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Content Warning: This section of the guide includes discussion of suicidal ideation, physical and emotional abuse, and sexual content.
In Variation, protagonists Allie and Hudson both deal with internal conflicts over how best to follow their professional dreams while also finding happiness in their personal lives. Before they reunite, Allie and Hudson are content with what they have: She is a successful, famous professional dancer, and Hudson is happy to be with his family and care for June while working in Cape Cod. However, once they admit that they are still in love with each other, they realize that they are lacking balance in their lives.
Allie lacks any kind of personal life, as she is entirely devoted to her professional ballet career. She admits to Hudson that the only romantic relationships she has ever had have been with other dancers, noting how it allows for the “same lifestyle, same schedule, same priorities. No mess” (217). Her friends are also only within the ballet circle, while her family is entirely dedicated to the Company. All of this leads Allie to be entirely devoted to ballet, lacking anything outside of it that makes her happy. What little personal life Allie does have still operates within the sphere of her professional ballet world.
Conversely, Hudson has dedicated his life to being with his family in Cape Cod at the expense of his professional aspirations. The first time he appears in the novel, at the age of 17, he is practicing swimming, noting how he had “stumbled into a documentary three years ago and wanted to be a rescue swimmer stationed in Sitka ever since. Helping people? Check. Adrenaline? Check. Moving to the other side of the country from the only place [he’d] ever lived? Check” (3). Early on, Hudson is completely focused on his future profession. However, after Sean dies and Caroline is left to raise June alone, Hudson decides to ask to be stationed in Cape Cod. Throughout the novel, he repeatedly claims that he plans to stay there, refusing to ask for a promotion or a new location because it would jeopardize his sister and niece. Although he loves his family and doesn’t regret his decision, Hudson has sacrificed his professional dreams in exchange for his personal life, compromising his ambitions to support his family.
As Allie and Hudson rekindle their relationship, they both begin to recognize the flaws in the lives that they have built. As Allie finds reprieve from her ballet, enjoying the time that she spends with Hudson and his family, she realizes just how competitive and damaging the world of professional ballet is. Similarly, Hudson begins to think about a life with Allie that would allow him to pursue life elsewhere, as he questions whether to put New York or Sitka down for his next location and pursue a promotion.
The novel’s ending, in which Allie and Hudson live happily together, balancing both their professional lives, emphasizes the need to find balance between the personal and the professional. Allie is still pursuing dance, but she is doing so in a way that allows her to stay outside the Company and the stress and tension she experienced there. Similarly, Hudson is still a rescue diver, but he has been stationed in Alaska and then Washington, fulfilling his dream of moving beyond Cape Cod. Both characters find happiness in the life they build together, supporting the novel’s contention that a happy and satisfying life balances personal and professional needs and desires.
As one of the best ballet dancers in the world, Allie constantly faces the pressure and stress of continuing to perform at her best to keep her spot in the Company. This tension takes its toll, and when the present timeline of the narrative begins, she is severely depressed. She even admits to her mother that “most days [she] wish[ed] it had been” her who had died in the accident years ago instead of Lina (149). This admission emphasizes just how much stress Allie is under, unable to live a happy life because she is so busy training, competing, and focusing on her ballet.
Allie’s family is one key component of the pressure that she faces. Dance is a family business for the Rousseaus, who are a ballet dynasty. With a mother who was, in her time, one of the world’s best dancers, Allie has always felt the need to live up to Sophie’s high expectations. She was thrust into the world of ballet from a young age, unable to live her life or enjoy her childhood. Additionally, after Lina’s death, Sophie’s full expectations and attention focused on Allie to fulfill her mother’s dream of her following in her footsteps. Not wanting to let her mother down or disappoint Lina’s memory, Allie even risks her own body, fighting through her pain to make her mother and Lina proud.
Social media adds another layer of pressure on Allie. Throughout the novel, social media is ever present, reminding Allie of the public’s opinion. It is extremely easy for anyone to express their anger, disappointment, and even hate of Allie on social media, putting it on her phone for her to see with ease. This pressure is exacerbated by Eva’s attempt to sabotage her through social media, shaping public attention to undermine Allie’s confidence. In this way, social media further builds the pressure that Allie feels to recover from her injury and return to the Company for one of two reasons: either to prove the hate wrong or to not disappoint her fans.
Because of the pressure to continue to remain at the top of the ballet world, Allie experiences anxiety and depression, constantly feeling the need to return and make her mother, Lina, and the public happy. Although she enjoys dancing, the competitive world of professional ballet is damaging to both her physical and mental health. It is only when she reunites with Hudson and discovers that she can be truly happy outside of New York, developing her personal life, that she can escape the pressures of the ballet world.
When Allie first returns to Cape Cod, she has depression and anxiety, stemming from her injury during her Giselle performance. She has dedicated her life to professional ballet but now struggles to keep her spot in the Company while wondering what she will do if her ballet career is over. Adding to that stress, she still struggles with the loss of Lina and a lifetime of her mother’s manipulation and emotional abuse. In many ways, Allie is trapped by the life that she has built, wondering if she will be able to fix her body and rebuild her career—or if she even wants to. However, as Allie heals from her injury, she identifies the negative aspects of her life, sparking her growth and transformation.
One of the first aspects of her life that catalyzes Allie’s change is her interaction with Hudson’s family. When she spends the day with them, she is shocked at the party that they throw for June and the fun time that they all have together. She asks Hudson, “Your family just…does this?” noting how her family “didn’t even do dinner” together (121). Her surprise at something as simple as a birthday party emphasizes how different Hudson’s family is from her own. The Rousseaus are focused entirely on ballet, leaving no room for family gatherings or time spent just being together. At the end of the party, she thinks about how she “did [her] best to soak in the happiness of the people around [her], and didn’t think of ballet once, not even for a second” (123). She repeats this sentiment the next time that she is with Hudson’s family, as they spend the entire day at the beach together and she again finds an escape from ballet. In this way, Hudson’s family serves as a model of a different kind of life, providing her with love, support, and fun that gets her away from ballet. Hudson’s niece, June, in particular, is central to Allie’s perspective shift—as they train together, they connect on a personal level, and June’s passion for ballet helps to reignite Allie’s own love, reminding her that dance should, above all, be joyous.
In addition to Hudson’s family, Hudson himself is also vital to Allie’s change. Time spent with Hudson is a fun and restful reprieve from her life of professional ballet. However, more importantly, he also encourages Allie to make her own decisions and gives her the space to do so. His support for Allie’s independence is best reflected in the moment that he goes to New York to see her. As he watches her outside the studio, he realizes that he has no “right” to interfere with her life with the Company, instead noting that “whatever move [he] made next had to keep her best interest in mind” (427). These thoughts convey the type of person that Hudson has been to Allie throughout the entire novel: He never pressures her into making decisions or giving up ballet for him; instead, he allows her to make the decisions on her own. This stands in stark contrast to most of the other people in Allie’s life, who constantly pressure her into making decisions solely based on her ballet career. In this way, Hudson’s love and unconditional support of Allie—whether she pursues ballet or not—are pivotal to her finding true happiness.
Throughout the novel, Allie’s understanding of what will make her truly happy changes. While she initially thinks that it is her ballet career, largely because of the pressure she feels from the people in her life, she ultimately realizes that being with Hudson is what will bring her true happiness. Through her time spent with Hudson and his family—and time spent away from the Company—Allie becomes a happier person, able to continue to do ballet without making it the entirety of her life.



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