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Four days after Leah’s death, Immanuelle stands before the funeral pyre, feeling a hardening wrath toward the Prophet. Martha argues that Leah sinned, but Immanuelle defends her. Immanuelle privately attributes Leah’s death to the Prophet, believing that his attempt to hide his sexual sins cost Leah her life. Despite her anger at the Prophet, she still believes that the people of Bethel do not deserve to be punished. She begins circling the pyre, and Ezra joins her in silence, watched closely by the Prophet.
Immanuelle believes that in order to break the curses, she must learn more about her magical abilities from her grandmother, Vera Ward. She asks Ezra to help her leave Bethel by providing a warrant for her passage out of the Bethel Gate. He pleads with her to stay in Bethel, promising that they can fix the curses and offering to marry her in order to protect her. Immanuelle refuses, saying she must leave. He promises to secure her warrant.
Three days later, Immanuelle tends to Honor, who is recovering from the blight but shaken from her illness. That evening she shares a final dinner with her family. After the house is asleep, she packs a knapsack with provisions and Miriam’s journal, planning to leave without a farewell.
In the kitchen, Martha confronts her and demands to know where she is going. While searching Immanuelle’s knapsack, Martha discovers Miriam’s journal. She accuses Immanuelle of betrayal, warns that she is repeating Miriam’s sins, and says that if she leaves she can never return. Immanuelle wavers, then recalls her vision of the final plague of slaughter. She leaves the home reluctantly.
Immanuelle meets Ezra at the Haven’s gate with a wagon and supplies. He reveals he has forged warrants for them both and insists on accompanying her. As they flee, the cathedral bells toll an alarm and Immanuelle realizes that Martha has alerted the Prophet’s Guard about her escape attempt. Ezra gives her the reins and fires at their pursuers. When guards surround them, Ezra jumps from the wagon to fight them off, buying her time and promising her the gatekeepers will honor the warrant.
Ezra is shot but he keeps fighting as the chase spills into a village near the gate. As the Guard closes in, a supernatural darkness falls, which Immanuelle recognizes as the third plague. She uses the confusion to break away and reaches the Gate, which is open and waiting for her. Immanuelle escapes into the wilderness alone.
The Guards stop chasing Immanuelle after she exits the gate, and she travels alone through unbroken darkness as a sleet storm worsens. She finds brief shelter in monastery ruins, then pushes on. At a fork in the road, she chooses a thin, bare path to the western mountain track toward Ishmel. She prays for Ezra’s safety.
As they climb a steep mountain during a thunderstorm, Immanuelle’s horse spooks, and her wagon slides over a cliff’s edge. Immanuelle is able to free the horse just as the wagon and all her supplies crash into the valley below. With only the horse and her clothes, she remounts and continues in the pouring rain toward Ishmel.
Finally, Immanuelle arrives in Ishmel, where slivers of daylight filters through the darkness. When she asks about Vera, a beggar points her to a cottage marked with a shielding sigil she recognizes from the ruins. A woman named Sage opens the door, recognizes Immanuelle and calls for Vera, a tall, imposing woman with the Mother’s mark between her eyebrows. Vera and Sage usher her to the fire. Vera questions her about her route and any pursuers. Immanuelle begs Vera to let her explain herself. Vera tells her to rest and says they will speak more in the morning.
Immanuelle falls asleep to the sound of Vera and Sage arguing in the next room. She notes that the spare bedroom does not seem to be used often, suggesting Vera and Sage share a bed. Eventually, she falls into a deep sleep.
When Immanuelle wakes, Vera is gone and Sage is cooking breakfast. Sage says that she and Vera have been partners for 12 years, confusing Immanuelle, who is unfamiliar with same-sex relationships.
When Vera returns, Immanuelle gives her the portrait of Daniel from Miriam’s journal. When Immanuelle shares her theories about her mother and the witches, Vera insists that Lilith manipulated Miriam, who was trying to shield her child. She explains that the four witches were drawn to Miriam because she was pregnant with Immanuelle, and that Immanuelle’s powerful blood is the plagues’ true source. Vera claims that Immanuelle can reverse the plagues by carving a sigil into her arm with a consecrated blade, like the Prophet’s dagger. However, this ritual will draw the plagues back into her.
Immanuelle insists on learning the sigil. Vera hesitates, but reluctantly sketches the design. As Immanuelle prepares to leave, the Prophet’s Guard storms the cottage. Their leader, Ezra’s half-brother Saul, captures Sage. Wearing Ezra’s dagger, he orders his men to take Immanuelle.
