Content Warning: This section of the guide includes discussion of child abuse, child death, graphic violence, illness and death, emotional abuse, and physical abuse.
Alone with Teren at the Inquisition Tower, Adelina hedges, insisting she does not know the names or identities of any Elites who visit her at the Court. She tells him they are making plans for the Tournament of Storms. She asks for two weeks to get more information, and Teren agrees.
Leaving the Tower, Adelina follows the crowd to the piazza, set up for a horse race. Three riders from each Quarter will compete; the top three will go to the Tournament of Storms. Adelina guesses that Enzo wants to qualify a Dagger so that they will be near enough to the king and queen at the Tournament to assassinate them. Adelina sees Star Thief riding a beautiful thoroughbred; the purple marking across her face identifies her. Adelina realizes she must be from a mighty family to be allowed to ride as a malfetto. As it is, Lady Gemma (Star Thief) is subjected to jeers as she rides to the starting point.
During the race, Gemma pulls ahead and wins. The Green Quarter cheers her victory. But an Inquisitor announces that the palace changed the rules: No malfettos can compete in the Tournament of Storms. Now everyone besides the Green Quarter cheers. Someone pitches a rock at the Inquisitor, and he responds by threatening Gemma with his sword, forcing her to kneel. Adelina thinks the change of rules is her fault for what she told Teren. She fears that Enzo and the others are not going to save Gemma, so she creates the illusion of many Elites, hooded and masked, on surrounding rooftops.
Everyone panics. An arrow hits an Inquisitor. Adelina struggles against the mob but makes it back to the court. She expects Enzo to be furious. Spider accuses her of launching the panic. But Enzo sends Spider away. Gemma may be disqualified, but Enzo has the idea for Adelina to disguise Gemma with an illusion and still race. Enzo reveals he will now train Adelina himself but warns her not to cause peril for the Elites. Windwalker befriends Adelina, introducing herself as Lucent.
The king berates Teren for publicly threatening Lady Gemma, the daughter of an important house. He is furious that Teren has caught no Elites and threatens to behead him. Teren watches the queen and feels both excitement and trepidation about “the game they play” (172). He reflects on how they threatened Gemma on purpose to goad on the citizens’ unrest.
During a terrible storm, Adelina reports to the cavern for training by Enzo. He wants her to practice the command of her powers despite fear (he traps her within walls of fire) and distraction (he continually physically attacks her with daggers). She is soon exhausted; though she produces illusions, she cannot control them consistently. When she weeps, he grows disgusted and starts to leave. Adelina pulls herself up and creates a massive set of black wings for herself. When he turns to see her, she changes the wings into shards of glass and sends them flying through him. Enzo challenges her to make something that includes color. She creates a rose, and when he tries to grasp it, she makes the illusion of blood on his hand from the thorns. He praises her; she insists she is ready to help with his goals.
Adelina watches Teren in a distant city square after the storm. He tells onlookers the gods punished them with the storm for allowing a malfetto to race. Then, he burns three young malfetto teens to death. The next day, angry citizens take it upon themselves to destroy a malfetto shop.
Enzo increases the pace of Adelina’s training and enlists Michel’s help in teaching her how to “paint” her illusions realistically. Gemma teaches Adelina how to quiet distracting thoughts to better concentrate. Gemma thanks Adelina for saving her in the square. Raffaele teaches her how to find her way in the catacombs and tunnels under the city. He shows her a lovely view of the city and sings a song her mother used to sing. Adelina wants to continue to build friendships with the Daggers and focus on helping their efforts in Estenzia. But to do so, she must rescue Violetta and stop being Teren’s spy.
Sparring with Enzo in a training session, Adelina tries to fight off his attack by gripping his dagger and turning it on him. He pulls her wrist away and chastises her for “forgetting” his other hand’s dagger, but she reveals that the dagger he saved himself from is just an illusion and that she holds the real one in her other hand. This makes him smile, and Adelina feels strongly attracted to him. She almost tells him about spying for Teren but cannot. Enzo almost kisses her; Adelina cannot tell if it is a test or not. He leaves without commenting on the moment.
In the cavern, Raffaele discusses with Enzo how Adelina will soon control others’ behavior based on her illusions. Enzo thinks she will be incredible, but Raffaele is still wary that she will be more powerful than any of them, even Enzo. Raffaele senses Enzo’s passion for Adelina and reminds Enzo that Adelina is not Daphne, a young woman with whom Enzo fell in love but who died. Enzo does not remark on this but tells Raffaele that Adelina will accompany the Daggers to the Spring Moons festival.
Adelina recalls that when she was 13, her father pretended to be kind to her for several weeks. He took her on outings and paid her the same kind of attention he paid Violetta. Each day, however, he asked her to show her powers; she tried but could never do it. He gave up, calling her “worthless” and returning to his cruel neglect of her. She was bitter that Violetta witnessed it.
