55 pages 1-hour read

Tilt

Fiction | Novel | Adult | Published in 2025

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Chapters 11-16Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of death.

Chapter 11 Summary: “Early Afternoon: 57th & Klickitat, NE Portland”

Annie walks through damaged Northeast Portland after the earthquake, furious with Dom for lying about the audition. She reflects on her mother’s cynical views on men while observing the devastation around her—collapsed houses, damaged vehicles, and a man carrying a gun. A pickup truck stops beside Annie, and the driver offers her a ride; men help her into the crowded truck bed, and a tattooed woman makes room for her. As they navigate ruined streets, the passengers share alarming rumors about citywide disasters including gas spills, National Guard actions, and Russian gangs.


The truck continues through the chaotic landscape as Annie glimpses a boot protruding from rubble before forcing herself to look away. An aftershock violently shakes the truck; Annie drops the green caterpillar toy, but the tattooed woman returns it to her. When they drive past a gas station, Annie is overjoyed when she spots Taylor, the IKEA employee who saved her life. Annie asks the truck driver to stop and disembarks alone as it drives away. She approaches Taylor, who eventually recognizes her.

Chapter 12 Summary: “5 Months Ago”

The narrative flashes back to when Annie was 18 weeks pregnant. She attends a prenatal yoga class, feeling profoundly uncomfortable with her pregnancy and the social rituals of motherhood. Dom had suggested the class due to her increasingly negative demeanor. Annie views her growing belly as malignant and internally resists when the yoga teacher prompts participants to commune with their unborn babies. She becomes distracted by financial and existential worries and can think of nothing she wants to share with her child; in contrast, Dom has no problem talking cheerfully and affectionately to the baby, which makes Annie angry.


During introductions with other pregnant women, Annie feels anxious about comparing belly sizes and only admits to having trouble sleeping, hiding her deeper fears. When the class performs the goddess pose for 60 seconds to simulate a contraction, Annie’s muscles burn as she struggles both physically and mentally. Unable to continue or connect with the experience, Annie stands up before the pose is complete, feeling inadequate compared to the other mothers.

Chapter 13 Summary: “The Hottest Part of the Day: 48th & Sandy, NE Portland”

Annie and Taylor reunite with an emotional hug and finally introduce themselves to one another. Taylor shows Annie a photo of her daughter, Gabby, and reveals that she’s heading to Columbus Elementary School to find her despite having an injured foot. Annie explains that she’s also heading that way to find Dom. As they walk together, Taylor requests that Annie tell her a distracting story; Annie reveals that she met Dom while working on a play she wrote, while Taylor shares a story about taking Gabby to watch The Lion King.


When they reach the end of Sandy Boulevard, they encounter a collapsed I-84 overpass, and a UPS employee is organizing a precarious crossing over the intact guardrail. Taylor joins the line to cross over, with Annie reluctantly following. During the crossing, Annie stumbles but is helped by a man in neon sneakers, a physical therapist; he later tears his shirt to bandage Taylor’s swollen ankle. After he leaves, Annie and Taylor erupt in hysterical laughter, releasing their extreme tension from the dangerous crossing.

Chapter 14 Summary: “4 Months Ago”

At 21 weeks pregnant, Annie undergoes an anatomy scan with Dom present, feeling detached and resentful throughout the procedure. The ultrasound tech cheerfully displays the baby’s features; Dom is moved, but Annie finds the skeletal image disturbing. After the tech leaves, Dom confronts Annie about her negative attitude. Annie confesses her deep fears, admitting that she thinks the baby might have been a mistake and listing anxieties about their fitness as parents, climate change, finances, and Dom’s acting dreams.


Dom reacts with disbelief and hurt, and then he desperately asks Annie to express some excitement about the baby. Annie forces herself to say that she’s excited, but her unconvincing tone strains their relationship further before a doctor enters, interrupting their tense conversation. That night, Annie obsessively researches morbid topics online—birth complications, infant mortality, and childhood cancer—further fueling her anxiety. When Dom asks if she’s awake, Annie lies, saying no, and hides her disturbing thoughts from him.

Chapter 15 Summary: “Late Afternoon: 35th & Sandy, NE Portland”

Back in the present, Taylor walks quickly with her bandaged foot while Annie struggles to keep pace, battling exhaustion and pain. They pass a familiar café, sparking Annie’s memories of Dom; Taylor reveals that she used to work there. Annie experiences an abdominal clench and then stumbles and vomits in the street; Taylor comforts her. Annie realizes that Bean isn’t moving again, which triggers new terror that she tries to dismiss as Braxton-Hicks contractions.


