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Content Warning: This section of the guide includes discussion of mental illness, addiction, death, and racism.
A year after Conway’s disappearance, the COVID-19 pandemic begins. Anthony reflects on how strange the world is during lockdown, and how time seems to pass differently. He closely monitors the web for rumors of Conway, finding that many believe him to have had a mental health crisis. Many investigate the year between his disappearance and reemergence, and Anthony is ready to do so himself. He knows that Conway’s work to repair the cables was ripping him apart.
Anthony focuses on Conway’s final days in Egypt. He does not know why Conway chose Alexandria as the location to sabotage underwater cables. While in Alexandria, Conway began working as a fisherman, blending into the community. Two landing stations, one to the east of the city and the other to the west, had cables fed into them.
Conway did not do much to hide his explosive materials in his apartment, knowing that if anyone raided it, he couldn’t successfully hide them. He also had a single picture of Zanele in the apartment, but this was not out of the ordinary, with her fame growing every day. Before Conway, there were attempts to sabotage the cables around the world, including in Egypt, where the perpetrators were arrested and disappeared. Unlike them, however, Conway was a free diver and did not need scuba gear to go deep enough for the cables, allowing him to go unnoticed.
Anthony imagines Conway doing exercises in his apartment, working his muscles and holding his breath. The more air he gets in his lungs, the slower his heartbeat, and the more time he can spend underwater. On his fishing boat, he practices diving and remaining underwater, taking in the beauty of the undersea world.
At night, Conway works to prepare his explosives, using rusted iron and aluminum shavings to create thermite. He prepares the explosive in a backpack and makes a neck weight to help his descent. He doesn’t need maps to find the cables, and he spends days out on the water, assessing the depths he must reach. He was always shocked by how little security the landing stations have and takes advantage to slowly creep closer.
He keeps a tight routine, becoming invisible to those around him. The coast guard stops him twice when he floats too close to the landing stations, but they never see him as a threat. He practices his dives, going deeper and deeper, resting on the boat before diving again.
After Conway succeeded in compromising the cables, he earned many names. He was a bomber, an arsonist, and a terrorist, but none of these ever seemed appropriate to Anthony. In the aftermath of the event, many ridiculed Anthony for his portrayal of Conway in his article. Meanwhile, others hounded Zanele for information, but her publicity team kept her safe.
Many began speculating on his motives, though no one could find any. He left no manifesto. Some believed he was radicalized, while others believed he had schizophrenia. Anthony believes he acted because of a broken heart.
Anthony believes that Conway never meant to hurt anyone. He attacked no one. If he was angry about the cables, he could have attacked the company in Brussels. His extensive knowledge and experience also mean that if he wanted, he could have hired a boat and trawled the ocean floor until he severed a deeper cable.
Anthony will never know why Conway did what he did, but he tries to reconstruct it anyway.
Conway rises in the early morning hours, gathers his materials, and goes out to his boat. He sets out in the water just as the other fishermen arise, heading out into the early dawn. It takes him 12 minutes to reach his destination. He angles the boat to face the landing station and uses the station to calculate the location of the cable. He stops the engine and drops his anchor. It descends 47 meters. He strips, secures his waterproof backpack, dons his gear, and packs his lungs with air. He enters the water and descends.
He feels the pressure build on his body and slows his heartbeat. Soon, he hits darkness and slams into rocks, having miscalculated the descent. He has little time before he will need to ascend and uses his headlamp to quickly locate the cable. He secures the backpack to the cable, turns, and pulls the chain of the flare, igniting the thermite.
As he begins to rise, light from the burning thermite grows behind him. He does his best to stay calm and uses the rope of the anchor to guide himself up. He emerges, the day no different than it had been before he dove.
Anthony admits that his account of Conway’s actions is fiction. The fact is that Conway sabotaged the first cable on the morning of September 18, 2021, with a thermite explosive. Many are skeptical that he acted alone, but Anthony believes he did. Anthony knows that Conway made it back to the boat. With the bag destroyed, there would be no fingerprints, and the depths would prevent any major disruption on the surface. In many ways, Anthony sees this as the perfect crime, with no evidence left behind.
Anthony believes that Conway wanted to destroy both cables and immediately began his hours-long journey to the other side of the city after returning to the boat. The next dive was deeper, though, over 60 meters. Conway knew to be careful, as the disruption in the cable was likely to alert patrols. On his journey over, he was approached by the coast guard, but they only gave him a warning and took a picture, which was later circulated.
In his account, Anthony believes that at the second location, Conway’s first dive failed. He could not find the cable. He moved farther out, and as the coast guard approached again, he dove. Anthony does not know why Conway committed to this second attempt, with the risks now higher. When he found the cable, he successfully disrupted it, but he never emerged from the water. Only his boat, goggles, and broken headlamp were found.
A scorch mark on the goggles suggests that Conway was closer to this explosion, taken off guard by it. In his shock, he may have gasped or become discombobulated, without the necessary oxygen to return to the surface. Anthony even believes that he may have been an inverse Icarus and continued to dive down.
Anthony, now living in London, tries to meet with Zanele. Though he believes he secures a time to speak with her, her team ignores him. During the pandemic, Anthony began to feel like a new person, his sobriety lasting, and his efforts with Joli continuing. He sends a letter to Joli. Though Joli’s response does not match Anthony’s intensity, he believes that it is the beginning of a new relationship.
