17 pages • 34-minute read
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Herrick’s poem consists of four stanzas containing four lines each (quatrains), for a total of 16 lines. Each stanza follows an alternating rhyme scheme, with the first and third lines rhyming, and the second and fourth lines rhyming. For example, the first and third lines of the first stanza rhyme “may” (Line 1) with “today” (Line 3). The second and fourth lines rhyme “a-flying” (Line 2) and “dying” (Line 4). The first rhyme mentioned here, between “may” and “today,” can be categorized as feminine rhyme, as it rhymes on the last stressed syllable of the “ay” sound. The second instance is an example of masculine rhyme as it features a rhyme on a stressed syllable followed by an unstressed syllable: “y-ing.” The rhyme patterns of all of the stanzas seem to be the same, with the first alternating pair falling under the feminine rhyme category and the second alternating pair falling under the masculine rhyme category.
In addition to containing a set rhyme pattern, the stanzas also contain the same syllabic patterns. The first and third lines of each stanza are eight syllables long, while the second and fourth lines are seven syllables long. Depending on how certain words are read or broken down, such as “glorious” in Line 5 or “flower” in Line 3, this may throw off the syllable count for some readers. However, the majority of the poem adheres to this structure. The lines also follow an iambic pattern, meaning that they contain iambic feet, or units, of an unstressed syllable followed by a stressed syllable. The first and third lines typically contain four of these iambic feet, while the second and fourth lines contain three of these units followed by a remaining unstressed syllable: “Gather ye rose-buds while ye may / Old Time is still a-flying” (Lines 1-2). This structured rhyme scheme and metrical pattern gives the poem a singsong, rhythmic quality, which makes it attractive to hear for readers.
Personification is the giving of human qualities or actions to inhuman or inanimate objects. Personification first occurs in the poem when time is referred to specifically as “Old Time” (Line 2). By giving time such a formal name, the speaker establishes it as more of an identity, almost person-like. The second instance is when the speaker gives the “flower” (Line 3) the ability to “smile” (Line 3), an action typically only attributed to humans. Personification also comes into play when the sun is referred to specifically using the masculine pronouns “he” and “his.” Using personification helps the speaker to make their topic more accessible and relatable for readers. The concept of time can be difficult to fully grasp at times, so putting some of the concepts in more “human” or understandable terms can help readers more fully comprehend what the speaker is trying to say.
The speaker repeats the phrase “while ye may” twice throughout the poem, once in the first line and once in Line 14. While repeating this phrase only twice may not seem as significant, having it at the beginning of the poem and at its conclusion to frame the work helps to reinforce the notion of the transitory nature of life. The speaker tries to hit home the idea that the “virgins,” or the intended audience, will not always be able to do the things they did in their youth. Rather, while they are able, they should enjoy life and seize every opportunity possible.



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