65 pages 2-hour read

Trump: The Art of the Deal

Nonfiction | Book | Adult | Published in 1987

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Chapters 4-6Chapter Summaries & Analyses

Chapter 4 Summary: “The Cincinnati Kid: Prudence Pays”

In college, Donald Trump focused on real estate opportunities instead of typical student interests. This led to his first major deal, Swifton Village, a 1,200-unit apartment complex in foreclosure in the “very troubled” (81) Cincinnati. The development had 800 vacant units, and the government, struggling to manage it, was eager to offload the property. Trump and his father purchased it for less than $6 million, despite the complex costing twice that amount to build just a few years earlier. By securing a mortgage covering both the purchase price and an additional $100,000 for renovations, they acquired the property without investing their own money. The key to success was management and marketing. The tenants, many of whom were lower income and unfamiliar with apartment living, caused significant damage to the property. Some tenants avoided rent payments by fleeing overnight in trailers, prompting Trump to establish a “trailer-watch” (83) to prevent losses. After removing problematic tenants, they invested $800,000 in upgrades, including white shutters, colonial-style doors, and enhanced landscaping.


Trump prioritized cleanliness, believing well-maintained properties increase in value. He likened real estate maintenance to selling a clean car for a higher price. He ensured hallways were freshly painted, floors refinished, and vacant apartments spotless while running aggressive newspaper ads. Within a year, Swifton Village was fully occupied.


Hiring the right manager was another challenge. After several unsuitable hires, they found Irving, a persuasive and effective leader. Despite working only an hour a day, Irving outperformed others who worked full shifts. However, he was also not “the most trustworthy guy in the world” (85). He supposedly took money from the business and even from an employee funeral fund. Despite this, Trump kept him on because Irving prevented others from stealing and kept the complex running smoothly. A key lesson Trump learned from Irving was the power of confidence. When confronted by an enraged tenant’s husband, a large and intimidating man, Irving used his verbal skills to defuse the situation, demonstrating that “showing no fear” (89) and exuding a sense of authority can prevent conflicts.


Over time, Trump reduced his involvement in Swifton Village. He became close to a Jewish tenant and Holocaust survivor who advised him to sell due to rising crime in the surrounding area. Taking this advice, Trump quickly put the property on the market. The buyer was Prudent Real Estate Investment Trust, part of a trend of overzealous real estate investment firms. A young, inexperienced representative from Prudent was more interested in dining at a renowned Cincinnati restaurant than inspecting the property thoroughly. He left impressed and recommended the purchase, leading to a sale for $12 million: a $6 million profit.


To protect themselves, Trump included clauses ensuring the deal would close regardless of future occupancy levels. By the closing date, numerous apartments were already vacant, validating his decision to sell quickly. This deal taught Trump key lessons about timing, negotiation, and the importance of following instincts in real estate. Prudent Real Estate, he says, “should have been more prudent” (92).

Chapter 5 Summary: “The Move to Manhattan”

After graduating from Wharton in 1968, Donald Trump set his sights on Manhattan real estate, but the market was “very hot” (93) at the time. With a net worth of $200,000, mostly tied up in Brooklyn and Queens properties, he waited for the right opportunity while working with his father. In 1971, he moved to a small studio apartment on the Upper East Side, immersing himself in Manhattan life and learning about its real estate landscape. To expand his social and professional network, Trump sought membership at Le Club, an elite New York social club. Initially rejected, he used persistence and strategic networking to gain entry. The club helped him meet wealthy and influential people, including Roy Cohn, a notorious lawyer known for his aggressive legal tactics. Trump hired Cohn when the federal government sued his family’s company for allegedly having discriminated against Black people in housing. Ignoring conventional legal advice to settle, Trump fought the case aggressively and ultimately resolved it without admitting guilt.


