55 pages 1-hour read

Tilt

Fiction | Novel | Adult | Published in 2025

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Chapters 6-10Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of illness and death.

Chapter 6 Summary: “6 Years Ago”

In a flashback, Dom develops a worsening toothache but avoids seeking treatment due to cost concerns. As an actor without a permanent job, he doesn’t have health insurance. He finally visits a strip mall dentist when the pain becomes unbearable, and he learns that he needs two root canals costing $3,800. Annie offers to pay with her credit card, though Dom worries about maxing it out. He is also frustrated, thinking about his own financial instability and comparing himself to his successful brother, Brendan. Seeking advice and hoping for financial help, Annie calls her mother, who suggests that Annie marry Dom so that she can add him to her dental insurance. Though she initially dismisses the idea, Annie researches spousal insurance with Human Resources at her workplace and realizes that it could work.


Annie proposes marriage to Dom as a practical solution to his dental problem. Though Dom claims to find the proposal unromantic, he becomes emotional and agrees. The following Saturday, they marry on Mount Tabor with Annie’s mother, who obtained a credential online, officiating the ceremony. The three celebrate afterward with tacos and beer and spend the rest of the day at Annie’s mother’s house, where Dom tries to hide his pain. Annie reflects on her new identity as a wife. She has a pleasant day with her mother and Dom and hopes that she has many more Saturdays like this.

Chapter 7 Summary: “Sometime Around One: Colwood Golf Center, NE Portland”

In the novel’s present timeline, Annie walks across the Colwood Golf Center in Northeast Portland, still disoriented after escaping from the IKEA store. She approaches a group aiding a severely injured cyclist named Becky, and Annie joins the rescue effort alongside Becky’s husband, a man wearing a bloody tie, and a woman in a baseball hat. Annie helps position Becky’s injured neck and places the green caterpillar toy next to her to comfort her. Becky’s husband leaves to seek help, asking the others to stay with Becky; however, the woman in the baseball hat soon departs, citing concern for her children, followed by the man with the bloody tie.


Left alone with Becky, who is dying, Annie retrieves Becky’s water bottle from a ravine and attempts to give her water. As she tends to Becky, Annie recalls her mother’s death from COVID-19 when Annie was 29. When Becky stops breathing and dies, Annie feels Bean move inside her, which brings her overwhelming relief. Prioritizing survival for herself and her unborn child, Annie apologizes to Becky’s body, takes the water bottle, drinks all the water, and discards it before running away, still carrying the green caterpillar toy that is now stained with Becky’s blood.

Chapter 8 Summary: “2 Years Ago”

In a flashback, Annie and Dom attend an earthquake-preparedness class. Dom is conducting research for an acting role as a geologist, and Annie has no other plans on the weekend, so she accompanies him. In the class, a geologist details the catastrophic potential of a major Cascadia subduction zone earthquake, criticizing Portland’s lack of infrastructure and school safety and its poor building standards. The expert advises parents to purchase rescue tools like crowbars and flashlights to rescue their children from brick school buildings, warning that a devastating quake could strike anytime in the next 50 years. Annie finds herself disturbed by the projected images of disaster.


After class, Annie and Dom walk home through Mount Tabor Park, with Dom dismissing the warnings while suggesting that they move away from Portland. Annie internally rejects leaving the city, reflecting on her deep connection to Portland and memories of her mother. Although Annie suggests getting an earthquake preparation kit, they only end up purchasing walkie-talkies, which remain unused and untested in a closet. 


In the present, Annie acknowledges that they never properly prepared for the disaster that eventually struck.

Chapter 9 Summary: “Middle of the Day: Cully & Lombard, NE Portland”

Annie walks through a damaged industrial area, hungry and desperately needing a bathroom. Passing cars ignore her. She enters a looted convenience store to use its damaged bathroom, and she then eats the Goldfish crackers and drinks the warm chocolate milk she finds on the store shelves. She joins a crowd outside that is listening to a radio broadcast, though Annie can’t make out the words. A woman with a cane and dog shares news that the Morrison Bridge is the only one that remains standing and that there are fires burning in St. Johns. Annie continues walking toward Dom’s café, observing extensive damage and distressed people throughout the devastated city.


She finally arrives at Dom’s damaged and empty café. Annie questions a man at a nearby marijuana shop, and he says that he hasn’t seen Dom. While eating a stale croissant and drinking seltzer outside the café, Gretchen, Dom’s coworker and the café owner’s daughter, finds Annie and reveals that Dom took the day off for a play rehearsal downtown. Annie is initially confused by this news since Dom told her that he would give up on the rehearsal and pick up his shift at the café instead after their argument the previous night; however, when she realizes that he lied to her about this and went ahead with his plans to attend the rehearsal, she becomes angry. Despite Gretchen’s warnings about the chaos downtown, Annie decides that she must go find Dom and begins walking toward the city center, still carrying the green caterpillar toy for comfort.