When news about Conway’s attacks broke, it was first blamed on Islamic groups. Conway was not even mentioned. Two days later, however, when divers found a backpack identical to the one Conway was suspected of having prepared, panic ensued. The divers filmed their descent and discovery of the backpack. The Royal Navy defused the bomb and discovered that the backpack was actually filled with sand. Ten other bags of sand were found strapped to cables around the world. All reminded the world of the fragility of the cables.
Conway was eventually identified as the perpetrator of the cable attacks in Egypt. His apartment was left in a normal condition, making Anthony believe that Conway planned to return to it. People dug into his past, discovering that his real name was Alistair Banks. He changed it to join the US military. When the media began questioning Zanele, she refused to speak. Her career took off, and she became a star.
Anthony does not know why Conway did what he did, but he suspects that Conway lost his grip on reality and could not find a solution to that which plagued him. People around the world believed they saw him for months afterward. His body eventually washed up in Libya, five months after his disappearance.
Anthony sends emails to Zanele but does not receive many replies. He continues working as a journalist and sets up an interview with an Irish writer who is working with the Alonzo King Lines Ballet. He does not like the writer but attends the performance. At the reception afterward, he sees Zanele and says hello. Zanele invites him for a visit the next day.
Zanele lives with Mmodi and their children on a houseboat on the Thames. They sit together and talk about Conway. Zanele admits that Conway was a great actor, better than she was. She proceeds to tell Anthony how she met Conway. When she went to Florida to study theater, a woman dropped her ring off a pier. Conway dove to find it and was underwater for what seemed like an impossible time. They connected, and he taught her how to dive before he returned to Louisiana. They wrote to each other, but Conway soon disappeared.
Conway would come and go for months at a time. One time, they went to an abandoned island off the coast of Angola, a former Portuguese territory. They walked through the empty streets and enjoyed their time together. They continued to see each other on and off for years, but by the time Zanele came to England, they both knew it was over. When Anthony asks about Conway’s life in Ireland, Zanele tells him Conway never shared that part of his life.
She tells Anthony that Conway travelled throughout the pandemic and even stayed at her house in Cornwall, though she never saw him. Zanele ponders if Conway did what he did to make a point. She questions the nature of damage and repair, reminding Anthony of his son. He realizes that he has ached for reconnection for years. Before Anthony leaves, he and Zanele take a picture together. She sends it to him, and he thinks of how it must be flying through the cables under the ocean.
After Conway’s disappearance and sabotage of underwater cables, Anthony visits Zanele in London, the heart of the former empire that once colonized both of their nations. In doing so, the two meet in the place that inflicted pain still felt back at home. Though they primarily speak about Conway, Zanele reflects on their presence in London, and what the city embodies: “‘That’s nice,’ she said, and it angered me how easily she was able to slough it off. She looked along the length of the river. ‘I mean, London is sometimes so beautiful that it is difficult to remember that it is built on a whole empire of lies” (229). Zanele’s comments demonstrate how this scene embodies the theme of The Legacy of European Colonialism and inverts how it is explored elsewhere in the novel. Before, the legacy was clear in South Africa, with the clear signs of apartheid, or in Anthony’s memories of finding famine victims’ bones. In London, however, the legacy remains in the wealth and prosperity of the city. Zanele tells Anthony that the beauty of the city makes it difficult to remember all of the horrors and pain that the British inflicted on their colonies to build their wealth and empire. Whereas her home of South Africa clearly bears the scars of colonization, London represents the opposite of that relationship. By extracting wealth and labor, Britain grew rich and remains a world leader because of this legacy, while its former colonies seek to catch up.
A literary device frequently used in Twist by Colum McCann is allusions to other novels. He often makes comparisons to other works overtly, like mentioning Frankenstein by Mary Shelley. He also, however, alludes to others, mentioning key symbols of a work to make a connection between fiction and his characters. By doing this, McCann challenges readers to make connections and draw deeper thematic meaning from the narrative. The allusions themselves help characterize Anthony, who, as a writer himself, frames the world through his own literary knowledge. One key allusion is the use of the symbol of the green light from The Great Gatsby to characterize the mysterious and at times unreadable nature of Conway: “It was difficult to forget the sight of Conway standing there, some sort of green light out there for him. The ocean and the ocean and the ocean” (231). In The Great Gatsby, the green light that Gatsby looks at out across the water represents his longing for Daisy, a symbol of hope and dreams of the unattainable. When Anthony describes Conway looking out over the ocean, as if there is some “green light” out there, he draws a connection between Gatsby’s longing for Daisy and Conway’s longing for Zanele, though their separation is permanent. It also represents his vain hopes for changing the world and lessening society’s dependence on technological connectivity. Even when he takes action to sever the cables in Egypt, he does so knowing that they will be promptly repaired. He does it to make a statement rather than merely destroying the cables.
After his conversation with Zanele, Anthony reflects on how his experiences with her and Conway change him. He thinks of the familiar ache of his separation to his son brings him, and realizes that he is finally able to face it and try to heal: “You can ache for years and not even know that you’ve been aching […] when it spins back up in your mind, you can choose to shove it back down into the territory of a deeper ache, or you can try to coax it into some sort of meaning” (235). Before his time in South Africa and on the Georges Lecointe, Anthony was not fully aware of the pain he felt over the disconnection with his son. Instead, he pushed it away with work and alcohol. While on the ship, though, this pain became too hard to ignore, with no alcohol, limited internet access, and little work to do other than observe Conway and the crew. The pain reemerges during this time, and for the first time, Anthony seeks to address it rather than ignoring it. Anthony’s character arc is therefore an example of the role Repairing Personal Disconnection plays in Twist. Through introspection and patience, Anthony finds himself a new person, ready to take control of his life and emotions, striving for a different life.



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