The Wilderness

Kathleen Levitt

56 pages 1-hour read

Kathleen Levitt

The Wilderness

Fiction | Novel | Adult | Published in 2025

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Part 2, Chapters 8-13Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of graphic violence, illness, death, mental illness, and physical abuse.

Chapter 8 Summary: “Group of 7”

In mid-March 2022, Nakia prepares cocktails at her partner Jay’s El Sereno condo for a monthly dinner party they call the Group of 7. The gathering includes Yesenia, a city hall worker; Rico, a lawyer, and his partner, Kyle, a teacher; Beverly, an older neighbor; and Monique. The group debates solutions to LA’s water crisis, with Yesenia advocating for desalination and Nakia and Jay countering with environmental concerns about deep-ocean ecosystems and energy requirements.


The conversation shifts to homeownership and civic status, creating tension when Beverly feels attacked for being a homeowner. The group corrects terminology, preferring the George Floyd Uprisings rather than protests. Beverly diffuses the awkwardness by accepting the correction and comparing the events to the Watts Rebellion. Several guests share their experiences participating in the uprisings, with Monique lightening the mood by recounting how her car was spray-painted with “all cops are bastards” (151) while she was sheltering in Brooklyn.


Nakia retreats to the balcony to grill peaches, reflecting on the unseasonable heat and nearby brush fires. She muses on her ideal life with Jay, cooking food from her garden and teaching local, young people to do the same. She also thinks about her restaurants, where she feels increasingly nonessential despite employing Miguel and others. Monique joins her and reveals that she has been messaging Aisha Miller, a famous activist. When Nakia offers financial help, Monique deflects. Nakia internally critiques what she sees as performative activism among influencers like Monique, contrasting it with her friend Arielle’s straightforward work serving the unhoused on Skid Row.


Returning inside, Nakia observes Jay and Monique laughing together. Jay praises Monique for improving the conversation and reveals that Monique told her about a settlement from a college related to the incident that first made her famous online. The discussion turns to corporate mortality and empires. Monique then posits that contrary to Octavia Butler’s predictions, the housed will attack the unhoused, citing a rideshare driver she witnessed aggressively threatening a “homeless man.” The claim makes Nakia defensive, feeling it indicts her and her neighbors.


As Jay proposes a champagne toast, a magnitude 4.6 earthquake strikes. The group evacuates to the courtyard. Hours later, only Nakia, Monique, and Jay remain. After Jay goes to bed, Monique and Nakia stay up talking. Monique tells Nakia that Jay has offered to set up a call with Tru Talk. Nakia confronts her about using Jay to become famous. An argument ensues. Nakia accuses Monique of becoming hollow like other influencers and Monique accuses Nakia of hypocrisy and gatekeeping. Monique ends the argument by recounting her terror during the earthquake, noting her instinct to freeze could have killed her. The next morning, tensions remain. Monique accepts a breakfast burrito from Nakia but refuses a ride. They hug before parting, and Monique admits she is trying her best despite not knowing what she is doing.

Chapter 9 Summary: “Two Under”

In late 2019, Desiree reflects on January’s wedding earlier that year, remembering how exhausted January appeared. She suspects January was already pregnant with her second child. Six weeks after Brook Bali Starling’s birth on October 12, Desiree grows concerned by January’s lack of communication and flies to Los Angeles. She drives east through the warehouse-dominated landscape of the Inland Empire to January’s subdivision.


Inside the cold, dark house, January is suffering from severe nausea while breastfeeding Brook. She is surprised to see Desiree, confusing her with the DHL representative meant to deliver her formula. When Desiree asks her about a cryptic text she sent saying “two things can be true at the same time” (174), January explains: She loves her children but wants an escape. She then changes the subject, asking Desiree to examine a physical problem. In the bathroom, Desiree sees what appears to be a pelvic organ prolapse. Horrified, January declares they must leave immediately.


The friends drive west with Brook, stopping at a burger joint in Pomona. January explains her unhappiness with Morris, describing a feeling of being both necessary and always outside her own family. An unhoused man named Van approaches, calls Brook lucky, and makes unsettling comments about breastfeeding and the word verbatim before Desiree buys him food.