Chapter 10 Summary: “8 Months Ago”

Annie tells Bean about how she discovered she was pregnant with her. In a flashback, she realizes that her period is late and buys a pregnancy test that returns a positive result when she takes it at work. She processes her shock and longing, reflecting on her fantasies of motherhood while refraining from immediately calling Dom, who is in a rehearsal. Stuck in traffic afterward, Annie talks to her unborn baby, whom she calls Bean, wishing that she could share the news with her deceased mother.


That night, Annie attends the opening night of Dom’s play, Alice in Wonderland, where he performs as the King of Hearts. Watching him onstage, Annie feels a powerful connection to Dom as the father of her child. After the performance, Annie meets Dom backstage, but before she can share her news, Dom intuits that she is pregnant. They embrace, overwhelmed with emotion, and confirm their mutual happiness about the baby. They describe themselves as “Broadway happy” and “Pulitzer happy” (98), referencing their artistic aspirations.

Chapters 6-10 Analysis

Pattee employs marriage as a lens through which to examine The Crushing Weight of Dreams Deferred, revealing how economic pressures systematically erode romantic idealism and artistic aspirations. Annie and Dom’s marriage originates not from passion but from a practical need—Dom’s dental bill—transforming what should be a celebration of love into a pragmatic transaction for health-insurance coverage. Their wedding ceremony on Mount Tabor, despite its picturesque setting, is a casual, low-stakes event that masks deeper anxieties about financial instability and diverging life trajectories, with Annie choosing practicality and Dom refusing to give up on his artistic aspirations. This establishes a pattern of strategic concealment that culminates in Dom’s lie about working his café shift when he is actually attending a play rehearsal downtown. When Gretchen reveals the truth, the narrative captures how economic stress and unfulfilled artistic ambitions damage trust within relationships. The marriage, born from necessity rather than choice, becomes emblematic of how financial constraints force individuals to abandon authentic emotional expression in favor of strategic survival, ultimately undermining the foundations of romantic partnership.


These chapters also demonstrate the theme of Crisis as Liberation From Social Performance through Annie’s moral transformation during her encounter with the dying cyclist Becky, illustrating how catastrophic circumstances strip away civilized behavioral expectations and reveal primal survival instincts. Initially, Annie embodies conventional feminine politeness and selflessness, agreeing to stay with the injured woman despite her urgent need to reach Dom. However, as Becky dies and the other rescuers abandon their posts, Annie’s adherence to social norms dissolves entirely. Her decision to drink Becky’s water represents a complete inversion of her earlier people-pleasing persona—she becomes ruthlessly pragmatic, prioritizing her own and her unborn child’s survival over social propriety. This transformation highlights the fragility of gendered expectations: The crisis exposes societal expectations of feminine self-sacrifice and politeness as artificial constructs, revealing that human nature prioritizes survival over social performance.


The motif of water and thirst throughout these chapters operates on both literal and metaphorical levels, representing the fundamental human needs that crisis situations force to the surface. Annie’s escalating physical thirst echoes her emotional desperation to reconnect with Dom and secure safety for her unborn child, creating a parallel between bodily and psychological survival needs. The scarcity of water in the post-earthquake landscape mirrors the scarcity of reliable human connections and truthful communication in her marriage. Dom’s deception about his whereabouts leaves Annie as emotionally parched as she is physically dehydrated, forced to navigate both literal and figurative deserts of abandonment. The convenience store scene, where Annie finally relieves herself but finds no running water to wash her hands, emphasizes how disaster strips away basic infrastructure that civilized life depends on, reducing human existence to its most elemental functions.


Pattee’s use of temporal fragmentation, with alternating chapters flashing back to moments in Annie’s past, creates analytical depth by juxtaposing past romantic optimism against present disillusionment. The flashback to an earthquake-preparedness class functions as dramatic irony, highlighting Annie and Dom’s characteristic avoidance of uncomfortable realities—they attend the class for Dom’s acting research rather than genuine concern about the impending quake, purchase walkie-talkies that they never test, and ultimately remain completely unprepared for the disaster they were explicitly warned about. This pattern of denial extends to their relationship, where Dom’s increasing dissatisfaction manifests in fantasies of relocating to cities that might offer better opportunities, while Annie clings to Portland as her connection to her deceased mother. The flashback to Annie’s pregnancy reveal creates contrast with the present crisis, as the couple’s declarations of joy seem naive against the backdrop of Dom’s current deception and irresponsibility. Through this structural technique, the narrative demonstrates how the accumulation of small deceptions and deferred conversations creates the conditions for larger betrayals and catastrophic relationship failures.

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