58 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of gender discrimination, emotional abuse, and death.
Vera pops into Qiang Wen’s dumpling shop after hours to ask him about Xander. Qiang Wen was good friends with her late husband, Jinlong, while Vera was close to Qiang Wen’s deceased wife, Yin Mei. Since Yin Mei’s death many years ago, Qiang Wen has stopped cooking meals for himself, subsisting only on the dumplings he prepares for his business. Vera surprises Qiang Wen by asking him about his grandson, whom she assumes is the son of one of his daughters. However, Qiang Wen replies that Xander is an adopted grandson. Qiang Wen has no idea about Xander’s parents. When Vera gently breaks the news of Xander’s death, Qiang Wen is devastated and feels guilty. Vera invites him to dinner, asking him to bring some of his famous dumplings.
Later that evening, Qiang Wen finds himself seated at a table in Vera’s tea shop, surrounded by a bunch of strangers. He has no idea how the people know each other or why they are here, but like him, everyone seems bewitched by Vera’s cooking and her warm but bossy manner. Qiang Wen relishes each bite as he watches Vera chat with all her guests. When TJ finally asks why Vera has invited them to dinner, Vera reveals that she is investigating Xander’s death and that they are all suspects.
Millie spirals into panic on hearing Vera’s announcement. This is the last thing she expected when she confided in Vera. The panic turns to despair when she learns that blond and gray-eyed Aimes was Xander’s girlfriend. Millie can see why Xander would prefer Aimes to her. As Vera questions Aimes about Xander’s address, Aimes replies he lived in an upmarket apartment building in the Haight-Ashbury. Millie mumbles that this wasn’t Thomas’s address. However, she doesn’t know where Thomas really lived.
Meanwhile, Oliver walks in with Emma, surprised to see the motley bunch at Vera’s place. Vera introduces Oliver as her nephew and Emma as her granddaughter. Seating Oliver next to Millie, Vera obviously tries to set them up, making Millie blush. When Milie insists it is time for her to leave, Oliver walks Millie out to the bus stop on Vera’s suggestion. Millie gets a threatening text message from Mother and Father and scrambles to hide it from Oliver. Oliver gives Millie his number as they part. On an impulse, Millie buys a burner phone and saves Oliver’s number on it. When she gets home, Mother and Father inundate her with questions about where she has been. Chillingly, they know Millie was at Vera’s tea shop.
During dinner, Vera reflects on the immense fun she is having during her investigation. She has learned how to act from her previous foray in crime-solving. This time, she did not accuse anyone outright of murder. Rather, she allowed her guests to be at ease and assessed them by “the Vera Wong Formula for Murderers” (97), which includes criteria such as whether the person has shifty eyes or has a deep connection with the victim.
When Vera gets up to make some rose tea, she hears Aimes and TJ discuss social media. By the time Vera is done, she realizes Aimes has recorded the tea-making process on her phone. Aimes tells Vera that the footage is very soothing and that there is a huge demand for comforting videos of food being prepared. Aimes shows Vera the channel of a middle-aged woman in China who gets millions of views on her videos where she makes delicious pork dishes from scratch. When Aimes tells Vera that a million views generate an income of $2,000, an idea forms in Vera’s head: She decides she can be on social media and solve the mystery of Xander’s death. Vera tells TJ she has decided to be a social media star. Robin, TJ’s 13-year-old daughter, delightedly grabs Aimes’s phone, announcing she’s going to show the older folks how to edit a video in under five minutes. Robin’s edits produce a stunning video. Vera only asks that Robin remove the background music, as she plans to add her own narration to the video.
Just then, Selena drops in. She is immediately suspicious that Vera is hosting a dinner for people whom she has recently questioned in a case. Selena asks Vera if she has been snooping around, but Vera dismisses her suspicions. Selena cautions Vera against meddling because it may bring danger to Vera and the others around her. Vera lets slip that since the case is a suicide—rather than a murder—danger is unlikely. Selena wants to know how Vera knows the case is a suicide, but Vera deflects her again. Finally, Vera sees off Selena with packages of food, promising her she will not go looking for trouble.
Back home, Aimes’s mind is a jumble. The truth is she and Xander never dated, but they shot and posted couple content to boost their channels. Yet, the world thinks of her as Xander’s girlfriend. Aimes’s apartment is also very different from how it appears in her videos. In reality, it is tiny and crammed with promotional stuff. Only select corners, where she shoots her content, are nice. Aimes feels that she hates the apartment, just like she hates herself.
