107 pages 3-hour read

The Year of the Flood

Fiction | Novel | Adult | Published in 2009

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Symbols & Motifs

The Waterless Flood

The Waterless Flood symbolizes the punishment for human sins, especially the deliberate destruction of nature. Unlike the biblical flood it references, this pandemic is designed to only kill people; it doesn’t affect any other living creatures on Earth. This suggests that its only goal is to wipe humanity off the face of the planet so that “the planet could repair itself” (399). The God’s Gardeners, having a much more acute awareness of the consequences of human activities on the ecosystem, realize that atonement for people’s actions is unavoidable, which is why they prepare for the pandemic in advance.


The term “Waterless Flood,” a combination of two contradictory words, is an oxymoron, and Atwood utilizes this figure of speech to create a twofold effect: The term alludes to the biblical flood, but it also suggests that this modern-day cataclysm is of a completely different nature.


When the Flood hit, it had all the features the Gardeners had foretold: “it traveled through the air as if on wings, it burned through cities like fire, spreading germ-ridden mobs, terror, and butchery” (24). The Flood takes the form of a lethal virus that cannot be contained and becomes a force beyond human control. Yet while the pandemic symbolizes ultimate destruction and death, it also represents a new beginning. Especially to the Gardeners, the Waterless Flood seems to be the only way to cleanse the Earth and restore environmental balance. After the pandemic spreads, Adam One emphasizes that “the Waterless Flood has cleansed as well as destroyed, and that the world is now a new Eden” (413).

Toby’s Rifle

Shortly after the plague spreads, Toby journeys to her parents’ former house to get her father’s rifle. Although it is dangerous and Toby has to walk quite far, moving mostly at night, she doesn’t question the necessity of being armed in extreme conditions. Despite dealing with her mother’s death and her father’s suicide, Toby had the foresight to bury the rifle in a safe place, which foregrounds her pragmatism and rationality.


Once Toby has the rifle, they are inseparable, and the weapon symbolizes Toby’s resistance and willingness to fight for her life. Whether Toby uses it to scare the pigs or to keep her enemies at bay, the rifle becomes essential to her survival. When Toby has to deal first with the Painballers, and then the Crakers, she uses the rifle not to show force but to create a level playing field.


Toby is the only female character who is armed, though plenty of male characters have sprayguns or other weaponry. Toby’s possession of the rifle blurs the lines between male and female attributes, becoming another manifestation of her androgyny. Thus, the rifle also represents a phallic, traditionally male signifier of power, one Toby successfully appropriates.

Hair

Before leaving the AnooYoo Spa together, Toby and Ren cut their hair, then leave the trimmings on the roof for birds to use as nesting material. This act acquires a symbolic meaning. It represents not just the shedding of hair, but the shedding of their former selves. Venturing into the unknown postapocalyptic world means facing a completely new reality. By cutting their hair, Toby and Ren are stepping away from their old lives and into their new ones, symbolizing both an end and a beginning. What’s more, birds can use the hair to create the conditions necessary for new life.


Similarly, when Lucerne and Ren are about to run away from the apartment they share with Zeb, Lucerne shears off her long hair, leaving “the pile of hair in the middle of the dining-room table” (245). Here, Lucerne’s decision to cut her hair represents her decisiveness and desire to begin her life anew.

The Garden of Eden

Throughout the novel, the Garden of Eden serves as a symbol of utopia, where humans live in perfect harmony with nature. The God’s Gardeners set up the Edencliff Rooftop Garden as a prototype of the Garden of Eden, striving to create an oasis of harmonious and love-filled life in the middle of a neighborhood notorious for violence. Amid total disregard for both nature and human life, the Gardeners keep their eyes on the imaginative Garden of Eden, which becomes a beacon of hope and an example to follow. They work hard to make sure that their own Rooftop Garden “has blossomed as the rose” (13), even though it used to be a wasteland. Just as their garden represents hope for people living in the pleeblands, so too does the Garden of Eden symbolize a possibility of revival for all living creatures.

Survival Instinct

All characters of the novel, to differing extents, are driven by the survival instinct. It is so strong that many of them make compromises with their consciousness and violate their own principles. For example, the survival instinct forces the Gardeners to eat meat despite their vows to remain vegetarian, and it spurs Shackie and Crozier to run away when their friends are attacked by the Painballers. Although some of these actions are ambiguous, they all have to be interpreted in the context of a desperate struggle to survive. When faced with extreme conditions, people often lose their humanness and become willing to do anything it takes to save their lives. Therefore, on the micro level, the survival instinct leads to the violation of ethical norms, but on the macro level, it might bring about lasting changes in the social fabric.

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