48 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of death, sexual content, illness, and graphic violence.
Nolan races down to the bottom of the cliff. He plunges into the water, desperate to save Harper. He tries to swim her limp body onto the shore and begs her not to die. A rescue boat appears and brings the two on board.
Eventually, Harper regains consciousness. Nolan is relieved. Harper insists she couldn’t die yet because she has unfinished business. Nolan helps her get settled, realizing that, despite everything, he is in love with her.
Harper wakes up next to Nolan in her bed at home. She shakes him awake when she notices he is sweating and convulsing. Nolan was having a nightmare. The two spent the last several days in the hospital while Harper recovered from the accident. Some townspeople visited her, but “it was Nolan who stayed” by her bedside the whole time (292).
The lovers lie next to each other, discussing the near-drowning incident and the bodies they have yet to exhume from the Ballantyne property. Finally, they express their feelings for each other and share a passionate kiss. Harper wants to have sex, but Nolan is worried about hurting her. They engage in sexual foreplay, talking intimately throughout the encounter.
Afterward, Nolan leaves to give Harper time to rest. She lies in bed, worrying that Sam will endanger Nolan. She texts Lukas about Nolan’s bag; she wants to return it to him so that Sam doesn’t draw a connection between her and Nolan and turn Nolan over to the FBI. Lukas is out of town, so Harper will have to deal with the bag issue alone.
Harper heads into Arthur’s basement to retrieve Nolan’s bag. The space reminds her of where Harvey kept her, Adam, and Sloane. When she finally emerges, Arthur notices that she is visibly upset and comforts her.
Nolan returns to Harper’s cottage that evening, but she isn’t there. He runs into Arthur wandering around the cottage in a state of confusion. Arthur explains that he is looking for his black bag, which Harper has been safekeeping for him, and requests Nolan’s help finding it. Nolan thinks he is just elderly and confused, and obliges him. He retrieves and returns the bag to Arthur. A thrilled Arthur bounds away from the house with gratitude.
Nolan finds Harper landscaping elsewhere on the property. He studies her as he approaches, musing on her beauty and his love for her. Harper is surprised to see him, but she gets upset when he relays what happened with Arthur. She realizes Arthur is up to no good and insists they need to track him down; she guesses he is at the cemetery. Before leaving, she gives Nolan his bag back. Nolan still doesn’t understand “why she chose to leave Billy and [him] on the road” but realizes he doesn’t need to know anymore (316).
Nolan and Harper head to the Lancaster plot at the cemetery. They find Arthur lying on the ground next to a lifeless man’s body. Arthur’s murder kit is strewn around them. A distressed Arthur confuses Harper for his late daughter Poppy. Harper settles him and shepherds him out of the cemetery and back to the manor.
Meanwhile, Nolan packs up his things at the inn. He gathers supplies so he can dispose of the dead man’s body at the cemetery. On his way out of the inn, he runs into Sam. Sam apprehends him, threatening to expose Nolan and Harper if he doesn’t cooperate.
Harper worries when she doesn’t hear back from Nolan. She goes to the inn, but his car is missing. Then she heads to the cemetery and finds the dead body still there. Panicked, she wonders if Nolan abandoned her. She can’t believe she let herself fall for him. Standing over the headstone Arthur gave her to commemorate Adam, she tells herself she can survive Nolan’s betrayal. She deals with the stranger’s body and then heads back to the inn.
Nolan’s room is entirely empty. She does not understand where he would have gone or what could have happened. She is convinced that he duped her until she discovers that he did not check out at the front desk. In the inn parking lot, she overhears Vinny talking on the phone. He mentions Lancaster Distillery and Nolan; Harper understands that Nolan is in Sam’s custody. She knocks Vinny unconscious, vows to save Nolan’s life, and races toward the distillery.
Sam has Nolan tied up at the distillery. Sam interrogates him, demanding to know why he killed Dylan, Marc, Trevor, and Jake. When Nolan reveals nothing, Sam asks about Harper; he understands her connection to the hit-and-run that killed Billy.
Suddenly, Harper barges in and incites an argument with Sam. Nolan uses the moment of distraction to hit Sam with the chair he’s taped to. The lovers attack Sam and push him over a railing to his death. Harper and Nolan are relieved. They profess their love and flee the premises just as an unknown driver appears at the scene.
From the distillery, Nolan and Harper race to the inn, sweep Sam and Vinny’s rooms for evidence connected to Harper and Nolan, and return to Lancaster Manor to stash it. Instead of feeling afraid, Nolan is invigorated. In the cottage, the lovers have aggressive, passionate sex, using ropes and bondage. Nolan pierces Harper’s nipple during intercourse; both lovers are aroused by the experience.