Compulsively she checks her DMs. She is flooded with condolence messages about Xander. Aimes cannot understand how so many people know about Xander’s death until one of the links in the DMs leads her to a TikTok video. It is the video of Vera brewing the tea. Accompanying the soothing footage is Vera’s voiceover, in which she wonders what happened to social media star Xander Lin, who was recently found dead. Vera says she wants to ensure Xander gets justice. She asks people to join her in her videos as she investigates Xander’s death. The TikTok already has several views.
Aimes wishes she could stop Vera from making more videos, but she knows this is near impossible. Since the news of Xander’s death is out, Aimes needs to make a video addressing it. As she brainstorms what she can put in the video, the memory of her last conversation with Xander intrudes. She blocks the memory and makes a short, succinct video announcing Xander’s death and her own hiatus from social media while she grieves. Aimes wishes she could reveal the truth that she and Xander never dated. However, she thinks that so much of her life consists of lies. After college, struggling to find a path forward, she falsely claimed to her ex-classmates from Berkeley that she was working at the San Francisco Chronicle. As DMs of support now flood her channels, Aimes feels like more of an imposter than ever.
TJ is examining the latest data on his clients’ engagement, and the numbers don’t look good. As TJ once again worries about the future, Elsie announces Vera’s arrival. TJ tells Vera she cannot keep dropping in unannounced, but Vera tells him she’s not there for Xander. She is seeking representation for herself. When TJ tells Vera she is not an influencer, Vera shows him her video about Xander, which has garnered a million views already. Elsie, Kit, and Lomax join TJ and Vera, drawn by her video. They are excited and ask TJ to take on Vera as a client. However, TJ tells Vera that he cannot represent her as he already has too many clients.
Just then, TJ gets a call from Robin’s principal saying that Robin has been suspended and needs to be picked up immediately. Vera announces that she is coming along with TJ and gets in his car. At the school, Vera introduces herself to Mr. Burns, the principal, as Robin’s grandmother. Mr. Burns tells TJ that Robin is being suspended because of her non-adherence to the dress code since she refuses to wear a bra. Vera tells Burns that there is no need for a suspension, saying she will buy Robin a bra today. When Burns argues, Vera accuses him of bullying and body-shaming a 13-year-old girl. She says that if Robin’s breasts offend the principal, that is his problem, since breasts are nothing to be ashamed of. Then she asks Burns why he was looking at a young girl’s chest, which unnerves him. He agrees to remove the suspension. Vera then offers him a pork bun and leaves.
In TJ’s car, Robin tells Vera she is a “badass.” Vera replies that it is disrespectful for Robin to call her by her first name. She says that from now on, Robin must call her grandma, and Robin agrees. Brushing off TJ’s objections about Vera threatening Robin’s principal, Vera asks him to drive them to Julia’s address, where she is supposed to pick up Emma. Vera asks TJ to then drop off “the girls” at Macy’s so they can shop privately for bras for Robin. Later, Robin asks Vera how she could sense Robin was awkward buying a bra around her father. Vera tells her nobody wants to buy a bra with their father. Thankfully, now Robin has Vera for this kind of mission.
Vera, Robin, and Emma have a good time at the store as Robin tries on bras. Vera’s heart warms when she sees Robin play big sister to Emma. After shopping, they meet TJ, who softens when he sees Robin in a good mood. Out of Robin’s earshot, he tells Vera that he often doubts his abilities as a father. Robin’s mother—a woman with whom TJ had a one-night-stand—dropped her at his house when she was a newborn. Robin was a cranky baby, and TJ was out of his depth with her. TJ considered giving Robin up for adoption, but one day, she seemed to look at him in a way that left him sobbing. He connected with Robin and decided they belonged together. Since then, he tries to be a good dad but often feels he is not doing enough for Robin.
Vera tells TJ it is clear he is a good father because he loves and respects Robin. She says Robin just needs some grandmotherly affection, which Vera will supplement. She invites TJ and Robin for lunch. Afterward, Vera asks for Robin’s help in making her next “viral video.” Robin records Vera as she prepares drunken chicken. Robin’s shooting style is different from Aimes’s: She focuses more on Vera’s hands as she cooks the chicken and insists on ending the video with Vera taking a bite of her dish. Vera later adds a voiceover in which she discusses Xander. Vera says what drew her to Xander is the loneliness that shone from underneath the façade he presented in his videos. Vera says she can recognize loneliness as she, too, has suffered from it since her husband’s death. Robin tells Vera that she’s a natural at social media—she is authentic in the midst of so much curated content.
