The Young Elites

Marie Lu

51 pages 1-hour read

Marie Lu

The Young Elites

Fiction | Novel | YA | Published in 2014

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Character Analysis

Adelina Amouteru

Content Warning: This section of the guide includes discussion of child abuse, illness and death, emotional abuse, sexual content, and self-harm.


Adelina is the 16-year-old protagonist, but she is not a typical “hero” archetype. While her narrative encapsulates a kind of quest that represents some “hero’s journey” components, a cynical, embittered side that wants to dominate her traits troubles Adelina from the start. She also struggles to steer her path against the powers of Fortuna (fate). Her character arc is a complex juxtaposition of seeking goodness within herself versus giving in to the tempting “dark side” of her identity.


Adelina lives in Dalia at the start of the story with her cruel father and sweet sister, Violetta. A malfetto destined to miss out on marriage, Adelina sets out to leave behind her “Ordinary World” when her father sells her as someone’s mistress. Her “Call to Adventure” (going with Enzo to Estenzia) comes just after she discovers her own “Supernatural Aid”—her powers to craft illusions. “Meeting the Mentor” (Raffaele) precedes a literal “Crossing the Threshold” (the gemstone door in the caverns) to “Tests, Allies, and Enemies.” This part of her journey encompasses training, sparring, making friends, and being blackmailed.


Adelina’s metaphorical quest follows the traditional hero’s journey map through “Ordeal, Death, and Rebirth,” seen best in her rescue of Violetta, her accidental murder of Dante, and her new identity as an initiated Dagger—but one with secrets. From there, however, Fortuna and Adelina’s internal darkness take over her hero’s path. She finds no resurrection or prize and instead inadvertently causes the great tragedy of Enzo’s death. Violetta offers her a metaphorical “road back” to her “ordinary world” by saying she can pull Adelina’s powers (and by extension, her darkness) permanently, but Adelina flatly refuses. Instead of fulfilling the hero’s role at the end of the journey, her character arc shifts to more fully embrace her bitter fury and set out—banished—on a new literal journey and quest to create her own Elite group. 


Adelina’s weeping, confusion, and anxiety throughout her conflict are replaced by a grim determination and resentful grief that seeks to avenge Enzo’s death and all her losses—hope, love, her innate goodness. A dynamic, round character, she relinquishes her stubborn grip on righteousness only after the Dagger she believed was her sincerest cheerleader—Raffaele—admits he earlier recommended her death out of his fear and dread. Morbidly shamed that her inner turmoil (the unnatural connection between her “alignments” to passion, fear, and fury) could cause such a reaction the kind Raffaele and that he steadfastly refuses her attempts to redeem herself, Adelina, at last, embraces her darkness. While the ultimate choice to do so is her own, fate shuts many doors along the way, leaving her few significant options that will help protect Violetta and herself.

Violetta

Violetta is Adelina’s younger sister by two years. For much of the novel, subtle envy tempers Adelina’s love for her sister since Violetta is not a malfetto and therefore receives coddling and kind words from their father. Adelina feels she and Violetta have grown apart since their mother’s death and the blood fever; she believes Violetta would never run away from her prim and proper (and pampered) life, for example, so she flees alone. Violetta is the lynchpin that keeps Adelina under Teren’s control when he wants her to spy on the Elites for him; Adelina must do as Teren commands, or he will hurt Violetta. This raises the stakes for Adelina throughout the rising action and increases tension in the narrative.


A significant plot twist occurs with the revelation that Violetta is both a malfetto (but unmarked) and a Young Elite; her ability to “pull back” any other Elite’s powers gives her more command than any of them, but she weakens quickly when she exerts it. Though Adelina used to think of herself as looking out for Violetta, it is Violetta who offers to tame Adelina’s dark spirit by cutting off Adelina’s powers permanently near the end of the novel. Adelina refuses this offer and the two plan to leave Estenzia in exile. This leaves their relationship dynamic altered and uncertain. Violetta is a dynamic, round character whose complexities are not revealed until near the end of the story. She wants to be an archetypal ally to her sister, but Adelina may be too dark moving forward for kind-spirited allies like Violetta.

