48 pages 1-hour read

Tourist Season

Fiction | Novel | Adult | Published in 2025

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Symbols & Motifs

Content Warning: This section of the guide includes discussion of graphic violence, illness, and death.

Cape Carnage

Cape Carnage is a symbol of the disparity between appearances and reality. Located in coastal Maine, the town is a tourist haven. Every season, Carnage visitors can be found “chartering fishing boats,” “booking tours,” “exploring the museum,” and perusing “the arts and quaint and quirky downtown” (3). The setting is emblematic of New England itself, and the place is calm and quiet, funky and fun. The townspeople are idiosyncratic and entertaining, and visitors to the town regard Carnage as the ideal getaway.


However, Cape Carnage’s charming appearance hides a darker history. For years, the place has been haunted by unsolved disappearances and murders. Tourists frequently arrive in Cape Carnage and never return home, their whereabouts forever unknown. Bodies have turned up, and stories surrounding notorious serial killers have been tied to the town over the years, too. The residents insist these tales are nothing but urban legends, but Sam Porter’s amateur sleuthing and Harper and Arthur’s pastimes prove otherwise.


The author connects the disparity between Carnage’s appearance and its complex history with Harper’s attempts to perform a persona within the town that conflicts with her true self. A person might present a neat facade to the world but be riddled by anxiety and trauma. This is true for a character like Harper—she looks pleasant and well-adjusted but is really hiding from a lifetime of pain.

Lancaster Manor

Lancaster Manor, Arthur’s estate and Harper’s home, is a symbol of safety and security. Harper has lived on the grounds for four years, ever since arriving in Cape Carnage. Arthur Lancaster owns and resides on the property and offered Harper lodging here when she moved to town. He also eventually lets her move into his late daughter’s cottage and take over the landscaping responsibilities, representing Harper’s increased connection to her new community. Harper thus derives a sense of belonging and comfort from this setting. She knows Arthur will protect her because his “family owns half of the businesses in and around town” (87). His power, money, and residence shield her from onlookers, busybodies, and detectives alike, and over those four years, she has convinced herself that she can just put her past away and move seamlessly into Cape Carnage.


When Sam and Vinny start flying their drones over Lancaster Manor, they threaten Harper’s safety and security. Harper normally has no qualms about performing illicit activities out in the open when she is at home on the manor grounds. She will kidnap, torture, and murder people in the daylight, shoving their bodies into her wood chipper and burying their remains thereafter. However, once the drone arrives, Harper must be more circumspect—she is forced to hide aspects of her life, knowing that even Arthur Lancaster’s reputation can’t fully protect her from the world beyond—and specifically, from her past. The meaning of Lancaster Manor shifts for Harper over the course of the novel, as its safety is breached and she begins to understand The Importance of Resolving the Past for Self-Reinvention.

Bracelet

Harper’s  charm bracelet is a symbol of her past, her loss, and her grief. The engraving on the charm signifies her and Adam’s relationship: The  stands for “Adam” and “Autumn,” and the BC stands for “Bower” and “Cunningham.” The engraving is written as an equation, implying that Adam and Autumn had chemistry and were indelibly linked.


The charm resurfaces throughout the novel, and with each appearance, Harper is forced to remember her late boyfriend’s gruesome fate, the trauma she suffered, and the life she left behind. The bracelet’s recurrence throughout the novel also reinforces the novel’s theme of the Healing From Past Trauma Together. Harper has compartmentalized the events of her past, but they have not gone away. The past continues to rear its head in the present as long as Harper tries to deny it, and only with Nolan’s help does she begin to see that she has to confront the tragedy behind the charm bracelet in order to move past it.

Nolan’s Bag

Nolan’s bag is a symbol of his identity and its foundations in his past. Nolan is so attached to the bag because it contains his scrapbook, his murder weapons, and murder trophies. It represents the person he has tried to become in the wake of his late brother Billy’s death. He has attempted to stave off grief by embracing anger and violence instead of forgiveness. The bag and its contents represent this new, chosen identity.


Because of the bag’s importance to Nolan’s sense of himself, when Harper takes it from him, Nolan feels as if she has stolen a vital part of him. Harper also feels that she can control Nolan while she is still in possession of it. Once she and Nolan become close, she returns the bag because she no longer needs leverage over him. She is allowing Nolan to be whoever he may be without trying to manipulate, threaten, blackmail, or hurt him. In fact, she supports his efforts to reshape his identity, emphasizing the theme of healing from past trauma together.

Arthur’s Basement

Arthur’s basement represents the connection between trauma and memory to Harper. Harper has to descend into the basement to retrieve Nolan’s hidden bag, but she dreads this space because it looks “exactly the same as the [one where she was held] in Harvey Mead’s house” (306). She is overcome by anguish as soon as she enters the basement, as it triggers her traumatic memories. She “vomit[s] on the floor” and starts shaking and blinking when she sees the cellar doors that exactly resemble those in Harvey’s cellar (306). Although Harper has this averse reaction to the space, braving the basement is a sign of growth: She is facing her fears and taking steps to confront and heal from her trauma.

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