Spring Moons is a seasonal festival. Ships wait in the harbor loaded with fireworks to be set off in celebration. The Daggers intend to set them off early and unexpectedly. The city is filled with energy, revelers, food, and music. Inquisitors guard every bridge. Enzo escorts Adelina toward the harbor as if they are a couple. He is dressed in disguise like other revelers—a forest fae with a crown of thorns covering his hair. She is in Tamouran silks and her half-mask—his consort. On the way to the dock, they pass through a street party of music and dancing. Enzo pauses and dances with Adelina. Her attraction to him increases. She tells herself it is just part of the ruse.
Near the piers, Enzo touches two Inquisitors; they die, burned inside by his fire hands. Adelina constructs the illusion of a pier with two living Inquisitors, which she and Enzo hide behind. Nearby, Michel “unravels” Enzo’s flames and reconstitutes them on board the fireworks ships. The thought of innocent people perishing distracts Adelina—and a vision of her father’s ghost mocks her weakness. Her illusion fades. She runs to the next pier and creates the illusion of countless blue-robed Daggers. In the resulting chaos, the real Daggers kill many Inquisitors. The ships explode in a chain reaction.
The crowd panics, though some cheer the explosions as a Dagger act of defiance. Adelina ducks into an alley; Teren grabs her by the throat, insisting on information. Adelina begs for a week. Teren gives her three days. Dante and Enzo arrive and attack Teren with arrows and flames, but Teren heals miraculously—Adelina realizes he is a Young Elite. Dante pulls her away; his tone suggests he witnessed her struggle with Teren.
Throughout the middle of the rising action, Adelina’s chances to avoid villainy are not hidden or obscure. These opportunities come in the form of friendship, romance, concern for her well-being, and camaraderie. Lucent and Gemma make extensions, albeit cautiously, of friendship. Enzo’s apparent attraction to Adelina grows. Raffaele seeks to foster calm and patience within her for her own good. Even Dante pulls her from danger at the festival. Adelina loves the taste of these opportunities after her hard childhood; friends, love, and being part of a team are entirely new experiences for her. Ironically, even while admitting her budding desire for a happy future as a Dagger in Estenzia, Adelina feels the weight of complications, primarily Teren’s threats, her guilty conscience, and the troubling source of her powers. These dark secrets hamper Adelina’s progress, connecting to the theme of The Impact of Secrecy on Power, Corruption, and Redemption.
These fine offerings—friendship, love, loyalty, teamwork, serving justice—dangle almost within Adelina’s reach. However, several plot points foreshadow her upcoming failure to grasp them. When the Inquisitors threaten Gemma at the race, Adelina feels a dawning “horror” at her excitement, which builds directly from Gemma’s fear and the crowd’s anxiety. In other words, the dark side of her enjoys the spectacle, and the realization that their terror builds her power stores is a turning point in her ability to control her illusions.
Later, her presence at the Spring Moons is the “first time [she steps] out into Estenzia at night” (205). This too is a turning point, reminiscent of a winged insect emerging from a cocoon; nighttime traditionally symbolizes sinful acts by evildoers under cover of darkness, and Adelina’s immediate infatuation with the city’s energy at night associates her character arc with the potential dark crimes waiting to happen there. Immediately before she enters the night, she reflects on Enzo’s upcoming attempt to seize power in terms of her dormant potential: “…what would it be like to have others bowing to me, obeying my every command? What must it feel like to have that kind of power?” (205). This moment marks Adelina’s impending transformation, as she expresses a growing fascination with power and the strengths and dangers inherent within it.
Chapter 17 sees Adelina’s growing strength when she manufactures the illusion of wings. Far from a butterfly-like metamorphosis, however, her black wings form in defiance after Enzo shows his disappointment in her. The illusion “snake[s]” together in a way that is “vicious,” like “an enormous blanket” (178). These wings shatter into a deadly-looking black glass that flies at Enzo. The colors and imagery foreshadow a sinister transformation in Adelina that makes her more capable not of love and friendship but of cruelty and pain. Ultimately, all the gestures the Daggers make toward Adelina, inviting her to join them in friendship, love, and justice, are threatened by these strengthening signs of maliciousness in her. Her hesitant exploration of darker energies helps to build the theme of The Journey to Understanding and Fulfilling One’s True Purpose.
Another theme that develops in this section is The Concept of Monstrosity and Society’s Role in Creating It. Teren increasingly represents the idea of monstrosity with his evil plans and conscienceless acts. But in these chapters, he also shows his skill with using the citizenry’s fears against them to rationalize the need to eliminate malfettos. Frequent mentions of mob mentality help to build this idea, especially the reaction of the crowd to the Inquisitors’ treatment of Gemma. Teren reveals in an interior monologue that their panicked dispersal was a desired reaction; he also manipulates Kenettrans to think the terrible storm was their fault. Later, the crowd, impossibly, does nothing to stop him from burning three young teens, showing how his monstrous control is swelling.



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