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Bonnie is one of two protagonists in the novel. She is the daughter of Sir Willoughby and Lady Green and is characterized as pretty, brave, and strong. Although she is “small for her age” (10), there are various clues in her appearance that speak to her inner strength and independent spirit, such as her “two brilliant blue eyes, equally ready to dance with laughter or flash with indignation. Her square chin also gave promise of a powerful and obstinate temper, not always perfectly controlled” (10, emphasis added). Her obstinacy and temper are balanced out by her loyalty and inherent kindness: “[H]er mouth was sweet, and she would be very thoughtful on occasion” (10, emphasis added). Bonnie is therefore presented from the beginning as someone with a fiery personality, but who is also “thoughtful” and kind to those she loves.
These key elements of her characterization continue throughout the novel, but Bonnie is a dynamic character who also develops significantly. While she is initially quick to anger and acts impulsively, her experiences with Miss Slighcarp and the dangers that come to the Chase teach her to think more carefully and act with more forethought. As she undergoes further trials at the school, she learns to balance her strength with the necessity of sometimes restraining her temper to secure her long-term plans.
When, for example, she has to get the sick Sylvia into the coal room, she crafts a clear plan to anger Diana and include Sylvia in the punishment. When she confesses to stealing eggs to help Sylvia, Diana slaps her across the face, and Bonnie’s primary development is revealed: “Six months ago Bonnie would have slapped her back, and heartily, but she was learning patience and self-command” (122, emphasis added). If she had reacted with Diana as she did with Miss Slighcarp at the beginning of the novel, or with the cook in the school’s kitchen, her plan would have been compromised. Here, she is able to act with “patience and self-command” instead.
Bonnie also develops through gaining more practical skills. As a child with a very privileged upbringing, she is used to living with fine clothes, lots of toys, and plenty of servants to wait on her at Willoughby Chase. Under both Miss Slighcarp and Mrs. Brisket’s control, she must contend with deprivation and even cruelty, such as being denied adequate food, having her hair shorn, and wearing drab numbered overalls. Instead of crumbling under these changes, Bonnie instead responds with cheerfulness and determination, willingly learning how to cook and performing menial tasks to ensure her survival.
By the novel’s end, Bonnie is back at Willoughby Chase, but instead of the quick-tempered, slightly spoiled girl she was at the novel’s start, she is now more mature, more restrained, and capable of taking care of herself.
Sylvia Green is the second protagonist in the novel. In many ways, her personality contrasts with Bonnie’s, except in her general kindness and generosity. Her introduction in the novel emphasizes her relationship with Aunt Jane and the necessity of her move to Willoughby Chase:
Sylvia was an orphan, both her parents having been carried off by a fever when she was only an infant. She lived with her Aunt Jane, who […] had written to Sir Willoughby to suggest that he take on the care of the little girl. He had agreed at once to this proposal, for Sylvia, he knew, was delicate, and the country air would do her good. Besides, he welcomed the idea of her gentle companionship for his rather harum-scarum Bonnie (18).
Sylvia develops more than any other character in the novel. She begins as “delicate” and retiring, which makes a good impression on Miss Slighcarp, but her fears and anxieties often prevent her from behaving more decisively and confidently. At the beginning of the novel, Sylvia is afraid to speak to Mr. Grimshaw, but that same fearfulness allows him to wear her down and convince her to trust him. She is thus overly obedient and meek, which leaves her vulnerable to the manipulations of others.
When Miss Slighcarp locks Bonnie up in the cupboard, however, Sylvia forces herself to be brave and go to beg for leniency. That first dose of courage results in Sylvia and Bonnie discovering Miss Slighcarp’s primary plot to take over Willoughby Chase. Later, that same courage in defense of good friends inspires Sylvia to go with Sir Willoughby to free her friends from Mrs. Brisket’s school, and to speak up even to intimidating adults to advocate for the orphans. Her role as both orphan and privileged family member of Sir Willoughby puts her in a position to understand the orphans’ plight while having some power to make a difference. She also steps into the role of carer for Aunt Jane when Aunt Jane is found ill, offering Aunt Jane compassion and care in a mature and decisive fashion.
Thus, even though she’s invited to Willoughby Chase largely to counteract some of Bonnie’s less-than-ladylike tendencies, Sylvia is actually bolstered by Bonnie’s cheerful bravery and strength. She becomes more confident and independent, advocating for herself when necessary and helping others when she can.
