Unmissing

Minka Kent

51 pages 1-hour read

Minka Kent

Unmissing

Fiction | Novel | Adult | Published in 2022

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Chapters 9-19Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of sexual content, sexual violence, rape, physical abuse, emotional abuse, death, graphic violence, and mental illness.

Chapter 9 Summary

On Thursday, Merritt drives around town, desperately looking for Lydia: She needs to find out what Lydia wants. On her way to get gas, she spots Lydia walking down the street. She pulls over, apologizes for her previous disbelief, and asks Lydia to get in her car. Lydia is wraithlike, with stringy hair past her waist and a “dark gaze” (64). Merritt finds her confident tone off-putting, noting the change from Lydia’s timidness at their first meeting.


Merritt explains that Luca is out of town, but Lydia insists that he must be the first person to whom she speaks. She mentions Merritt’s age: five years older than Luca. Merritt has a sister, Adair, Lydia’s age. She knows her family would do everything they could if Adair went missing, but Lydia is an only child, and her mother was deceased by the time she was abducted.


Merritt proposes that Lydia come to her home to see Luca on Saturday night at eight o’clock, and Lydia agrees.

Chapter 10 Summary: “Lydia”

On Saturday evening, Delphine drives Lydia to the Coletto house and gives her a prepaid phone. Delphine loves repeating numbers and tells Lydia the phone is lucky because its number contains three sevens. She’s given Lydia a flattering, shoulder-length haircut, but Lydia still feels inadequate. In a beauty contest, Merritt would beat her “by a landslide” (68) with her ash brown hair, blue eyes, and perfect white teeth. She’s sophisticated in a way Lydia can never be. At the same time, she wants to appear poor and scrawny to make Merritt feel bad for her.


Merritt answers the door elegantly dressed, wearing lipstick. She’s anxious, trying to assert dominance as the mother of Luca’s children. Luca’s flight was delayed and he will arrive shortly. She confirms Luca does not know Lydia is alive or waiting for him. Lydia enters, resentful of the Colletos’ opulent lifestyle after her years of suffering. As tasteful music plays in the background, she anxiously awaits Luca’s arrival.

Chapter 11 Summary: “Merritt”

While waiting, Merritt receives a text that Luca is 15 minutes away. She’s curious to see how he reacts when he sees Lydia. She offers Lydia a sandwich, feeling guilty for rejecting her that first night.


As Merritt prepares the sandwich, Lydia unnerves her by correctly noting that Luca keeps his bread in the refrigerator. Merritt notes Lydia’s small stature, thinking that a strong man could easily overpower her, “assuming that’s what happened” when Lydia disappeared (73). She gives Lydia a glass of water and offers her alcohol before realizing it’s an insult. Lydia looks healthier, like “she’s come back from the dead” (76).


As Lydia takes her first bite, Merritt sees Luca’s headlights and announces his arrival.

Chapter 12 Summary: “Lydia”

Luca enters and greets Merritt, freezing in shock when he sees Lydia. Merritt gets between them and suggests Lydia tell them what happened. Lydia’s surprised that Luca isn’t the one asking the questions, but she recounts being abducted and subjected to graphic sexual abuse and rape for nine years with The Monster. Six months ago, The Monster took Lydia into the forest and shot her. She survived by playing dead, showing her scars as proof. Luca doesn’t show any emotion while Lydia tells her story.


When their daughter, Elsie, cries, Merritt leaves the room. Alone with Luca, Lydia touches his hand. He asks why she didn’t go to the police, and she says she wanted to see him first. When Merritt returns, Lydia prepares to leave, and they exchange phone numbers.

Chapter 13 Summary: “Merritt”

Later, Merritt asks Luca what Lydia’s return means for their marriage. Distressed, Luca paces as Merritt confesses Lydia visited earlier in the week. Luca is angry that Merritt kept it secret. Luca confirms her identity but insists she is “mentally” unstable, making Merritt promise to stay away from her and stating the problem is his to solve. He can tell Lydia is unhappy that he’s doing well and has a new family. In the morning, Merritt makes Luca breakfast and resolves to do whatever it takes to keep her family together.