By 1973, the New York real estate market declined due to rising interest rates, inflation, and the city’s worsening financial crisis. While many investors pulled back and “stopped believing in the city” (101), Trump saw an opportunity. He set his sights on the abandoned Penn Central railyards, a 100-acre riverfront property on Manhattan’s West Side. Despite his lack of Manhattan development experience, he pitched himself as an ambitious and capable developer to Victor Palmieri, the Penn Central representative in charge of liquidating assets. Trump secured an exclusive option to develop both the 60th Street and 34th Street railyards without putting any money down. He branded his business as the “Trump Organization” to appear “much bigger” (105) than it was and leveraged his connections with politicians, including Mayor Abe Beame, though Beame remained noncommittal about supporting the project.


After Trump announced his plans in 1974, competing developers offered higher bids, including Starrett Housing’s $150 million offer, but Trump convinced Palmieri that his plan was the most viable. However, in 1975, the city’s financial crisis turned “from bad to much worse” (109), halting public housing financing. With his original plan for middle-income housing no longer feasible, Trump pivoted to a new idea: a convention center on the 34th Street site. Trump aggressively lobbied city officials, hiring zoning attorney Samuel Lindenbaum and political insider Louise Sunshine to promote his plan. He organized a press conference branding his site the “Miracle on 34th Street” (111), arguing it was cheaper and better located than the city’s preferred sites at 44th Street and Battery Park.


Trump’s strategic marketing and political maneuvering helped shift public perception. He exposed the flaws of rival sites, including the high cost of building over water at 44th Street and Battery Park’s isolation. He even leveraged a graduate study from Wagner College favoring his site, branding it the Wagner Report to create legitimacy. Although he hadn’t secured final approvals, Trump’s relentless self-promotion, strategic alliances, and ability to adapt set the stage for his future success in Manhattan real estate.


Donald Trump faced strong opposition in his effort to promote the 34th Street site for the New York convention center, particularly from Mayor Abe Beame and Deputy Mayor John Zuccotti. Beame backed Battery Park, while Zuccotti refused to admit the failure of the West 44th Street plan. Trump fought back publicly, using media attention to highlight the advantages of his site and to accuse Beame of being “self-serving and petty and a half-dozen other things” (113). Ultimately, a 1977 study confirmed that Trump’s location was the best, leading Beame to offer verbal support before leaving office.


When Ed Koch became mayor in 1978, he conducted his own study, which again favored Trump’s site. The city purchased the property, but Koch refused to let Trump build the center, citing conflict of interest. Trump offered to complete it under budget and absorb overruns, but the city took control, resulting in massive delays and cost overruns. By completion in 1986, the project was four years late and cost nearly $1 billion, around $700 million over budget. Frustrated by the “terrible planning and ridiculous cost overruns” (117), Trump eventually abandoned his option on the 60th Street yards in 1979 to pursue more viable deals, starting with the Commodore Hotel acquisition from Penn Central.

Chapter 6 Summary: “Grand Hotel: Reviving 42nd Street”

During his efforts to acquire property on Manhattan’s West Side, Donald Trump developed a deeper relationship with Victor Palmieri, who oversaw the Penn Central Railroad’s bankruptcy assets. Palmieri mentioned that Penn Central’s hotels were for sale, and Trump identified the Commodore Hotel as a prime opportunity due to its location next to Grand Central Terminal despite its poor condition and financial troubles. Trump saw potential in the Commodore, even though the hotel was losing money and defaulting on taxes. Recognizing both the risks and rewards, he approached Palmieri with an offer: He would take an option to purchase the hotel for $10 million, but only if he could secure a tax abatement, financing, and a hotel partner first. To buy time, he delayed finalizing the contract while working on assembling the deal.


Trump needed a “really fantastic design” (123) to sell the project. He hired architect Der Scutt, who designed a “sleek, contemporary” (124) glass façade to cover the Commodore’s aging brick exterior. The goal was to make the hotel look brand new to attract investors. Scutt’s design played a crucial role in marketing the project to city officials and banks. Trump also sought a hotel partner to manage operations and lend credibility. He focused on Hyatt, as they lacked a “flagship presence in New York City” (126) and were eager to enter the market. His initial negotiations with Hyatt president Skip Friend stalled, leading him to deal directly with Jay Pritzker, Hyatt’s owner and a shrewd businessman. They formed a 50-50 partnership: Trump would handle development and Hyatt would manage operations.


