51 pages 1-hour read

Trial of the Sun Queen

Fiction | Novel | Adult | Published in 2022

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Background

Series Context: An Introduction to the World of Ouranos

Trial of the Sun Queen is the first installment in the Artefacts of Ouranos series, launching a narrative arc that extends across four volumes. All four books are now published (2022-2024), and Trial of the Sun Queen made explicit references to the forthcoming sequels. In her author’s note, Tuli confirmed her plan for a four-book series, encouraging readers to look for “easter eggs scattered throughout the story” that will resolve in later volumes (ix). This trailing or teasing is characteristic of the online market, in which audiences consume large volumes of material and authors must actively compete to capture and maintain attention.


As the opening book, Trial of the Sun Queen’s structural function is to establish the foundational elements of the fantasy world and set up the beginning of the series plot arc. The narrative introduces the continent of Ouranos, a realm divided into rival kingdoms, most notably the dark, northern Aurora Court and the bright, southern Sun Court of Aphelion. This geopolitical rivalry forms the central conflict driving the plot. The novel also lays the groundwork for the series’ overarching magical framework, which revolves around powerful Fae, oppressed mortals, and the titular “Artefacts” of immense power, one of which Lor’s sister, Willow, was imprisoned for supposedly stealing (31). Key mysteries are introduced to be explored in subsequent books, including the true nature of Lor’s “shattered legacy” (5), the secrets of the cruel Aurora King, and the complex motivations of the Sun King, Atlas. By setting up these core conflicts, character dynamics, and unresolved questions, Trial of the Sun Queen serves as a crucial entry point, inviting readers into a larger, unfolding saga of magic, power, and identity that will define the Artefacts of Ouranos series. As the series name hints, the overall narrative is an overarching quest trajectory, hinging on the meaning and purpose of the “artefacts,” which Lor will discover, first alone and then reunited with her siblings. As the series continues into book two, Lor’s initial relationship with Altas will be mirrored by a new love-hate relationship with anti-hero Prince Nadir. The fuller backstory of Lor’s legacy and destiny, prefigured in the first novel through the red jewel and the mirror’s revelation, will be increasingly developed, particularly through the introduction of a parallel narrative from the viewpoint of Lor’s royal grandmother, centuries before.

Genre Context: The Conventions of Fantasy Romance

Trial of the Sun Queen is a popular example of fantasy romance, a subgenre often called “romantasy,” which blends a formulaic love story with the expansive world-building of high fantasy. This hybrid genre has seen a significant surge in popularity during the 2020s, largely driven by a young-adult readership accessing fiction through social media platforms like TikTok’s “BookTok” community. Online self-publishing and direct author-to-reader access has propelled authors such as Sarah J. Maas (A Court of Thorns and Roses) and Rebecca Yarros (Fourth Wing) to the US bestseller lists. BookTok has become a major market force in the romantasy genre, dramatically increasing sales (Denny, Neill. “BookTok Boom: Social Media Helps Drive Sales in Some International Markets.” Publisher’s Weekly, 31 Oct. 2024). This is a trajectory followed by Tuli herself, who self-published online, growing a significant readership through BookTok before being picked up by a traditional publisher.


Tuli’s novel utilizes many of the romantasy’s key conventions. Recognizing these genre conventions allows readers to appreciate how the novel engages with popular fantasy romance traditions. Its high-fantasy elements include a detailed imaginary world: rival Fae courts, political intrigue, and a distinct magic system. This framework serves as the backdrop for a romance plot built on established tropes, drawing on traditional fairytale and folkloric elements, combined with explicit sexual content. The political and sexual intrigue are typically intertwined in the genre, equating sexual choices with wider personal survival. The introduction of the seemingly benevolent Sun King Atlas and the dark, enigmatic Aurora Prince Nadir establishes this dilemma for Lor, creating a potential love triangle with sexually alluring but morally ambiguous male figures. As in much romantasy, the novel follows its protagonist through a trial or quest narrative, in this case the Sun Queen Trials, where Tributes face mortal peril as “many… have succumbed to death over the centuries” (69). The protagonist, Lor, embodies romantasy’s common “hidden royalty” trope, possessing a mysterious “shattered legacy” (5) that is revealed to be a powerful birthright. Typical of the genre, these patterns draw on the folkloric trope of the dispossessed heroine, such as in “Cinderella” or “The Goose Girl.”

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