In the car, January asks Desiree why she lied to Van about not having cash. Tensions escalate when January then accuses Desiree of living in a holding pattern, refusing to renovate her apartment or commit to her partner, Jelani. Desiree defends herself by articulating her personal vision of happiness as a many-roomed home where contentment comes from being still and minding her own business. She does not need a legacy or children; she wants her small, manageable life. January reveals she knows about Desiree’s past relationship with Chika,, but Desiree is unwilling to discuss it. Desiree then reveals she researched January’s condition—a prolapse, likely bladder or rectal—but did not mention it earlier because she feared January wouldn’t have left the house.


The friends head to Nakia’s home in Inglewood. On the drive, January sleeps while Desiree reflects on Van’s comments about the word verbatim and decides to ask her current boyfriend Jelani to move in with her. They arrive at Nakia’s, where the three friends reunite. Nakia teases them about kidnapping, and they discuss the ethics of giving money to the unhoused. Feeling the prolapse when she crosses her legs, January solidifies her decision to leave Morris.

Chapter 10 Summary: “Black in the Stacks: A Black Librarian’s Musings”

On September 9, 2023, Monique publishes a blog post announcing the death of her father, Dennis LaMorne Jr., who died at age 68 in Barbados during his longest visit to his birthplace since adolescence. She describes being unprepared for the intensity of her grief and experiencing what she calls grief paralysis—a daily exhaustion that left her unable to complete basic tasks. Her friends showed up to support her; Desiree and Nakia were there to be with her and January sent videos of her sons.


Monique reflects on her past failures to reciprocate such care during others’ difficult moments; she attributes this habit to her self-described “Scared and Stingy years” when she prioritized professional opportunities over relationships (200). She acknowledges that hard times arrive without warning—divorces, illnesses, deaths—and it is essential to show up for loved ones regardless of one’s own circumstances. She distinguishes between a supportive “fallback culture,” where friends set aside grievances when someone is in distress, and a harmful ghosting culture, where people retreat under the guise of giving space. Monique reveals she has apologized to two people for past poor treatment; one responded, the other did not. She concludes that time may be the only resolution for fractured friendships.

Chapter 11 Summary: “Black in the Stacks: A Black Librarian’s Musings”

On September 19, 2025, Monique posts a poem titled “Too Soon (for everyone).” The poem expresses her feeling that middle age has become a succession of years marked by loved ones dying from plagues, violence, uncontrollable growths, or self-ending sadness. Each death is untimely, making her mark time differently. She wonders who will be added next to this list of names stamped in earth. The poem concludes with the image of life as a series of small hillocks plotted ahead, each one a test she prays not to die climbing.

Chapter 12 Summary: “14 Hours in the Loop”

In June 2024, Nakia and January take an early architectural boat tour on the Chicago River while awaiting Monique and Desiree’s arrival from New York. Nakia is a finalist for the prestigious Best Chef: California award, and the four friends have made a weekend trip of the occasion. January recalls taking the same tour with Morris in 2009 during an Obama-inspired pilgrimage. On the flight, Desiree and Monique sit in first class; Desiree notices Monique’s fresh memorial tattoo for her father.


At their shared hotel room, Monique insists on previewing Nakia’s outfits for the weekend events. The friends tease Monique by dancing and singing a playful riff on the song “Le Freak” featuring her name. While getting ice, Monique encounters Niles Dickerson, a food media personality. They recognize each other from social media and engage in conversation.


At an evening mixer for award nominees that night, January enjoys networking while Nakia talks with Donnie Gleeson, an acquaintance from her restaurant management program days. Monique asks January about her sex life; January admits she hasn’t slept with anyone in four years, given her separation from Morris and pregnancy recovery. Monique hints she might end her own 10-month celibacy streak before walking off to find Niles. Donnie tells Nakia he knows one of the judges and implies she will not win because the industry’s interest in diversity has faded. The news intensifies Nakia’s anxiety.


Monique persuades the friends to join her and Niles on a party bus chartered by a famous older Chicago chef. On the bus, Niles offers Monique a research position for a project on Black restaurant menus, potentially leading to a book or TV show. Initially, the bus holds only the four friends and Niles, but when it picks up three male chefs and eight younger women, the gender dynamics become uncomfortable. Nakia retreats into herself. The friends decide to leave the bus and walk back to their hotel at midnight. Monique offers a genuine apology for derailing their dinner plans, which Nakia accepts. After January asks for a piggyback ride, Monique crouches down to offer one despite complaining about her bad knees.