Securing financing proved difficult. Banks were reluctant to lend for projects in New York City, which was nearing bankruptcy. Trump’s strategy shifted from promoting financial potential to emphasizing civic duty, arguing that banks had an obligation to invest in revitalizing the city. Despite these appeals, no bank was willing to take the risk without a tax abatement, and “nothing seemed to work” (130). Trump leveraged a new city program, the Business Investment Incentive Policy, which encouraged commercial development through tax breaks. In October 1975, he pitched the city on his project, emphasizing that Hyatt was committed, but financing was impossible without tax relief. The city agreed to a 40-year tax abatement, under which Trump would pay a fixed fee plus a percentage of profits in lieu of property taxes.


To strengthen his case, Trump orchestrated a crisis narrative. In December 1975, Palmieri publicly announced that the Commodore was losing money and would shut down in June 1976. Around the same time, a competing hotel project in Times Square collapsed due to lack of financing, reinforcing Trump’s argument that New York real estate was too risky without tax incentives. Trump secured city approval for the tax deal, ensuring the project’s viability. The Commodore transformation marked his first major Manhattan deal, proving his ability to negotiate complex agreements, leverage government incentives, and revitalize failing properties. This set the foundation for his future success in high-profile real estate projects.


In early 1976, the Board of Estimate changed the structure of the tax abatement deal, shifting it to the Urban Development Corporation (UDC) instead of the city. This gave Trump an advantage, as the UDC had the power of condemnation, allowing for swift evictions and project control. However, opposition to the 40-year tax abatement grew, with hotel owners claiming it gave Trump an unfair advantage. Politicians and councilmen also criticized the deal, sensing an opportunity to gain voter support. Trump, unfazed, publicly defended the deal, arguing that no one else had made an offer for the failing Commodore Hotel.


Just before the Board of Estimate’s fourth vote, an alternative bid emerged from a low-quality hotel operator, which only strengthened Trump’s position. The Penn Central, eager to offload the Commodore, announced its imminent closure, reinforcing Trump’s argument that his plan was the best solution. On May 20, 1976, the Board of Estimate unanimously approved the tax abatement, securing Trump millions in savings over 40 years. Even with the tax deal in place, banks hesitated to finance the project, doubting that a revitalized Commodore (to become the Grand Hyatt) would succeed. Equitable Life Assurance Society and Bowery Savings Bank eventually provided $80 million in financing, recognizing that a failing Grand Central neighborhood would hurt their interests.


Trump defied critics by fully modernizing the Commodore instead of refurbishing it. Preservationists opposed his glass façade design, but Trump argued that traditional architecture had failed the neighborhood. The reflective glass ultimately won praise, as it showcased Grand Central Terminal and the Chrysler Building. Trump designed a luxurious lobby with marble floors, brass railings, and a glass-enclosed restaurant. He wanted the interior to be “an event” (138) in its own right. The Grand Hyatt opened in 1980, achieving instant success, with high occupancy rates and growing profits. Hyatt, as the operator, resisted Trump’s hands-on involvement, particularly when his wife, Ivana, pointed out cleanliness and uniform issues. Hyatt’s head of operations, Patrick Foley, resolved the issue by hiring a manager compatible with Ivana, overloading Trump with minor decisions and leading him to step back from daily operations. A key aspect of the deal was a restrictive covenant that prevented Hyatt from building competing hotels in NYC. Trump strategically inserted this clause at closing, taking advantage of Hyatt’s absent leadership. This valuable restriction ensured Hyatt could not compete without his permission, giving him long-term leverage. Trump’s relationship with Hyatt remained strong, partly due to his affection for A.N. Pritzker, Hyatt’s patriarch. Trump canceled a major business deal to attend Pritzker’s funeral in 1986.

