48 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of graphic violence, death, sexual content, and substance use.
Back at her cottage, Harper waits for Nolan to notice his missing things and come after her. Meanwhile, she muses on who Nolan thinks she is. She could tell him she isn’t the real Harper Starling but doesn’t want to explain the truth.
Nolan shows up, demanding his bag. He threatens to expose her for being involved with Arthur—implying that Arthur is La Plume, as per Sam’s theory. Horrified to hear about Sam’s sleuthing, Harper makes a deal with Nolan. She won’t report him to the FBI if he helps her keep Arthur safe from Sam. She will also return his bag and book and leave town. Nolan agrees.
Lukas comes over to clean Arthur’s gutters. Harper asks him to hide Nolan’s bag “somewhere [she] won’t find it” (103). Lukas gets anxious, demanding to know what’s going on. He doesn’t know the truth about Arthur’s past. Then Lukas reveals that a man is buying a piece of Lancaster land by Ballantyne River within the next three weeks.
After Lukas leaves, Harper panics about the land. She and Arthur have buried numerous bodies there. Alone, she tinkers with her chessboard and thinks about the past. She remembers the day that she and her late boyfriend, Adam, were kidnapped. She pushes the memories away and contacts Nolan for help with the Ballantyne property. He agrees to help her clear the bodies before the land is sold.
That night, Nolan and Harper make a plan for exhuming the bodies. Nolan can’t believe he is helping her, but “[t]here’s something about Harper” that keeps him from asking more questions (115). They head to the wooded property and start their search. While dredging the river, they share an intimate moment. Nolan can’t help feeling attracted to Harper.
Harper is exhausted four days into the corpse exhumations. She and Nolan are making progress, but she’s been distracted by her attraction to him.
One day, Harper returns home to discover that Arthur crashed his golf cart into a tree. He’s upset and confused and keeps asking Harper for his bag so that he can remember who he is. Harper tries to dissuade him, afraid he’ll kill someone without reason.
They sit together, and Harper reminds Arthur how much she cares about him. Then she tells Arthur about Sam and the drone. Morpheus the crow repeatedly calls out the word “murder” throughout their conversation. An anxious Harper takes it as a sign that Nolan must die so that she can protect herself and Arthur.
At the general store, Nolan buys supplies for the exhumations. He can’t stop thinking about Harper. Then he runs into her and gets upset when he notices her hands are burned. Harper’s defensiveness incites an argument. Nolan reminds her that he came here to kill her and again insinuates that Arthur is La Plume. Harper insists otherwise and leaves. Afterward, he runs into Sam, who badgers Nolan with questions about Harper.
Harper goes to the land near the Ballantyne River. In the rain, she is flooded with memories of her kidnapping, torture, and escape four years prior. She recalls being locked in a dank cellar with Adam and another of their captor Harvey Mead’s victims, Sloane Sutherland. After Harvey killed Adam, Sloane promised to destroy Harvey. Harper still wishes she could be more like Sloane.
Nolan arrives at the scene with hot chocolate and supplies. Annoyed by his attentiveness, Harper tells herself that he’s just trying to retrieve his bag. They sit together and chat before returning to work. Harper reveals that her parents were killed in a car accident when she was a kid. Nolan asks why she left him to die after she hit his car, given her parents’ deaths. She says she didn’t but doesn’t explain more.
A movement in the distance distracts Nolan. He thinks he saw Sam. Harper reveals that she secretly dosed his hot chocolate with magic mushrooms. As they take effect, Nolan becomes soft and affectionate, admitting his attraction to Harper. They hold hands as they creep out of the woods.
Harper drives Nolan back to her place, unwilling to leave him alone. He studies her belongings, overcome with the desire to be with her. They sit together and have an intimate conversation. Then they share a passionate kiss and agree to have sex. Harper insists that Nolan be rough with her; he gains her consent and obliges her request. Afterward, Nolan reflects on his feelings for Harper while watching her sleep.
Harper is missing when Nolan wakes up. He wanders around the cottage, chatting to Morpheus while he waits. He notices the charm with curiosity before peeking outside to find Harper working on a soapbox race car. Then he hears Sam’s drone overhead. He races out and confronts Sam’s drone operator, Vinny, trying to direct his attention away from Lancaster Manor.