Simon is a supporting character who helps Sylvia and Bonnie, and exemplifies the elements of fantasy in The Wolves Chronicles. When he’s first introduced, he appears out of the woods at a moment of peril, described in Sylvia’s point-of-view: “Sylvia found a lithe, bright-eyed boy beside her, helping her on. Taller than Bonnie, he was dressed entirely in skins. He wore a fur cap, carried a bow, and had a sheaf of arrows slung over his shoulder” (54). Simon’s clothes characterize him as part of the natural world, rather than embedded in society like Bonnie and Sylvia. He lives in a cave with his geese which further connects him to nature, and he seems to have appeared from thin air both in his first introduction in the novel, and when he first arrived at Willoughby Chase. Bonnie explains to Sylvia that Simon arrived “one autumn day, and asked if he might live in that cave in the park […] My father asked what he proposed to live on. He said, chestnuts and goose eggs. He had a goose and a gander that he had reared from chicks” (63-64). True to his word, Simon has built a business from the geese, which he takes to London every year to sell and fund any incidentals he can’t get from the forest.
Simon is instrumental in all the major elements of the girls’ success. When they’re threatened by the wolves coming off the ice, he’s there to shepherd them to safety. When they find themselves imprisoned at Mrs. Brisket’s school, Simon appears to provide a key, clothes, and company to help them escape. Without his annual journey to London, the girls wouldn’t have been able to reach Mr. Gripe and Aunt Jane to right the wrongs at Willoughby Chase. Simon proves to be continually trustworthy and protective, while honoring the girls’ individuality. Importantly, Simon is also the thread that leads from The Wolves of Willoughby Chase to the rest of The Wolves Chronicles books.
Miss Letitia Slighcarp is the primary antagonist in The Wolves of Willoughby Chase. It is her deviousness and plotting that lands Sir Willoughby and Lady Green on the ship intended to wreck, and her goal is to take over Willoughby Chase and leave the girls disinherited and neglected. She is described as “an immensely tall, thin lady, clad from neck to toe in a traveling dress of swathed gray twill, with a stiff collar, dark glasses, and dull green buttoned boots” (11). Even when she puts on Lady Green’s gown, her aura is severe and colorless. Her interest is only in her own gain at the expense of everyone around her. She has no patience for either girl, although she clearly prefers Sylvia’s meekness to Bonnie’s gregarious and impetuous nature.
Miss Slighcarp is actively cruel throughout the novel: She’s a fully static character defined by greed, selfishness, and cruelty. She’s also definitively a symbol of deception, as even her first night at the Chase, she’s revealed to be something other than what she seems: “Miss Slighcarp reeled under the impact—her bonnet came off, so did her gray hair, which, apparently was a wig, leaving her bald, dripping, and livid with rage” (13). The false grey hair indicates Slighcarp’s inherent tendency to deceive, which is reinforced with her secret meeting with Mrs. Brisket, and the late revelation of the forged letter of recommendation she provided to Mr. Gripe. Her selfishness and cunning contrast with the kindness and loyalty that characters such as Bonnie, Sylvia, and Simon embody.
Pattern is Bonnie’s maid and acts as a foil to Miss Slighcarp. Where Miss Slighcarp is cruel and uncaring, Pattern is kind and doting. Pattern demonstrates what a successful caretaker should be, which further emphasizes Miss Slighcarp’s villainy.
The first interaction between Miss Slighcarp and Pattern establishes a clear distinction and conflict between the two characters. Pattern is merely doing her job, making sure that Miss Slighcarp’s things are properly unpacked. Bonnie sees Miss Slighcarp “snatching a heavy marble hairbrush from its rest and striking a savage blow at the maid” (13). This outburst of rage and violence reveals both Miss Slighcarp’s true character and Bonnie’s affection and defense of Pattern.
Throughout the dangers posed by Miss Slighcarp, Pattern is a constant and unwavering force of care for both Bonnie and Sylvia. Pattern even risks her own safety and potential freedom to stay in the house secretly to provide for the girls until Miss Slighcarp takes the girls to Mrs. Brisket’s school. Pattern supplies Simon with the clothes and supplies that aid in Bonnie and Sylvia’s escape from the school, and as soon as Miss Slighcarp and Mrs. Brisket are apprehended by the authorities, Pattern is ready to return to her charges. While Miss Slighcarp is selfish and violent, Pattern is unflinchingly calm and caring.



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