Qiang Wen feels uncomfortable about the lies he has told regarding Xander. However, guilt prevents him from sharing the truth with everyone. He reflects on Xander’s appearance in his life. Xander became a regular at his shop, even posting videos of him and Qiang Wen making dumplings together. Xander would refer to Qiang Wen as “Ah Gong,” an honorific for an elder in Cantonese, unlike his own grandchildren who called him “Gramps,” a term that seemed unfamiliar to Qiang Wen. Qinag Wen wonders if the time Xander spent with him was just to create content. For Qiang Wen, it had been a genuine filial connection.
Lost in his thoughts, Qiang Wen does not notice Vera enter his shop with TJ, Robin, and Emma. Vera orders dumplings to eat at the shop. Qiang Wen tries to tell her that he does only takeaways, given the small size of his store, but Vera sends Robin to bring out stools from the kitchen. Though Vera says she is there because Robin wanted Qiang Wen’s dumplings, Qiang Wen can see that TJ and Robin have been coaxed into the situation. Vera shows Qiang Wen her videos and promises him she will find out what happened to his grandson. Vera notices an invitation to a party for social media influencers in her DMs. The party is at a place Xander frequented. She tells everyone she will attend the party. Qiang Wen decides that he has been passive for too long and that he needs to take action to get closure about Xander. He tells Vera that he, too, will be going to the party.
Though Mother and Father will dislike Millie making the first move with a man, Millie texts Oliver Chen for a date. She dresses carefully, sure to apply Mother’s lessons on what makes a woman attractive, keeping her looking young and vulnerable. Certain men prefer women who look pale and helpless and those are the sort of men Mother and Father think Millie should target. Millie tells Mother and Father that she is headed for a date. They are satisfied that the date is with a successful writer—as Millie has described Oliver—but warn her to be back in time.
Millie is almost giddy with relief at being out of Mother and Father’s house. She meets Oliver at Alamo Square, next to the Painted Ladies (a historical landmark consisting of a row of picturesque pastel-hued houses). Millie and Oliver fall into an easy conversation, with Millie telling Oliver her 11-year-old sister would swoon with joy if she saw the pretty neighborhood. Millie says she loves her sister but feels a barrier with her. Oliver puts it down to the pre-teen phase of rebellion.
A few days later, Millie wonders why Oliver has not yet held her hand even though they have been out on a couple of dates. They have had a fabulous time, laughing so hard Millie’s cheeks hurt, yet Oliver has held himself back from Millie. She considers texting Oliver again when she sees a message from Vera asking her to come over and wear something nice. Millie has no idea what Vera wants from her, but she puts on a pretty top and skinny black pants. She texts Mother and Father that she is going out on another date and leaves the house.
At Vera’s tea shop, Millie finds Aimes there as well, looking gorgeous. As Millie stares at Aimes’s flawless clothes, Aimes explains that they are second-hand, bought from a vintage store. Vera announces that they are all going to an influencer party. Aimes must do Millie’s make-up, like she has done Vera’s, so Millie fits in. After Aimes is done, Millie is surprised at her own reflection. She looks like a beautiful, confident woman in her twenties, which is her real age, rather than a young, vulnerable girl. She, Aimes, and Vera arrive at the party holding containers of Vera’s food. The party is at a five-story mansion in Bernal Heights, and it is busier than any party Millie has been to in the US.
These chapters illustrate the theme of The Importance of Community and Found Family as they focus on how Vera builds new relationships with her list of suspects. Vera acts as the magnetic locus of the group, and the other characters are drawn to her warmth. Even wary characters like TJ cannot resist Vera’s appeal, as is apparent in the sequence when Vera accompanies him to Robin’s school and confronts Robin’s principal. Vera proclaims she is Robin’s grandmother, later scolding Robin for calling her by her name. Her insistence that Robin call her “grandma” goes beyond mere semantics; by using familial terms, Vera asserts that her found family is as important to her as her biological relationships. Further, Vera asserts her Chinese American values, which stress connection and community, within a dominant culture that operates differently. She expands the definition of family to include anyone who needs care, connection, and belonging.
