War Games

Alan Gratz

63 pages 2-hour read

Alan Gratz

War Games

Fiction | Novel | Middle Grade | Published in 2025

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Chapters 37-48Chapter Summaries & Analyses

Content Warning: This section of the guide contains depictions of racism, religious discrimination, anti-gay bias, graphic violence, and physical abuse.

Chapter 37 Summary: “Sunk”

Evie begins her uneven bars routine, debating over whether to fail on purpose to preserve the heist plan. As she performs, she loses herself in the familiar movements of the routine. When her final somersault approaches, she realizes this is her last chance to throw the competition, but she catches the bar and completes a perfect routine. Her score appears: first place, guaranteeing Team USA a spot in tomorrow’s finals.


Backstage, Monday grabs Evie and furiously accuses her of ruining everything. When he threatens to tell the Nazis that Heinz is a Jew, Evie realizes that he followed them to the hat shop. Monday warns that Heinz’s family will be sent to a concentration camp and Evie will be kicked off the team. Evie begs for 24 hours to fix the situation. When Karl and Ursula arrive, Monday releases her. They tell Evie they would have made the same choice. Monday agrees to give her one day. Leni Riefenstahl approaches and asks Evie to stay for filming.

Chapter 38 Summary: “Blind Change”

Riefenstahl films Evie performing specific poses and routines for close-ups. When she notices the bruise Monday left on Evie’s arm, a makeup artist covers it. Riefenstahl shows Evie a letter from Hitler, granting her unlimited access to all Olympic venues. She reveals that she was once a gymnast and a dancer before injuries ended her career.


Inspired, Evie pulls Riefenstahl aside and tries to tell her about the persecution of Jews in Germany, hoping that the filmmaker will expose the truth. However, Riefenstahl dismisses her, coldly stating that she is not interested in the truth or in filming “losers.” Disillusioned, Evie realizes that Riefenstahl creates propaganda, covering reality with lies. After the filming ends, Evie reflects on Monday’s claim that there are no “good guys” or “bad guys” and concludes that the Nazis and anyone who supports them are definitively bad because they take from people and don’t care who suffers as a result.

Chapter 39 Summary: “Going for Gold”

The next day at the gymnastics finals, Evie arrives with Heinz and receives enthusiastic greetings from her teammates. Karl, Ursula, and Mary watch from the stands. As her teammates perform well, Evie calculates that Team USA is on track for bronze at the very least. During her compulsory routine, Evie conceives a plan to use a gold medal platform to expose Nazi crimes. Distracted, she loses focus and falls from the bars during the compulsories. Shaken, she barely finishes. Her voluntary routine is timid, and she skips her most difficult move.


Coach Miele tries to console her by saying that no one expected her to be there, which stings. The final results show Germany winning gold, Czechoslovakia silver, Hungary bronze, and the United States finishing last. Evie believes that she has failed everyone and has lost the heist team’s only chance to rob the Reichsbank.

Chapter 40 Summary: “Rallying”

After the amphitheater empties, Heinz stays to comfort Evie, while Karl and Ursula wait to see if the heist is still possible. Evie overhears a crewman complaining about filming the Nazi rally at the Olympiastadion that night. Watching the crew pack equipment, Evie announces they can still rob the Reichsbank during the rally. Heinz is shocked to learn their plan. Evie tells him about Monday’s threats but says they need his help. She promises to ensure that Monday cannot harm his family. Karl immediately agrees, followed by Ursula, then Heinz.

Chapter 41 Summary: “General Delivery”

At dusk, Evie waits on a dark street. The emptiness triggers a memory of her family’s eviction in California. She recalls becoming unhoused, living in their car, and receiving mail at General Delivery because they had no address. She struggled in school and spent all her time in the gymnasium, while she and her sister, Helen, skipped meals to save money. She realizes Monday knew about her family’s desperate poverty and homelessness, which is why he was certain she would agree to the heist. A Rundfunk van arrives with Karl and Monday. Evie climbs into the back, where Ursula waits with a technician’s uniform. When a black sedan with Nazi flags pulls up, they panic.

Chapter 42 Summary: “Action!”

The person exiting the sedan is Mary Brooks; she is disguised as Leni Riefenstahl with a wig, sweater, tall black boots, and jodhpurs. She demonstrates fluency in German and knowledge of Riefenstahl’s mannerisms. Mary reveals that she stole the car from the Nazi official who harassed her; she hopes to implicate him when authorities find it after the robbery. Monday examines her impersonation and concedes that the plan might work. Mary, fully in character, signals the start of their operation.