After they have sex, Harper falls asleep. Nolan creeps out. He still has the coordinates for the low tides Sam left behind. The tide is going down this morning, and he wants to see what it reveals. Down at the beach, he discovers the top of a van peeking out of the water. He dives into the water and studies the vehicle, memorizing the VIN.
Nolan returns to the inn and googles the van’s VIN, tracing it back to an Adam Cunningham. He continues his research and discovers that Adam was dating a woman named Autumn Bower. He realizes the meaning behind the charm he found: Autumn is Harper’s real name and identity. He finds photos and videos of her online that show that she and Adam were living out of the van. Autumn had a social media channel documenting their lives, and then, they went missing.
As he pieces her story together, Nolan feels ashamed of himself for how he’s treated Harper all these weeks. He continues his research and soon discovers that the Sleuthseekers are mobilizing because Sam and Vinny have stopped posting.
Sheriff Yates barges into the distillery, where he finds Sam’s body on the ground. He encounters Vinny and demands to know why he is there. Vinny reveals that Sam had Nolan in his custody, but he doesn’t know where Nolan is now. He insists that Nolan is a murderer, Harper is using a fake identity, and Arthur is tied to La Plume. An amused Yates reveals that he is La Plume.
The final chapters of Tourist Season complicate the novel’s thematic explorations of Navigating the Boundaries Between Love, Hatred, and Obsession. Throughout the majority of the narrative, Harper and Nolan have regarded each other as enemies. Their rivalry originates from their past wounds and desperation for self-protection. Nolan has been so determined to avenge his brother, Billy, that he has allowed his interest in Harper to consume him; his obsession with killing her becomes his primary drive in life. Harper sees Nolan as her enemy because she fears he will expose her true identity and threaten her elusive safety in Cape Carnage. In these chapters, however, Harper and Nolan finally realize that their enmity cannot trump their affection for one another. They have not only been forced to spend time together in Carnage but have also learned to work together toward a common goal, to collaborate, and to grow together. The recurring scenes of them having sex, exhuming bodies, saving each other’s lives, lying in bed together, and fighting off common enemies illustrate their cohesion. The passionate feelings that originated in their hatred for each other have turned into love, bringing them together.
Harper and Nolan’s sex life subverts cultural expectations surrounding intimacy and love, adhering to the dark romance genre convention of exploring the power dynamics and boundaries of sex. Each time the lovers have engaged in intercourse, their dynamic has been passionate and aggressive. The author is careful to include explicit consensual exchanges between the lovers to indicate that their seemingly violent sex life is by choice. Such scenes contain BDSM elements that imagistically reify Harper and Nolan’s enemies-to-lovers dynamic. Amid their lovemaking in Chapter 28, for example, “Ropes cross Harper’s skin, each soft cord carefully and precisely laid against her flesh” and “[a]n intricate network binds her arms behind her back” (348). Harper has agreed to these restraints; she also agrees to let Nolan pierce her nipple during penetrative sex. Such images convey the couple’s chosen “sub” and “dom” roles, but outside the context of their sex life, however, Harper and Nolan are equals. They recognize one another’s strengths and equally rely on each other for support, encouragement, and security. Harper and Nolan are recontextualizing the enmity that drew them together in new ways, incorporating playful elements of conflict and violence into their sex life to preserve their passion and chemistry.
The novel ends on an ambiguous note while offering some gestures toward closure and resolution. Throughout Tourist Season, Nolan has suspected that Harper is still hiding something from him. At first, her secrets anger him, but over time, his interest in dissecting her past dulls. He is able to reconcile with the fact that Harper is as complicated as him, and he is able to love her because of her dichotomies. At the novel’s end, however, the discoveries he makes about Harper’s past—including her connection to Adam, Autumn, and the van—destabilize his unconditional love for her. Because he still does not understand why she killed Harper Starling and lied to him, Nolan begins to question their dynamic all over again, reigniting the novel’s central enemies-to-lovers conflict. Nolan remains suspended between Harper’s secrets and the truths he is unveiling. These ambiguous elements subtextually contribute to the novel’s theme of The Importance of Resolving the Past for Self-Reinvention, begging the question: Can an individual create a new future for herself if the past remains shadowy and unresolved? Nolan wants to love Harper unconditionally, but the discoveries he makes cause him to question what they have built together.
The Epilogue creates further revelations and questions. This section is written from the first-person point of view of an unnamed character, who is eventually revealed, through context clues, to be Sheriff Yates. This formal technique heightens the narrative tension, as does the revelation that Sheriff Yates is La Plume. This plot twist ends the narrative on a cliffhanger, which sustains the narrative tension in anticipation of the series’ subsequent title. Tourist Season is the first installment in Weaver’s Seasons of Carnage trilogy. Weaver leaves some of the novel’s mysteries unresolved to maintain the reader’s curiosity in the Carnage universe and to create space for further narrative development.



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