These chapters also unpack how loneliness drives these characters to bond together in unexpected ways. The novel examines how cultural and generational differences, as well as social media, contribute to loneliness in contemporary culture. Qiang Wen, an older immigrant from China, is at the intersection of these different kinds of loneliness. Not only does Qiang Wen feel cut off from society after the death of his wife, he even feels isolated from his own grandchildren who call him “gramps,” which he thinks of as a “[h]orrible English word that sounds so grouchy, so harsh” (144). When Xander refers to him as “Ah Gong,” the traditional Cantonese honorific for elders, this immediately draws Qiang Wen to the influencer, with the familiar term from his culture easing Qiang Wen’s loneliness. By doing grandfatherly things with Xander online, Qiang Wen is able to combat his own isolation. These details reveal how small gestures of cultural recognition can open emotional pathways and create intimacy, even in digitally mediated spaces.
Sutanto uses narrative devices from the suspense genre to set up the novel as a murder mystery. One of these devices, which is common in Agatha Christie novels, is gathering the suspects in one location so the sleuth or investigator can dramatically accuse them of murder. This device appears in the dinner scene at Vera’s tea shop. However, since this is a cozy mystery that equally stresses human connection and the investigation, Vera does not accuse anyone of murder outright. She merely hints that the parties at her table were connected with Xander, and the scene also focuses on how the characters bond with each other. The tension does not arise from confrontation but from the withheld truths between characters.
Another mystery trope in the novel is that of the unreliable narrator, especially in the chapters that Millie narrates. She deliberately withholds details, which deepens the air of mystery around her. For instance, she notes that “[s]he doesn’t like having unkind thoughts about Mother and Father, especially after everything they’ve done for her. She owes them so much, and even if she worked three whole lifetimes, she would never be able to repay her debt to them” (153). Millie’s gratitude toward the characters she calls Mother and Father suggests filial responsibility, but what Millie’s narration does not reveal—or realize—is that her feelings are the result of fear and trauma conditioning. Other narrators, too, withhold important information, especially when it comes to Xander. For example, a pervasive sense of guilt grips TJ, Aimes, and Qiang Wen every time they think of Xander, but none of them yet unpacks the reasons for this guilt.
Sutanto infuses humor in these chapters through Vera’s repartee with various characters. For instance, when Robin tells Vera that she is a “badass,” Vera quips, “Yes, my ass is quite bad” (130). Like in this exchange, some of the humor in the novel arises from English being Vera’s second language. However, the jokes do not patronize Vera, because she is portrayed as a proud Chinese American who leans into her heritage. Thus, the humor that arises from the interplay between generations and languages is warm-hearted and respectful. Author Jesse Q. Sutanto specifies in an interview that she intends to reflect the idiosyncratic language of older immigrants authentically, without resorting to stereotypes. In fact, the “broken English” of her characters becomes a means to show that “Just because someone doesn’t speak fluent English, it doesn’t mean that they’re less intelligent in any way“ (“Jesse Q. Sutanto on Finding the Line Between Authenticity and Stereotype.” Literary Hub, 24 June 2021). Further, Sutanto uses words from Mandarin, Cantonese, and other languages to reflect the multilingual reality of her characters. For instance, Vera refers to Selena as her xifu and often uses the exclamatory “Aiya” (2) as an expression of minor annoyance. She speaks to Winifred in Mandarin, to Qiang Wen in Cantonese, and to other characters in English. Her switching between languages reflects the reality of Chinese American people like Vera and the hybrid identities they negotiate every day.
This section also establishes the book’s San Francisco setting, with Chinatown, the Painted Ladies, and Oakland all established as key locations. These places reflect the diversity and multiculturalism of the city, but they also set the stage for the topics of income disparity and gentrification that are important to the plot. For instance, the influencer party is hosted in the affluent neighborhood of Bernal Heights, yet Millie calls the mansion “a five-storied monstrosity” (165). The description reflects Millie’s unease with the ostentatious nature of the mansion and the neighborhood. Unlike the Painted Ladies, which Millie loves, the mansion represents crass capitalism and highlights the income disparity that is indirectly linked to Millie’s own predicament.
These chapters also explore the motif of perfect appearances, with various characters feeling pressured to present themselves in a certain way. Xander wanted to look the part of a picture-perfect, cool, all-American hero, while Millie is forced to watch her weight and look like a pale, vulnerable beauty. The excessive focus on appearances highlights the dangers of living in a hyper-visual world, where the human body is a commodity. Characters like Millie and Aimes immediately note what the other is wearing, and they feel insufficient in comparison. For instance, Millie stares at Aimes’s beautiful party clothes, assuming they cost as much as a luxury car, leading Aimes to sheepishly reveal the clothes are secondhand purchases from a vintage store. Moments like these underscore how social comparison, especially when fueled by social media and influencer culture, breeds false assumptions.



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