Chapter 14 Summary: “Lydia”

On Sunday morning, a coffee with Delphine triggers a flashback for Lydia: She recalls overhearing men in a café discussing an “overnight millionaire” restaurateur, Luca Coletto, and his “smoking hot” wife in Bent Creek (92). Angry that he was living the high life without her, Lydia vowed to find him.


Back in the present, Lydia mentally criticizes Merritt as anxious and shallow. She’s beautiful but dull, Luca’s “human accessory” (93). Lydia revels in Merritt’s pity, which she sensed the previous night. Feeling optimistic, Lydia goes for a walk, believing she will soon settle her score.

Chapter 15 Summary: “Merritt”

On Monday morning, Merritt is still anxious. Luca made love to her last night, but this morning he forgot the travel mug of coffee she made him. He might still be thinking about Lydia.


Merritt devises a plan to offer Lydia $100,000 to leave town, even though it would require borrowing against their retirement account again. Ignoring Luca’s warning, Merritt texts Lydia, inviting her to meet that afternoon. When Lydia accepts, Merritt feels hopeful that her plan will resolve the situation.

Chapter 16 Summary: “Lydia”

That afternoon, Merritt takes Lydia shopping for expensive perfume, new shoes, and clothing. Lydia tears up at Merritt’s generosity, even though she knows Merritt is trying to buy her friendship. She lies that she’s hungry when Merritt asks her to lunch.


The diner belongs to Luca: It’s upscale but has few customers. Over lunch the women share personal details: Lydia met Luca when they worked together at a diner in Washington state; Merritt met him when he came by her apartment to fix her fridge. Merritt had a privileged upbringing in Maryland—her mother is deceased, and she is estranged from her father, who now has a second family.


Lydia is skeptical that Merritt would like someone as average-looking and unaccomplished as Luca used to be. For Merritt, he was “mysterious” and unpretentious.


Merritt suddenly has contractions and reveals she is having a boy, due in early March. Merritt doesn’t want to fight over Luca. She suggests they all spend more time together as a family to find closure, and Lydia agrees. Afterward, Lydia privately reflects on how easy it will be to manipulate the naïve Merritt.

Chapter 17 Summary: “Merritt”

When Luca gets home, he pours himself a glass of $200 Scotch and reveals to Merritt that his business is failing after a major investor pulled out. Merritt is nervous; she doesn’t like Luca when he’s drunk.


Merritt tells him about her day with Lydia. Furious, Luca reminds her he forbade contact between them and can’t afford lavish gifts. After Elsie interrupts their argument, Merritt resolves to handle the situation on her own.

Chapter 18 Summary: “Lydia”

On Tuesday, Lydia dines alone at Luca’s most upscale restaurant, Coletto’s by the Sea, ordering the most expensive items. She asks to speak with Luca, deducing that he owns the white Maserati in the parking lot.


When he arrives, Lydia demands a job as assistant manager. He refuses, saying that he’s laying people off, but she threatens to ruin his reputation by publicly revealing he abandoned her. Cornered, Luca agrees. Lydia then demands an office, a key, and a salary of $1,000 a day in cash for “a couple of weeks” (118), and he accepts her terms.

Chapter 19 Summary: “Merritt”

That afternoon, Merritt takes Elsie to surprise Luca at the restaurant but sees a smiling Lydia leaving, wearing the clothes Merritt bought her. Shaken, Merritt drives away. She texts Luca, asking about his day; he reads the message but doesn’t reply. Fearing they are colluding, she decides to hide her distress from him when he gets home.