Annie urges Taylor to continue to the school alone, but Taylor desperately refuses, saying that she can’t go alone, compelling Annie to continue with her. As they near the river, the city becomes more crowded with anxious, displaced people. Annie asks Taylor for another distracting story; Taylor tells one about how Gabby lost a beach ball in the river and worried about how the plastic would pollute the ocean. Annie reflects on her intense longing for Dom and her deep connection with him, and she thinks that she can’t tell Taylor about this because Annie is not really a mother yet and cannot fully understand Taylor’s worry about Gabby. When Taylor spots Columbus Elementary in the distance, she begins to run toward it.

Chapter 16 Summary: “3 Months Ago”

Annie recalls how she and Dom attended their final birth class, arriving late and feeling out of place among the other participants. During a discussion on labor pain, attendees share anxieties, while Annie feels distant from them and judges them. When her turn comes, Annie says that she’s winging it, to Dom’s chagrin. Dom then delivers an emotional speech about his pain at the thought of seeing Annie suffer, which impresses the class. The birth-class teacher rebrands pain as “sensation” and suggests creating a sexual environment during labor, including nipple stimulation, which Annie is critical of.


During a break, Annie examines her pregnancy mask (a skin condition that is common in pregnancy) in the bathroom mirror and encounters a fellow attendee. Previously, Annie mentally labeled her as a “Stepford wife” because of her perfect makeup and hair; however, the woman is now crying from feeling overwhelmed. The woman admits her fear of childbirth, and Annie opens up to her, confessing that she’s so scared that she’s numb. She also reveals that her mother died years ago, leaving her struggling with pregnancy without maternal guidance. They share a moment of genuine connection, both unconsciously rubbing their bellies in the same motion, finding brief solidarity in their shared anxieties.

Chapters 11-16 Analysis

Pattee’s depiction of Crisis as Liberation From Social Performance reaches its full expression as Annie’s catastrophic journey strips away her carefully maintained veneer of middle-class politeness. The earthquake functions as a social leveler that reveals authentic human connections beneath performative interactions. Annie’s reunion with Taylor exemplifies this shift and demonstrates how crisis creates immediate intimacy between strangers who share trauma. Their emotional embrace on reuniting and their synchronized laughter after successfully crossing the collapsed overpass illustrate bonds forged through shared vulnerability rather than social convention. In contrast, the flashback to Annie’s prenatal yoga class highlights her internal rejection of commodified spirituality and performative motherhood. Her admission that she’s “winging it” represents a rare moment of honesty that violates the class’s expectation of earnest preparation and maternal devotion. The earthquake eliminates such social theater entirely; Annie’s willingness to abandon a ride to reunite with Taylor demonstrates how catastrophe prioritizes genuine human connection over social propriety.


The theme of Motherhood as a Force That Transcends Individual Identity emerges through both Annie’s immediate bond with Taylor and the flashback scene in the birth-class bathroom. Annie and Taylor’s relationship demonstrates how maternal experience creates instant solidarity that bypasses normal social barriers—they share stories, physical support, and emotional vulnerability within hours of meeting. Their connection transcends class differences and personal circumstances, uniting them through their shared experience of protecting and worrying about their children. The bathroom scene provides another example of maternal solidarity that transcends social facades. Annie and the other pregnant woman drop their social masks, bonding over the rawness of their shared fear and uncertainty. Their synchronized belly-rubbing gesture is unconscious yet intimate, demonstrating how maternal behaviors create connections between women that bypass social differences. In both cases, maternal vulnerability—rather than structured birth-class activities—is the foundation for meaningful solidarity. 


Pattee’s narrative structure employs strategic flashbacks that illuminate how Annie’s pre-earthquake anxieties mirror her current crisis. The flashback to prenatal yoga establishes Annie’s fundamental disconnection from idealized motherhood. Additionally, the anatomy scan reveals Annie’s confession that the pregnancy might be a mistake. Her inability to connect with her unborn child in the past parallels her current fear that Bean has stopped moving. These temporal shifts demonstrate that the earthquake has amplified rather than created Annie’s essential struggles with identity, relationships, and belonging. The birth-class flashback, in particular, resonates with Annie’s present circumstances: The teacher’s insistence on reframing pain as “sensation” mirrors Annie’s own attempts to intellectualize and control her current physical and emotional suffering.


The motif of walking and forward movement functions both as a literal survival mechanism and as a metaphor for the relentless persistence required to protect life and maintain hope. Annie’s physical journey through Portland mirrors her emotional journey toward accepting motherhood and her relationship’s complexities. The dangerous crossing of the collapsed overpass becomes a test of maternal determination, as Annie conquers her terror to continue toward reuniting with Dom and supporting Taylor’s search for Gabby. Taylor’s limp and Annie’s pregnancy create a rhythm of mutual support that emphasizes how forward movement often requires interdependence rather than individual strength. This physical persistence contrasts sharply with Annie’s emotional paralysis in the flashback scenes, where she remains passive in prenatal yoga class and submits to medical procedures while feeling increasingly disconnected from her own experience. The earthquake forces Annie into active engagement with her circumstances, transforming her from someone who endures experiences into someone who shapes them through sheer forward momentum.

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