For 10 days, guards confine Immanuelle in a dungeon beneath the Haven known as contrition. She overhears conversations between the Guards suggesting that they have arrested many other women under the orders of the Prophet. Each day Isaac and other apostles interrogate her about witchcraft, her role in the plague, and her relationship with Ezra. When she refuses to incriminate Ezra, Isaac burns her hand and then her face with candle wax.
The guards bring in Martha to plead with Immanuelle to confess at her trial to spare the family from shame. Immanuelle refuses, privately resolving to hold out for a chance to use the reversal sigil. Martha warns that refusal to repent will damn her and leaves.
On the day of her trial, guards parade Immanuelle through a hostile crowd into the cathedral. The ongoing darkness plague makes it impossible for Immanuelle to determine what is real and what is her imagination. The guards belittle and insult Immanuelle as they walk her to the cathedral, adding to her nerves. Inside the cathedral, hundreds of people wait to watch the trial. Immanuelle realizes that the people are going to find her guilty no matter what she says. Nevertheless, she determines to prove her innocence in order to save Bethel. As the trial begins, the Prophet formally charges her with witchcraft, murder, and treason.
Immanuelle’s grandfather Abram testifies first, begging for banishment over execution. A battered Judith follows and accuses Immanuelle of seducing Ezra through witchcraft.
Ezra appears last, bruised and hurt. To save her, he confesses to every crime, claiming he caused the plagues and used her to hide his crimes. The crowd is horrified by this betrayal at the highest levels of the church. The Guard seizes Ezra, and the Prophet adjourns the proceedings, leaving Immanuelle’s fate unresolved.
This section marks a pivotal transformation for Immanuelle, shifting her from a reactive victim into a protagonist with defined purpose. Her righteous anger at Leah’s funeral pyre is the catalyst, moving her beyond grief into a state of focused indignation. This internal shift is externalized by her decision to leave Bethel to seek a cure, an act of radical defiance against the patriarchal order. The journey to Ishmel represents a total abandonment of everything she knows and the rules she has followed for her entire life. Her solitary journey through the storm-wracked, lightless landscape strips her of supplies and any remaining connection to her former life, preparing her for the spiritual and psychological rebirth she undergoes in Ishmel.
Her interaction with Vera Ward, her grandmother, is crucial to this development. Vera provides the missing pieces of Miriam’s history, revealing that casting the curse was an act of grief manipulated by Lilith. This revelation empowers Immanuelle by reframing her understanding of this important family relationship, and therefore her understanding of her relationship to magic. Vera also provides her with a potential weapon: the reversal sigil necessary to end the plagues. Vera’s warning that the price for such power “will be steep” (272) establishes the central threat Immanuelle must now face.
The novel’s critique of The Corrupting Influence of Patriarchal Theocracy intensifies in these chapters, moving from depictions of social control to an examination of its systemic rot. Martha’s betrayal of Immanuelle to the Guard demonstrates how the theocracy’s ideology of absolute obedience supersedes familial bonds, turning a guardian into an informant. The trial itself is a theatrical performance of justice. Abram Moore’s plea for clemency is dismissed, showing the system’s deafness to mercy. Judith’s coerced testimony, delivered in a “lifeless drone” (291), illustrates how the patriarchy weaponizes vulnerable women against each other to maintain its narrative of female sinfulness. The proceeding serves to reinforce the Prophet’s authority and validate a predetermined outcome, revealing that truth within Bethel is a construct dictated by the powerful. Ironically, the trial’s formal structure reflects the pillars of Bethel’s society: family (Abram’s failed plea), female piety (Judith’s coerced lies), and patriarchal succession (Ezra’s subversion of the truth), leaving the Prophet’s authority exposed as hollow and brutal.
The third plague, darkness, represents an important shift in the symbolic nature of the plagues. The plagues of blood and blight were devastating, but not all consuming. Some clean water sources still existed during the blood plague, and not everyone was afflicted with the blight. However, the plague of darkness is all-consuming, reflects the moral and spiritual decay at the heart of the community. It is a physical manifestation of the ignorance, fear, and hypocrisy that have festered under the Prophet’s rule. Paradoxically, this symbol of Bethel’s damnation becomes Immanuelle’s salvation. The supernatural blackness that descends upon her pursuers allows her to escape the Prophet’s Guard and pass through the Hallowed Gate, a structure intended to keep dangers out but which here serves as an exit from the greater danger within.
The structure of this section of the novel adds tension through changes in pacing. The tempo of the novel accelerates dramatically from the somber reflection at Leah’s pyre to the desperate flight from the Prophet’s Guard, slows for the grueling, isolating trek through the darkness, and finally settles into intense, dialogue-heavy scenes of revelation with Vera. This rhythm effectively mirrors Immanuelle’s internal state.



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