Chapters 9-19 Analysis

The narrative structure in these chapters leverages alternating first-person perspectives to meticulously construct and then undermine the reader’s perception of truth. By filtering the events through the internal monologues of Merritt and Lydia, the novel creates a sustained dramatic irony where the reader is privy to each character’s self-justifications and hidden motives. Merritt’s narration establishes her as a seemingly rational, if anxious, protagonist whose primary goal is the protection of her family. She frames her pursuit of Lydia and her subsequent attempts to control the situation as necessary measures to manage the threat. This perspective encourages the reader to align with her view of Lydia as an unstable and unpredictable force.


Conversely, Lydia’s perspective systematically dismantles the archetype of the helpless victim. Her internal thoughts reveal contempt for Merritt, whom she views as a naive obstacle in her quest for retribution. This narrative bifurcation is central to the theme of Deception as Self-Preservation, as both women present carefully curated versions of themselves—to each other and to the reader—that serve their individual goals. The narrative tension arises not from what happens, but from the chasm between each character’s internal world and her external performance, forcing the reader into a constant state of re-evaluation regarding who is the perpetrator and who is the victim.


These chapters explore The Destructive Pursuit of a Perfect Facade, using money and class as the primary mechanism through which characters attempt to maintain control. The Colettos’ affluent lifestyle, symbolized by their seaside estate and upscale restaurants, is presented as a precarious construct built on image and financial leverage. Merritt’s immediate fear is not for Lydia’s well-being but for the potential of a media frenzy that would shatter their privacy and damage Luca’s business. Her solution is transactional: she attempts to solve a complex human crisis with capital, first by planning a $100,000 payoff and then by lavishing Lydia with expensive gifts.


This shopping spree is less an act of charity than an assertion of class power and an attempt to neutralize a threat, reducing Lydia’s trauma to an object that can be bought. Lydia recognizes this transactional worldview and exploits it. Her extortion of Luca transforms the restaurant—the symbol of his success and public image—into the instrument of her retribution. By demanding an exorbitant under-the-table salary, she forces Luca to finance his own destruction, demonstrating that the wealth used to protect the Colettos’ perfect life is also its greatest source of vulnerability.


The novel subverts conventional portrayals of trauma through its development of Lydia’s character, directly engaging with the theme of Redefining Victimhood and Agency. Lydia’s plans for revenge are methodical and strategic; she leverages Merritt’s pity and Luca’s fear to her advantage, beating them at their own game. She finds using Merritt’s naïveté “almost too easy” (110), foreshadowing that Merritt is not as naïve as she seems.


Lydia’s transformation complicates a binary of power and powerlessness, suggesting that the experience of profound powerlessness can forge an equally profound will to power. For Lydia, retribution is restorative and destructive, a way to reclaim the life and control she lost.


Luca’s characterization throughout this section is defined by his ability to deflect blame. During Lydia’s recounting of her captivity, Luca maintains a silent, disbelieving freeze. This performance signifies his ability to maintain a façade of innocence with his wife from the past and the wife of his present. His deceptiveness is further highlighted by his ability to fade into the background of the narrative, only presenting the side of himself he wants others to see.


Luca’s anger toward Merritt stems from her usurpation of his perceived role as the family’s sole protector and decision-maker. They both know they’re playing roles: Merritt has agreed to be the submissive wife and Luca the traditional family patriarch. His statement to Merritt that the problem is his to solve is an attempt to reassert patriarchal control that is already dissipating. Lydia’s appearance shocks Merritt out of her predefined role, and she no longer trusts Luca to call the shots.


While Lydia’s story is rooted in her nine-year imprisonment, her return imposes a new form of captivity on the Colettos. Merritt becomes a prisoner of her own anxiety, trapped within her luxurious home by the fear of losing her family and social standing. Her actions, from aimlessly driving around town to meticulously planning every interaction with Lydia, are those of someone attempting to manage the terms of her own confinement. Luca, in turn, is ensnared by his secrets and financial instability. Lydia’s blackmail pushes him further into financial collapse, for fear that the truth will destroy the respectable life he has built. The freedom the Colettos enjoyed was predicated on Lydia’s absence; her reappearance holds up a mirror to their lies, demonstrating that their facade is not strong enough to contain the past forever.

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