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Content Warning: This section of the guide includes discussion of animal sickness, animal death, child death, and death by suicide.
Friedman reflects on his childhood relationships with dogs. As a shy kid, his best friend was his dog Ruby. He could always make his siblings Isabel and Henry laugh by pretending to talk in Ruby’s voice. Ruby also made it easier for Friedman to interact with people in the neighborhood. Walking her gave him opportunities to interact with other dogs and dog owners. The same is true of Friedman’s work with The Dogist. When he first approaches people, he asks for a picture of their dog, but stays focused on the dogs throughout his interactions. Dogs have helped him connect with people all over the world. To Friedman, this feels the same as making conversation with people at Halloween parties. In costume, it feels easier to engage with strangers.
Friedman also believes that dogs can facilitate lasting romantic relationships, noting that a woman named Leigh D’Angelo even started the dating app Dig to connect dog lovers.
Friedman suggests that dogs have a simpler way of connecting: they smell each other. He doesn’t think humans should do the same, but argues that people overcomplicate human connection. Connecting like dogs can teach us about authenticity.
Dogs also facilitate love. Friedman shares two stories where he helped couples propose to each other via The Dogist. These stories moved him because it’s important to him to have a partner who similarly loves dogs.
Friedman reflects on his various romantic relationships. He finally knew he’d found “the one” when he reconnected with his high school friend Sam. Sam’s kindness, humor, and beauty attracted Friedman, but he especially appreciated what a good dog mom she was to Elsa. They’re now engaged and have a family together with Elsa.
Friedman reflects on the idea of fur babies, or pets who are integral members of a household. They’re often stand-ins for children. Fur babies are important to many relationships because they can teach a couple how to care for another being and to communicate about this care. This has been true for him and Sam, as they’re both committed to Elsa.
Friedman considers the importance of family dogs. No matter how dogs come into a family, they always teach important lessons about time, emotions, sharing, and awareness. Most of all, they teach love. However, it’s sometimes important to recognize when a dog isn’t the right fit for a family, or vice versa. Friedman shares a story from his own childhood by way of example—his family had to give up a pair of dogs so they could get the proper care they needed.
Friedman recalls a time he traveled to Philadelphia to be there for his friends when they had to put their dog down. The dog was sick, and this was the best option to alleviate the dog’s pain. Saying goodbye to the dog was emotional, but an important way to honor his life.
Friedman has had similar experiences via The Dogist, too. One woman contacted him to say her dog (whom he’d photographed for his page) had passed away; she wanted him to know how important his work was and asked for prints of the photos. This validated Friedman’s work.
Other times, Friedman has lost pets of his own. After he left for college, his childhood dog Ruby died. It took Friedman a while to process her death. Ultimately, he returned home to scatter her ashes in a place she loved with his family.
Losing animals can be difficult for anyone. However, Friedman contends that it’s particularly hard for veterinarians—a profession that has one of the highest rates of death by suicide. Friedman guesses that this is because dogs can’t communicate the way humans can, and a lot of times, veterinary work requires doctors to euthanize animals. He advocates for organizations designed to support vets’ mental health.
Friedman reflects on the short lifespans of dogs. It’s always hard to say goodbye to dogs, but the brevity of their lives is “also part of [their] magic” (153). Friedman believes that humans shouldn’t try to prolong dogs’ lifespans if it isn’t healthy for them but should instead appreciate the time they do have with them.
Friedman describes dogs’ ability to sense human emotions and sickness as magical, pointing to dogs’ alleged ability to smell cancer and save lives via early detection. He also tells the story of Catherine Hubbard, a six-year-old killed in the 2012 Sandy Hook Shooting. After her death, her parents started Catherine’s Butterfly Party, an annual event promoting local animal rescues, as a way of honoring Catherine’s memory and her love for animals. When Friedman attended the party and connected with the Hubbards, Mrs. Hubbard even told Friedman that he reminded her of Catherine.
Friedman recalls the work he did with Puppies Behind Bars (PBB), an organization founded by Gloria Gilbert Stoga. PBB’s programming brings dogs to the Bedford Hills Correctional Facility to teach inmates about dog training and care. Accompanying Stoga to the facility moved Friedman. The dogs let the men open their hearts in ways prison didn’t.
Friedman considers the political purpose of dogs. He argues that presidents’ relationships with their dogs have a humanizing effect. He references FDR’s, both Bush’s, Biden’s, and Obama’s dog relationships. Friedman recently had the opportunity to photograph Biden with his dog. This experience made him realize that while presidential dogs are important to the public, they’re all still dogs.
Friedman muses on the significance of dogs in pop culture. He references mascot dogs, dogs in cartoons, and dogs on television. Dogs in the media can create adoption fads that might be dangerous. However, dogs in entertainment also prove how much happiness dogs bring to people’s lives.
