51 pages • 1-hour read
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The artist Vincent Van Gogh is known for his unconventional painting style and his long history of mental illness. Of the most well-known of his subjects are sunflowers, which he painted while in France. His paintings of the flowers exhibited his immense talent and his ability to do much with little. He was particularly celebrated for using three simple shades of the same color, yellow, to create such a varied and vibrant image. Van Gogh’s sunflowers are not merely an exercise in artistic talent; they also symbolize his own emotions. Van Gogh painted them in France while his friend Gaugin was visiting. The friendship between the two men is present in the paintings, which were also said to bring Van Gogh hope. In fact, Van Gogh once explicitly asserted, “The sunflower is mine,” and modern-day art critics have speculated that “the sunflowers were perhaps also intended to be a symbol of friendship and a celebration of the beauty and vitality of nature” (“Sunflowers.” The National Gallery).
The meaning that Van Gogh instills in his sunflower paintings echoes throughout Tin Man as well, as Dora hangs a replica of one of Van Gogh’s paintings and uses it as a means to escape her dreary life, seeing it as a symbol of hope and confidence. Her emphasis upon the painting is also passed on to Ellis and Michael, who both live their lives under severe social restrictions. The painting ultimately plays an important role in the two men’s friendship and romance, and the objective beauty of the sunflowers is also implicitly linked to Dora’s encouragement to the young Michael and Ellis to create beauty, as boys should.
Justa as Tin Man relies heavily upon strategic references to iconic works of art, it also makes powerful use of the connotations surrounding the poetry and life of Walt Whitman, focusing particularly upon his book, Leaves of Grass (1855). This work is referenced throughout the novel and embodies many of the author’s key themes, as Walt Whitman, like Michael and Ellis, is now widely believed to have been a gay man in an intolerant world, forced to deal with the weight of society’s censure. Within this context, Leaves of Grass stands as a groundbreaking collection of poetry that openly explores the concepts of freedom and sexuality, advancing the notion that sex itself is synonymous with innocence and the natural world. As such, Whitman uses images of sex in his work to explore the connected ideals of nature and freedom, advocating for a more accepting, tolerant society. These messages resonate deeply with Ellis and Michael in the novel, given their own struggles for acceptance in a world that is not designed to acknowledge their natural expression of love. Whitman’s willingness to discuss such matters earned widespread criticism at the time Leaves of Grass was published, and Winman draws upon this literary context in her own novel when both Ellis and Michael receive criticism and cruelty from their own fathers when exhibiting their true emotions or their sexuality.
Leaves of Grass includes many different poems, the most famous of which is “O Captain! My Captain!” Whitman produced this poem in the aftermath of President Abraham Lincoln’s assassination after the Civil War, and the piece is designed to capture the pain of a nation just emerging from a tragic and bloody war; the effusive tone of the verses is meant to express the gratitude toward the president that saw them through it, as well as the death of that iconic figure. In the poem, Whitman describes Lincoln as the fallen captain of a ship that has just completed an arduous voyage. Michael’s emphasis on this poem connects to the novel’s examination of The Search for Identity and Belonging as he looks for love and guidance in others. Michael is devoted to Dora, who becomes a mother to him, and his love for Ellis follows him throughout his life. Even though he may be safe like the ship, he feels lost without Ellis and Dora, unsure of who he is or what he should do.
In Part 3 of Tin Man, the AIDS epidemic reaches England, and Michael must watch while many gay men, including his partner, G, die around him. The AIDS epidemic first began in the 1980s; the disease attacks the immune system, at which point patients grow susceptible to a wide range of other diseases and health complications. The virus first rose to public attention when it ripped through gay communities across the world, and it was initially misrepresented as targeting only gay men: an issue that caused widespread injustice and fueled anti-gay bias. Because the gay community was widely stigmatized, villainized, and misunderstood during this timeframe, the very misfortune of contracting the virus and developing the disease gained a severe social stigma.
From the late 1980s through the mid-1990s, information about AIDS and its transmission was limited, and fear rose. Many people mistakenly believed that the virus could only be transmitted by gay men; this misconception led to a proliferation of anti-gay bias, with some people even going so far as to claim that the very presence of the disease was evidence of some form of moral judgement against gay people. As a result, many gay men with AIDS were shunned by their families out of ignorance and hate. With so many men suffering the rejection of their families, the members of the LGBTQ+ community banded together to support and protect each other. This was seen in many of the wards, where friends and others would sit with those who were sick. Tin Man features such a ward when Michael visits G and meets Chris, with whom he quickly grows close. Given the limited knowledge, social stigma, and lack of funding surrounding the AIDS epidemic, no cure was forthcoming, and AIDS resulted in the deaths of many people.



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