Chapters 4-6 Analysis

Chapters 4, 5, and 6 settle into the defining pattern of The Art of the Deal: Whereas previous chapters portrayed the daily life of Donald Trump or contained his business advice, these chapters focus on the deals themselves. The deals are the lens through which Trump allows the audience to understand him and his approach to business. This supports the theme of Deals as an Art Form, as each transaction functions as both a financial maneuver and an expression of Trump’s business philosophy. This is evident in how the nature of the deals themselves changes over time. Chapter 4, for example, represents one of Trump’s first forays into the world of business. This is not the Donald Trump who doled out advice in earlier chapters. The non-linear storytelling structure presents a greener, more naïve Trump. Trump in these sections is not yet aligned with his own self-image—that he is doing business in Cincinnati rather than his native New York City. The New York version of Trump who dominates earlier chapters is a consequence of these early deals: To understand how Trump became the towering figure in earlier chapters, the audience must understand these early deals and how they informed Trump’s development. His brashness, his “truthful hyperbole,” his ruthlessness, and his relationship with the media are all in formative stages, so just as Trump learned how to put together a construction project to make huge profits, the book treats this early version of Trump like a construction project himself. Trump as a figure is being constructed, and these early deals are the foundation of his later self. This ties into the theme of Business, Memoir, and the Making of a Persona, as Trump selectively presents formative moments that reinforce his identity as an instinctive dealmaker, omitting aspects of his past setbacks that might challenge this image. Instead, he presents himself as an inherently savvy businessman and a persistent advocate for the revival of an economically struggling Manhattan.


In this section, Trump learns a very important lesson early on: What you know is less important than who you know. The young Trump is a personable man who has charm—a personality trait which he uses to network with the owner of Le Club. He recognizes that he is an outsider in the world of Manhattan real estate, so he strikes up relationships with the important people in Manhattan. To achieve this, however, he must follow a gradual process. He approaches networking like a development project. Before speaking to key real estate figures, he must make friends with the owner of Le Club. At Le Club, he can make strategic alliances with people like Roy Cohn. The connections he makes by moving in these social circles also lend him credibility. Trump’s portrayal of himself as an outsider is subject to scrutiny given the bias that is possible within memoirs. He benefited greatly from his father’s success, but he helps to guide others through the essential process of establishing a network of contacts in the business world. This reinforces the theme of No Publicity Is Bad Publicity, as Trump’s ability to embed himself in elite circles and generate attention shapes his rise in Manhattan real estate. His networking is not just about making deals—it is about positioning himself as a key player in the public eye. Building these relationships, Trump instinctively believes, is as important as the towers that he builds.


The government required to run a city like New York is large and, for people like Donald Trump who believe that governments should be small, the city is burdened with bureaucracy. Trump’s building projects require the consent of many people, whether he wants air rights or zoning permits. Dealing with these bureaucrats becomes an immediate hindrance to Trump’s ambitious plans. As such, he loathes the administrators and the clerks who prevent him from realizing his grand ambitions. Since the bureaucracy of New York City is so established, Trump cannot possibly list every single person who has angered him. Instead, Ed Koch emerges as the embodiment of everything wrong, from Trump’s perspective, with the governance of New York City. 


Ed Koch is the Mayor of New York City, so he is a useful representation for the broader bureaucracy. By directing his anger at Koch, Trump can give a face to the nameless administrators who he believes hold the city back and limit its potential. This also relates to the theme of Business, Memoir, and the Making of a Persona, as Trump presents his side of the dispute in a way that bolsters his own position, omitting perspectives that might challenge his narrative. Ed Koch thus emerges as a villain in The Art of the Deal because, from Trump’s perspective, he symbolizes the government bureaucracy that Trump overcame through networking, gaining public support via media coverage, and marketing that relies on rallying the public and highlighting the shortcomings of his competitors and opponents.

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