Friedman argues that dogs can create community. He references The Dogist by way of example. His page lets people connect about something positive and joyful. When he’s photographing the dogs, Friedman has also noticed how eager people seem to connect. Talking about their dogs helps them overcome the awkwardness of meeting new people and lets them share love and laughter.
Part 2 presents an array of personal and communal dog stories that emphasize the power of Building Community Around a Shared Love of Dogs. Preserving the formal and stylistic choices he uses in the Introduction and Part 1, Friedman grounds his arguments in Part 2 in his own experience. He first establishes how dogs have helped him create connections with other people, and then broadens this concept to the wider public. This formal approach implies that Friedman’s relationship with dogs is representative of dogs’ universal power and humans’ universal connection with the canine species.
According to Friedman’s experiential data, dogs offer the individual opportunities to overcome social anxiety and to make lasting forms of connection. He provides various examples from his own life—referencing stories from his childhood through his adulthood. As a self-proclaimed “textbook introvert,” Friedman emphasizes that his relationship with his dog Ruby taught him to communicate with and relate to others in important ways (105). At home, he “designed a kind of vaudeville act” with his dogs where he’d give voice to their feelings and narrate what he thought they’d say for his siblings (105). This seemingly innocuous childhood game was Friedman’s way of expressing himself via humor; it also helped him to bond with his loved ones in a way that felt comfortable for him. Walking Ruby around his childhood neighborhood “as a kid was like a dry run for [his] later life as The Dogist” (108). While Friedman tended to avoid human interaction and to clam up around people, with Ruby, he felt more comfortable engaging his neighbors and other local dog owners. Talking about Ruby and engaging in dog-based conversation helped Friedman feel more relaxed and more himself. These personal experiences capture how dogs might break down social barriers and allow people to connect in otherwise unnatural ways.
Friedman’s work as The Dogist further underscores the notion that dogs create community. In contemporary internet culture, Friedman holds that “[o]ur anonymity online” can make “us feel empowered to lob grenades at each other—to be ‘keyboard warriors’” (189). With The Dogist, Friedman seeks to promote a different online culture. Visiting The Dogist lets people communicate and “to genuinely connect” over their shared love for their pets (189). However, Friedman’s work with The Dogist translates to the real world, too. Friedman details many of the interactions, connections, and experiences he’s had since launching the online community in 2013. All of The Dogist’s posts originate from in-person encounters on the streets of the cities Friedman frequents or visits. When Friedman approaches people, he finds it both easy and fun to connect with strangers because they’re discussing a shared interest: dogs. These encounters have shown Friedman how lonely people are in contemporary society and how desperate they are for authentic connection.
Friedman believes dogs, as inherently loving and authentic creatures, possess a unique ability to support and facilitate human connection in a culture that seems to quash it, underscoring the Transformative Power of Human-Canine Bonds. Therefore, dogs aren’t just an accessible conversation piece, but they’re temperaments offer humans important lessons about love and connection, too. For these reasons, The Dogist has become Friedman’s way of challenging the contemporary loneliness epidemic and offering people organic ways to meet and connect.
Friedman argues that dogs can facilitate communal communication and emotional vulnerability in the contexts of family, romance, and even grief, pointing to his thematic interest in Self-Discovery Through Animal Companionship. He writes, “Dogs teach sharing. Dogs teach coexistence. Dogs teach anger management and the importance of alone time. Dogs instill in children a profound awareness of a life that is not their own” (135). By way of example, Friedman references his clients’ shared love of dogs, his childhood dogs, the fur baby he shares with his fiancée, Sam, and the difficulties of saying goodbye to loved ones—human and canine alike. No matter how people acquire their pets, dogs consistently offer humans avenues to more effective relationships.
To emphasize his point, Friedman invites the reader to visualize an example from their own experience, asking them to “Think back to your first puppy, or the first time you saw a kid with a puppy: snuggling up to it to feel its body heat, sensing its heart beating within, understanding that it is a living being with its own impulses and desires, its own emotions. […] dogs teach love” (135). In this passage, Friedman relies on pathos to facilitate his argument, appealing to his readers’ emotions to prove that dogs can facilitate empathy between humans and foster more sustainable human communities, allowing his formal technique to echo and enact his argument. By teaching individuals how to love, dogs resolve human conflict and compel care and connection. Friedman asserts that dogs are uniquely able to teach love and facilitate connection, but he doesn’t provide scientific data to prove this claim. Friedman’s reliance on the emotional over the logical (or scientific) reiterates his authorial desire to connect with his dog-loving audience in an uncomplicated way. His arguments are meant to resist divisiveness and facilitate togetherness—much like the very dogs he features in his work.



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