82 pages 2-hour read

Thus Spoke Zarathustra: A Book for All and None

Fiction | Novel | Adult | Published in 1883

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Symbols & Motifs

Mountains

Zarathustra begins the novel by going down from the mountains. He has spent the past ten years living in isolation as a hermit. Nietzsche writes, “Here he enjoyed his spirit and his solitude and for ten years he did not tire of it. But at last his heart transformed” (3). The mountains are first and foremost a place of isolation and deep meditation. Associated with the hermit, they too become something Zarathustra cannot reside in forever. The old hermit, whom Zarathustra encounters on his journey down to the village, observes a type of transformation in Zarathustra, showing that he is no longer a hermit.


Zarathustra is said to have carried his own ashes to the mountain, a paradoxical statement symbolizing rebirth. He now wishes to “carry (his) fire into the valley” (4). Zarathustra speaks of his transformation, saying, “What happened, my brothers? I overcame myself, my suffering self, I carried my own ashes to the mountain, I invented a brighter flame for myself and behold!” (20). The mountains, as a place of solitude, become strongly associated with transformation. Despite Zarathustra loving mankind and desiring to teach them, he routinely returns to the mountains to overcome himself. Nietzsche writes, “At this time Zarathustra returned again to the mountains and the solitude of his cave and withdrew from mankind, waiting like a sower who has cast his seeds” (63). Zarathustra does not desire to live with mankind but only to share his wisdom with them. Thus, he can only survive among mankind for so long and eventually requires the transformative nature of the mountains to maintain his enlightenment. Zarathustra states, “With blissful nostrils I once again breathe mountain freedom! My nose is finally redeemed of the odor of all human nature!” (149). The mountains, then, appear necessary for the overcoming of man, as they act as the place of transformation.


The mountains are also associated with heights, as Zarathustra likens the height of mountains to the height attained by pursuing the overman. It is in this comparison that the loneliness of solitude is addressed. As one soars higher in their wisdom, they create more distance between themselves and their peers. Zarathustra says, “My wild wisdom wound up pregnant on lonely mountains; on naked stones she bore her young, her youngest” (64). The peaks of mountains may be lonely, but they are where parables are understood and knowledge learned. Later he says, “And the seeker of knowledge shall learn to build with mountains! It means little that the spirit moves mountains—did you know that?” (80). At the end of the novel, Zarathustra speaks of building his own mountains, saying, “I build a range of mountains out of ever more sacred mountains” (167). Mountains become more than sites for transformation but receivers of transformation as well. This conclusion refers to Zarathustra’s primary teaching that the creator of new values is the annihilator of traditional customs. Zarathustra states that his kingdom is no longer of this world and that he needs new mountains (220). The kingdom of the overman lies in the mountains created by the annihilator of values.

Death

Death serves as a prominent theme throughout Thus Spoke Zarathustra, most notably that death should not be the aim of life. Zarathustra takes issue with the preachers of death, whose sermons focus on the health of the soul and an afterlife as opposed to maintaining the earth and living in the present. The sick and the superfluous are the primary preachers of this sermon. For both, the body is something to be overcome: “To them it is a sickly thing, and gladly would they jump out of their skin” (22). They fail to realize that the body is integral to existence, being what tethers mankind to this world. Zarathustra says that the sick despise their bodies as the source of their suffering. Therefore, they are filled with wrath and lack honesty. He says, “With rage they hate the knowing ones and that youngest of virtues which is called honesty” (22). Zarathustra urges his listeners to follow those with healthy bodies, as they are not preoccupied with suffering and can more clearly view the truth. The superfluous, with the love of excess, also preach the sermon of death. Always consumed with the future and what is new, they fail to realize the importance of the present. All of you who are in love with hectic work and whatever is fast, new, strange—you find it hard to bear yourselves, your diligence is escape and the will to forget yourself” (32). Their obsession with material items and experiences should not be conflated with praise of life. Instead, it is an inability to confront oneself, a necessary step in eventually overcoming oneself. Thus, Zarathustra has two primary issues with sermons of death: their sacrilege against the body and the earth, and their prevention of self-confrontation.


Zarathustra portrays death in a more positive light than the preachers of death. He tells the tightrope walker that death is nothing to fear because hell and the devil do not exist. This assertion does not imply life has no meaning; it simply means that life’s meaning is not found in contemplating death. He tells his disciples that death should be free. He states, “Do not allow your death to be a slander against mankind and earth, my friends: that I beseech of the honey of your soul. In your dying your spirit and your virtue should still glow, like a sunset around the earth; or else your dying has failed you” (55).


Death does not give purpose to life; it is an affirmation of life. As a return to the earth, death becomes a celebration of virtue.

When Zarathustra proclaims that “God is dead,” he refers not to the literal death of the Christian God but the movement away from the Christian God as the creator of values. Nietzsche’s body of work is a commentary on the changing morals and customs of the time. It involves the first order ever created, that is, the “Thou Shalts” of the Ten Commandments. Zarathustra seeks to make creators and, therefore, annihilators out of his disciples.

Eagle/Snake

While living in the mountains, Zarathustra befriends an eagle and a snake. When rising at dawn, he says to his companions, “For ten years you have come up here to my cave: you would have tired of your light and of this route without me, my eagle and my snake” (3). He refers to the centering of humanity as the ultimate purpose for the existence of the sun and the animals. Later, he proclaims, “And behold! An eagle cut broad circles through the air, and upon it hung a snake, not as prey but as a friend, for the snake curled itself around the eagle’s neck” (15). The two animals, typically prey and predator, exist in a happy companionship with one another. Zarathustra witnesses the animals searching for him and states that the proudest and wisest animals alive will guide his journey. It is left ambiguous as to which animal corresponds to which virtue.


As the novel unfolds, the eagle and the snake are referenced periodically. The eagle is associated with soaring to new heights. The snake is associated with the highest value when Zarathustra is given a golden staff by his disciples with a snake wrapped around the world. Zarathustra eventually has a conversation with the eagle and the snake wherein they bestow on Zarathustra his destiny. They say, “Behold, you are the teacher of the eternal recurrence—that now is your destiny!” (177). In the same speech, they proclaim, “But the knot of causes in which I am entangled recurs—it will create me again! I myself belong to the causes of the eternal recurrence. I will return, with this sun, with this earth, with this eagle, with this snake—not to a new life or a better life or a similar life” (178). Eternal recurrence is a philosophical point pursued by Nietzsche in his other works. In short, eternal recurrence asserts that mankind is destined to live the same life repeatedly. There is only life, and death is only the night before the new dawn. It is peculiar that Nietzsche would place these words in the mouths of the animals and not Zarathustra, potentially alluding to the interconnected nature of the world and man as the bridge between animal and overman. Zarathustra takes refuge in his animal companions, seeking their guidance and using their symbolic connections to virtue to help further his teachings.

blurred text
blurred text
blurred text

Unlock the meaning behind every key symbol & motif

See how recurring imagery, objects, and ideas shape the narrative.

  • Explore how the author builds meaning through symbolism
  • Understand what symbols & motifs represent in the text
  • Connect recurring ideas to themes, characters, and events