Chapter 13 Summary: “Her Entire Life”

In November 2027, Danielle Joyner Johnson travels from Washington, DC, to New York City to meet her estranged father, Terry Joyner. She has not seen him since she was 14. She now lives in DC with her husband, Warren, and their twin daughters, Nina and Naima. Her decision to contact Terry stems from a desire to reclaim a piece of her history, though she keeps the pettier motivation to herself.


A flashback to 2013 reveals that Danielle discovered Desiree’s affair with Chika. She had sent Chika a T-shirt hoping he would reconnect with her; instead, he returned it with her own note. The shirt’s scent makes her realize that Chika had been with Desiree. Devastated, Danielle tried calling Nakia to complain, but Nakia hung up on her, saying Danielle should only call if she was ready to approach Desiree respectfully. Another flashback to 2019 shows a pregnant Danielle calling Nakia to suggest Desiree was in unrequited love with her; Nakia insisted that Desiree’s only unrequited relationship was with Danielle herself.


On her way to meet Terry, Danielle recalls the time she witnessed Terry shove her mother, Sherelle, across their green kitchen, his face contorted with hatred. For years, Terry’s hateful expression in this memory convinced her never to seek him out. She also recalls her grandfather Nolan’s cruelty toward her as a teenager, comparing her to Sherelle when she asked for money and making her feel like a burden. Sherelle’s death left Danielle feeling exposed and lost.


Danielle’s meeting with Terry in Central Park goes poorly. They share a striking physical resemblance, but Terry immediately blames Sherelle for keeping him from Danielle and Desiree. He reveals that he has three other children and three grandchildren. When Danielle accuses him of abandoning them for his new family, Terry claims he paid child support through her grandfather, Nolan, which is news to Danielle. She becomes upset and ends the meeting abruptly. Terry asks for Desiree’s contact information, but Danielle says she does not have it because they do not speak.


Danielle eats sushi alone before her train ride home. She realizes her lifelong sense of loss has always been about Sherelle, not Terry. On the train, she decides she is finally ready to reconnect with Desiree and calls Nakia’s phone to ask for her number. A distraught woman named Jay answers, identifying herself as Nakia’s partner. She asks desperately for Desiree’s whereabouts, saying they have been trying to reach her. A shriek-like sound echoes in the background. Jay’s distress makes Danielle realize that something is terribly wrong. Danielle arrives home in DC and tells Warren that Nakia is dead.

Part 2, Chapters 8-13 Analysis

Part 2 intensifies the novel’s exploration of Navigating Precarity in the Search for a Livable Life by grounding the characters’ abstract anxieties in physical terms. The characters confront instability as both a societal condition and as personal crises that manifest in their bodies and minds. January’s postpartum experience culminates in a pelvic organ prolapse, a representation of her internal and external worlds collapsing under pressure. Her chronic physical condition symbolically conveys her existential belief that she is “both completely necessary to this family […] and always on the outside of it” (187). The home she occupies, meant to be a sanctuary, becomes a cold, dark space that mirrors her psychological entrapment. Her body has similarly become foreign to her in the wake of her child’s second birth. Similarly, Nakia’s professional success is shadowed by a persistent anxiety, a “heartbeat of some tiny animal lodged deep in her belly” (208), which quickens with the news she will not win the award. This physical symptom underscores the precariousness of her social and professional positions, where external validation is fleeting. The narrative punctuates these personal struggles with larger portents of instability; for example, the earthquake that occurs during the dinner party suggests that the characters’ individual quests for stability are occurring on fundamentally unstable ground.


The narrative uses the fractures and loyalties within the four primary characters’ central friendship to examine the theme of The Resilience and Primacy of Chosen Sisterhood. The bond between Nakia, Monique, January, and Desiree is a dynamic and sometimes contentious relationship that requires active maintenance. The argument between Nakia and Monique in Chapter 8, for example, reveals a core tension between authenticity and ambition, exposing their differing values and insecurities. Nakia’s accusation that Monique is becoming “hollow” and Monique’s retort that Nakia is “gatekeep[ing]” success highlights the challenges of navigating personal growth within a collective identity. The friends hold each other to a high standard that at times challenges their individual relationships. For example, when Monique convinces her friends to join Niles’s party bus, she is initially sure that “she’d saved the night, and maybe even made her friends proud of her” (224); however, when other younger partiers join the bus, she finds herself regretting her decision, privately declaring that she and her friends are “not snobs, or prudes” (224). She is struggling to navigate the distinct nature of her and her friends’ group amid a broader, collective experience.