Nolan heads to the police station. He tells Sheriff Yates about Sam, the Sleuthseekers, and the drone, implying that Sam’s behavior is a breach of privacy. An unfazed Yates explains tourists’ obsession with digging up Carnage’s alleged secrets, but he promises to watch out for Sam. Nolan gets uncomfortable when Yates asks him questions about Ballantyne River and Jake.
Outside, Nolan reflects on his relationship with Harper. He wonders what would happen if they got together. He makes plans to meet up with her the next day. That night, he goes to Ballantyne River and opens the grave he dug for Harper when he first arrived in town.
Harper and Nolan’s deepening relationship furthers the novel’s theme of Navigating the Boundaries Between Love, Hatred, and Obsession. Despite the characters’ continued distaste for each other, they form an agreement that forces them into sustained proximity. When Harper learns that Sam Porter might be digging into her illicit past, she realizes she “can’t do this on [her] own. Nolan Rhodes might have come here to kill [her], but he’s suddenly the only person who can save [her]” (97). She is compelled to invite Nolan into her life, requesting his help to exhume the bodies she buried near Ballantyne River. The resulting forced-proximity trope, another romance genre convention, draws the characters into the same space. They must spend time and work together to complete their respective missions and protect themselves, and as a result, Harper and Nolan find their feelings for each other developing. Harper starts to realize that “part of [her] even wants him” (125), and Nolan can feel an “electric hum sizzl[ing] in [his] skin” each time they’re near each other (118). This undeniable attraction causes inner conflict in both characters, as what has begun as enmity and rivalry quickly develops into intrigue, desire, and eventually respect. These interpersonal dynamics intensify the narrative mood and gradually cause Harper and Nolan to question what they thought they knew about themselves.
Harper and Nolan’s developing intimacy contributes to the novel’s theme of Healing From Past Trauma Together. Before Harper and Nolan came into one another’s lives, they were each set on compartmentalizing their trauma and denying their pasts. Ever since fleeing her kidnapper and surviving Adam’s murder, Harper has wanted to “start a new life” (92) independent from her painful personal history. She has attempted to reinvent herself, but no matter how far she tries “to get away from the person I used to be, she’s still there, ready to claim a past I’ve tried to wash away” (111), highlighting The Importance of Resolving the Past for Self-Reinvention. Harper hasn’t been able to escape her past self because she has never confronted what she suffered and survived. The same is true for Nolan. He is determined to kill Harper and avenge his late brother because he thinks vengeance will eradicate his despair. Nolan continues to live under the shadow of his grief—even after killing the other three passengers in the car involved in the hit-and-run—because he also has yet to face and claim his emotional suffering. The characters’ trauma weighs on their psyches and inhibits their growth in the present, but as they begin to connect in these chapters, new pathways to healing are revealed.
Harper and Nolan learn how to communicate and show vulnerability—skills that usher them toward renewal and change. The scenes where they sit by Ballantyne River drinking hot chocolate and where they chat and have sex at Harper’s cottage are emblematic of how their relationship is positively impacting them. Harper’s internal monologue amid the hot chocolate scene conveys this dynamic:
When I look over at Nolan this time, I let my attention linger on him as I push the hood back off my damp hair. Why is he asking? Does he genuinely want to know? How much do I say? How much do I keep to myself when that thread between us tugs at me like a plea to give a little something to see what I might get in return? (153).
The image of Harper pushing her hood back illustrates her attempt at openness; she is moving the fabric away from her face, which conveys receptivity and willingness to communicate. The string of questions that follows this descriptive line captures her curiosity to be intimate and honest with Nolan. Nolan begins to feel similarly: After he and Harper have sex, for example, his mind humors similar hypotheticals about a relationship with Harper. He studies his reflection in the mirror and doesn’t “recognize this version of me. One who is motivated by something other than revenge” (174). It is early on in their relationship, but Nolan can already feel himself softening. Harper is excavating new parts of him, ushering him toward development and rejuvenation. The characters unconsciously encourage each other to face their pasts and pursue love instead of continuing to live in hatred and violence.



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