85 pages • 2-hour read
Neal ShustermanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
The guards wake everyone up and move them to a new room in the warehouse, where airline packing crates wait. The guards arbitrarily choose groups of people, with four to a crate. Connor is put with Roland’s group. He panics and punches one of the other boys. The guards break them apart, to Connor’s relief. “The [guard] doesn’t know it, but this is exactly what Connor wanted” (163). They put him in a new crate. His companions are Diego, Emby, and Hayden—Connor knows Hayden from the antique shop.
Connor’s group worries it will suffocate in the crate. Hayden says, “At least dying’s better than being unwound. Or is it? Let’s take a poll” (166). Each of them has a different opinion about whether being dead or unwound is worse. Hayden pushes the conversation further: “if every part of you is alive but inside someone else…are you alive or are you dead” (167). Again, they each have a different opinion. Connor wonders, “Could consciousness exist like that? He thinks about the trucker who performed a card trick for him with an Unwind’s hand” (171).
Hayden mentions someone he knew who “believed that if someone actually gets unwound, then they never had a soul to begin with” (172). Emby counters this, saying that, according to the law, the unborn have souls, but Connor disagrees, saying, “Just because the law says it, that doesn’t make it true” (172). Again, each person has a different opinion—no one can say whether one is right or wrong.
The others ask Hayden when he thinks life begins, and he says he doesn’t know. Emby protests that that isn’t an answer. Connor says it is: “Maybe it’s the best answer of all. If more people could admit they really don’t know, maybe there never would have been a Heartland War” (175).
Risa believes her experience in the crate was the same as everyone else’s: “It’s comforting to know there are others in the same situations, but troubling to think her own life is just one of a thousand pirate copies” (176). When the crates are opened, they ask where they are. Someone tells them, “the graveyard” (177). Risa finds out that one crate of kids was not as lucky as the rest—they suffocated. She worries for Connor.
Risa exits the plane and learns that unwinds are shipped away in decommissioned planes, suggesting they won’t be tracked. Finally, she spots Connor. “She wants to go to him, but remembers that they’ve officially ended their fake romance” (180). All the new kids are introduced to the Admiral. Risa notices that his uniform is from the war, but she can’t remember which side fought in his colors. She also realizes it doesn’t matter, because “Both sides lost” (181).
Risa feels hope return.
Even with the money Lev got from the pawnshop, “Their journey has gotten no easier” (183). Although CyFi still pretends to be the leader, Lev understands he is now in charge. Lev explains to CyFi that he is staying around because he needs to witness CyFi’s journey. CyFi agrees. He calls himself Cy-Ty, for the boy inside his head.
Cy-Ty/CyFi worries that the wall between his identity and the Unwind’s is going to crash soon, because “There is no peace in CyFi’s head. […] [[the unwind] doesn’t know he’s part of someone else now. He keeps looking for things in Cyrus’s head that just aren’t there” (185). CyFi and Lev wander the streets of Joplin, waiting for something to seem familiar. Soon, CyFi is on the track toward “home” and “Cyrus can feel the change inside him” (187). He hurries down different streets, Lev following behind. At a house he recognizes, a couple stands outside, along with some cops. Upon seeing them, “The part of Cy that isn’t Cy knows this middle-aged couple so well, he’s hit by a lightning bolt of emotions so violent he feels like he’ll incinerate” (189). The couple asks him if he is Tyler. He demands they give him a shovel. He goes to the side of the yard and digs. He pulls open a suitcase full of all the jewelry he stole. Tyler begs forgiveness from his parents and asks them to do anything except unwind him.
Lev demands that Tyler’s parents tell CyFi what he needs to hear. They look at him, confused. “TELL HIM YOU WON’T UNWIND HIM, OR I SWEAR I’LL BASH YOUR WORTHLESS HEADS IN” (192), Lev yells. They tell Tyler they won’t unwind him. Lev realizes he must run before anyone pays too much attention to him. The cops will know he doesn’t belong.
He runs, overwhelmed with new feelings: “He knows he’s been changed by this moment, transformed in some deep and frightening way. Wherever his journey now takes him, it doesn’t matter, because he has already arrived there in his heart” (193).
The Admiral has 10 rules for the Unwinds working under his wing, which are: “You arrived here by necessity, you stay here by choice”; “Surviving has earned you the right to be respected”; “My way is the only way”; “Your life is my gift to you. Treat it like one”; “You are better than those who would unwind you. Rise to the occasion”; “Everyone in the graveyard contributes. No exceptions”; “Teenage rebellion is for suburban schoolchildren. Get over it”; “Hormones will not rule my desert”; “At eighteen you cease to be my concern”; and “Make something of yourself. This is an order” (197-99).
At the graveyard, Risa goes before three seventeen-year-old Unwinds who evaluate her skills. She tells them she can play the piano, but they need practical skills, so they award her a dishwashing position. However, before she can leave, a boy with a bloody nose comes in. She jumps into action and helps him stop the bleeding. “She’s immediately promoted from dishwasher to medic” (201). Risa is happy to find purpose and silently thanks the Admiral. “He’d given her back her right to exist” (202).
Transformation and existence are two significant motifs in these chapters. Cy-Fi is transformed into Cy-Ty as they approach the home of the Unwind from whom he received his transplant. Tyler must come to terms with what happened to him, and the resulting confrontation with Tyler’s parents also transforms Lev. Tyler’s parents hesitate when he asks them not to unwind him, prompting Lev to burst forward and shout at them to promise. They do so, but the situation leaves Lev shaken. He runs away as fast as he can, and he feels the situation has changed him in a negative way.
Risa’s transformation comes from feeling useful again. The Admiral’s rules give her purpose. She feels that he has given her back the right to exist; it’s what he’s given everyone. They are all Unwinds, united by the fact that they both exist and do not exist. In the Graveyard, they are allowed to move out in the open, and they are given a purpose, a job. Risa’s is to help others as a medic.
The question of existence may feel resolved to Risa, but it is an issue that makes Connor uncomfortable. While in the crate on the way to the Graveyard, Connor and his companions discuss existence and morality in different forms. They debate whether an Unwind has a soul and whether being unwound is morally correct. However, the question of when life begins provokes the most debate. Everyone has a different answer, but Connor declares Hayden’s answer the best of all: “I don’t know.” Connor believes that if more people could admit they didn’t know, unwinding may never have happened at all. Shusterman’s use of the crate conversation in this section suggests that adults don’t always have the most logical reactions to a given situation. Furthermore, age doesn’t automatically imply wisdom. Connor figures out that now knowing is not only normal but a step in the right direction toward not making rash decisions.



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