Despite these moments of insecurity, the friendship’s resilience is demonstrated through acts of unconditional support. Desiree’s immediate flight to California to help January during her crisis demonstrates this bond. Monique’s subsequent blog post, written after her friends rally around her following her father’s death, provides a meta-commentary on their relationship. She theorizes about a “fallback culture,” which requires friends to “normalize putting aside your petty bullshit when a friend is in distress” (201). This concept retroactively frames Desiree’s actions for January and foreshadows the support the group will need, establishing their sisterhood as a conscious, ethical practice.


The friends’ often conflicting ethical and political standpoints also challenge their friendship. Through Monique’s blog posts and Nakia’s internal monologues, the novel critiques the performance of social consciousness in a digital age. All four friends are arguably socially aware and engaged, but their versions of activism don’t always align. Monique’s journey from a librarian to a public intellectual with an online following places her at the center of this critique. Nakia worries that Monique is sacrificing substance for branding, accusing her of becoming as vapid as other influencers. This conflict compels the characters to ask whether meaningful change is driven by direct, on-the-ground action—like that of Nakia’s friend Arielle—or by the amplification of ideas in the public sphere. Monique’s writing reveals her awareness of this paradox, acknowledging the need to avoid becoming a mere persona. Her professional anxieties and her argument with Nakia reflect a broader cultural tension between curated online identities and the less visible work of community building.


At the same time, the characters are interrogating the sustainability of their relationships with each other, and what the costs of their individual versions of activism are. When the two part ways the morning after the dinner party, Nakia is relieved when Monique accepts the burrito she gives her: “Who knows what it would have meant for their friendship had she rejected it” (170). Despite their disagreements and frustrations with each other, the friends are still able to end their interaction with a hug. This image suggests that their chosen sisterhood might withstand greater sociopolitical questions of allyship and collectivity.


The nonlinear structure of these chapters, particularly the temporal jumps and use of flashbacks, emphasizes The Inescapable Weight of the Past. Danielle’s chapter serves as a key example, as her present-day attempt to meet her father is filtered through layers of memory and past trauma. Flashbacks to her discovery of Desiree’s affair with Chika and her repeated phone calls with Nakia reveal the long-standing resentments that have defined her estrangement from her sister. Her memory of Terry shoving Sherelle in their green kitchen decades earlier is a foundational trauma that shapes her inability to connect with him. The past is not an active force that dictates her emotional responses and decisions; indeed, it is her confused and omnipresent longing for her late mother that drives her reunion with Terry and attempted reconciliation with Desiree. Similarly, Monique’s blog post reflects on her “Scared and Stingy years” (200), a period she now regrets, demonstrating a conscious effort to reconcile her present self with her past actions. Even the characters’ moments of celebration are tinged with bittersweet ruminations on the past, as when January’s architectural tour in Chicago triggers recollections of a more hopeful trip with Morris. This narrative strategy collapses time, illustrating how past grievances, losses, and choices remain active in the present.


The narrative structure of this section also builds dramatic irony and foreshadows Nakia’s death, recasting seemingly minor events with tragic weight. Monique’s 2025 blog post contains the poem “Too Soon,” a meditation on premature death that functions as prophecy. Her closing image of life as “a series of small hillocks, plotted out before me, / each one I pray / not to die climbing” anticipates a violent (203), untimely end. In Chicago, Nakia’s pre-award anxiety and her conversation with Donnie Gleeson, who implies her moment of industry recognition has passed, acquire a deeper pathos in retrospect. These moments come to represent some of the final anxieties of her life. The section concludes with Danielle’s phone call to Nakia, a scene that marks a sudden tonal shift where a personal quest for reconciliation collides with an unfolding tragedy. Jay’s distraught voice on the other end of the line provides a reveal that forces the reader to re-evaluate the preceding chapters—transforming the friends’ arguments and moments of support into the final interactions before an irreversible loss.

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