtaz and Razia can honor their traditions and religious faith while moving forward with their lives and asserting their autonomy. Razia comments “It’s not been as difficult to leave purdah life as I thought it would be […] I believe everyone must know that I’m a mother, because I am treated with respect” (372). She feels confident in managing her finances and choosing a new executor, realizing that she has the power to do so. The novel’s closing paragraph involves Alice and Perveen toasting to “the power of women” (376), fittingly celebrating the different ways women in the novel have come into their power and asserted their self-determination.



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