Enzo Valenciano (The Reaper)

Enzo leads the Dagger Society and is the prince of Kenettra. His throne was unlawfully taken from him when he became a malfetto after the blood fever epidemic. He wants to use Adelina’s illusion powers to attack his sister Giulietta’s army of Inquisitors and regain the throne. Adelina sees a dark and bitter spirit in Enzo like her own and tries hard to earn his respect by getting control of her powers. Enzo once loved a fiancé, Daphne, so Adelina is uncertain if her fleeting moments of passionate kisses with Enzo are sincere. Adelina is bitter when she grasps the extent to which he is using her, and this hampers her control.


Adelina contributes to Enzo’s death by accidentally weakening him with her powers. Deeply shamed and grieving, Adelina suggests a Young Elite with powers to raise the dead be sought to bring Enzo back, but the novel ends without a defined plan in this direction. Enzo’s passion for Adelina deepens over the story, but his goals and motivations in seeking the throne do not change.

Raffaele Laurent Bessette (The Messenger)

Raffaele is a handsome consort (sex worker) at the brothel where Enzo hides Adelina as she trains. He confides to Adelina that he would like to escape the life of a consort. Raffaele is a malfetto and Young Elite; his power is reading others’ energy in a way that he can learn their location and motivations. He is known as the Messenger. He takes on a kind of mentor role in testing and training Adelina, but his wariness of her reckless, dark emotions prevents him from wholly supporting her. 


Ironically, Adelina feels she has a sincere connection with Raffaele; she finds out late in the story that he recommended to Enzo that she be put to death after his first test. This betrayal rocks Adelina, and this sentiment in part prompts her to declare she will form her own society. Raffaele’s position in the Dagger Society changes to the leader when Enzo dies, but otherwise, he is a static character with consistent traits.

Teren Santoro

Teren is the novel’s antagonist. He is the Lead Inquisitor in Kenettra and runs public executions. He once was Enzo’s sparring partner of Enzo in their childhood. He has a deep-seated disgust for malfetto flaws, including his own. He practices flagellation with a knife-tipped whip to punish himself for being a malfetto, though with this wound and his skin simply heals itself. This regenerative power marks him as a Young Elite, but he refuses to accept this fate and instead sets the goal of killing all the other Elites. As Giulietta’s lover, he is poised to fulfill this duty.


Teren blackmails Adelina for Elite information but loses her and Violetta when Violetta “pulls” his powers in the Inquisition Tower. He manages to kill Enzo in the final duel only because Adelina inadvertently helps him by wounding Enzo. Adelina sets vengeance against Teren as her goal at the end of the novel. Teren is a complex but static archetypal shadow who complicates and opposes Adelina’s goals.

Maeve Jacqueline Kelly Corrigan, Crown Princess of Beldain

The author briefly introduces Crown Princess Maeve in the novel’s Epilogue. She is destined to rule Beldain, the cold nation of the Skylands, as Queen when her dying mother passes. Her demeanor in executing the noble prisoner indirectly shows her “tough cookie” heartlessness, though she lectures her subjects against reveling in the man’s death. Maeve has seven older brothers, including Augustine, who delivers a note from Lucent explaining the recent events in Kenettra. Her reflection on the note reveals several key character traits: Maeve was in love with Lucent five years ago before Lucent’s banishment over an unexplained accident involving the youngest of Maeve’s older brothers, Tristan. Maeve’s disgust over the brutish deaths of the king and Enzo reveals her preference for civil (if calculated) action. Maeve also feels frustrated that her patronage of Enzo’s attempt to reclaim the throne went to waste; on the pretense of reestablishing trade once he was king, Maeve planned to take control of Kenettra without force. Now that Enzo is dead, she intends to gather her team of Young Elites and go to Kenettra; this indicates her new desire to take Kenettra assertively, showing her boldness and audacity.


Maeve’s visit to Tristan in the last beats of the Epilogue shows her independence and inclination for keeping secrets, symbolized by her use of a distinct path to the manor house while her brothers go into the palace. Tristan’s minimal responses reveal Maeve’s sorrow for his changing personality while also previewing the side effects of returning from the dead. Maeve feels responsible since she used her Elite power to bring him back from the Underworld. Maeve is burdened with the responsibility of Tristan’s inhuman power, but this weight on her conscience does not prevent her from planning to take Tristan and her Elites with her to Kenettra; this underscores the cold-heartedness she displays in the prisoner’s execution and a driving ambition to take what she wants. Maeve is a round, complex character, though a static character in this brief section, who establishes a new conflict for the next installment of the series.

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