Chapter 43 Summary: “The Belly of the Beast”

The team enters the Olympiastadion garage, where Ursula hides inside a crate. Disguised as Riefenstahl’s crew, they use Mary’s impersonation and a forged letter of permission from Hitler to pass guards. They reach the communications room, packed with technicians broadcasting the rally. Monitors show Hitler addressing one hundred thousand Nazis. Mary orders the guards out, showing the forged letter. The commanding officer reluctantly complies, and Evie is terrified by the reality of living under a dictatorship. As Mary closes the door, the officer stops it and points at a monitor showing the real Leni Riefenstahl sitting beside Hitler. He demands to know how Riefenstahl can be in two places at the same time.

Chapter 44 Summary: “The Doppelgänger”

Mary boldly claims she is the real Riefenstahl and the woman on the monitor is her doppelgänger, a double like the one Hitler uses to avoid assassination. The confused officer challenges this, but Mary maintains her imperious demeanor. The officer curses and withdraws. Mary and Monday remain and pretend to film the technicians, while Karl and Evie push the crates toward the secret tunnels. They slip through sliding doors into the corridor as the doors close behind them, entering Berlin’s secret tunnel system.

Chapter 45 Summary: “The Chicken Leg Express”

In the tunnels, they release Ursula and find a handcar. Karl comments on how Mary’s doppelgänger excuse only worked because the constant lies from the government render people unable to distinguish truth from fiction. They load the crates, and Karl powers the handcar toward the Reichsbank. Ursula warns that Mary used a line from her own Western film when confronting the officer. They arrive at the Reichsbank roundhouse.

Chapter 46 Summary: “Heebie-Jeebies”

They enter the Reichsbank sub-basement and find two elevators. Karl pries open the vault elevator doors, revealing a 15-story electrified shaft. Below is the vault entrance and a pool of water. Karl demonstrates the electrified walls by flicking a coin, which sparks violently. The plan requires Ursula to dive down the shaft into the pool and summon the elevator from the bottom. Despite the extreme height, Ursula prepares, comparing the dive to jumping off cliffs in Marseille. Evie begs her not to attempt it, but Ursula ignores her concerns and dives backward into the shaft.

Chapter 47 Summary: “Fried Chicken Legs”

Ursula plummets down the shaft at 67 miles per hour. She splashes into the pool and does not immediately surface. Moments later, the elevator begins moving; Ursula survived the dive. When Evie and Karl arrive at the vault level, Ursula is leaning against the wall, dripping but unharmed. They push crates across the corridor, timing their movement to avoid a patrolling guard. At the vault door, Evie’s first attempt at using a birthday she believed was the combination fails, lighting a warning bulb. As the whistling grows closer, Evie tries again and fails. Ursula enters the combination in European date format, with the day first. The vault opens just as the guard appears. They slip inside just in time, and Evie stops Karl from walking forward onto the electrified walkway.

Chapter 48 Summary: “Cooked”

Inside, they face a hallway with an electrified floor. Karl confirms the danger by flicking a coin, which sparks violently. U-shaped bars along the ceiling provide the only safe path, and they are spaced too far apart for most people to reach. Evie must swing across despite never completing the routine in practice. Despite her fear, Evie removes her overalls to reveal her gymnastics uniform. Karl ties a safety rope around her waist. She lets Karl lift her to the first bar and launches herself into the air.

Chapters 37-48 Analysis

Evie’s journey through the gymnastics qualifiers and finals dismantles her initial conception of success, compelling her to embrace a new definition of victory that celebrates collective resistance rather than individual achievement. Her perfect routine in Chapter 37 reflects her personal integrity, for she refuses to intentionally fail for anyone, claiming the performance for “Nobody except [her]self” (233). In this moment, she establishes her agency, which is clearly separate from Monday’s coercive influence. However, her subsequent public failure in the finals extinguishes her dreams of fame and fortune, and this loss becomes a crucial pivot point as she closes the door on the conventional path to success and ventures into a search for a viable alternative—taking part in subversive acts against the Nazi regime. The narrative thus reframes her athletic loss as a necessary sacrifice that enables her to embrace a deeper moral victory, and this transformation clarifies the novel’s focus on Redefining Victory Beyond Medals and Money.


As Evie chooses her moral stance, the character of Leni Riefenstahl and her cinematic work serve as a central vehicle for exploring The Hidden Realities of Corrupt Regimes, a theme the heist team then inverts and weaponizes for its own purposes. Riefenstahl embodies the deliberate construction of a beautiful illusion to mask an ugly truth, openly admits her disinterest in documenting the persecution of German Jews and stating that she is “not interested in the truth” (243) because she only films winners. Her so-called art is merely propaganda designed to legitimize Nazi strength. However, the heist team subverts this dynamic when Mary Brooks impersonates Riefenstahl and appropriates the haughty filmmaker’s cultivated appearance of authority and imperious demeanor to deceive the very regime that the real Riefenstahl serves. As Karl observes, Mary’s lie about the doppelgänger only succeeds because in a society built on deceit, “no one knows what’s real. And when you can’t tell fantasy from reality anymore, you’ll believe anything” (278). By seizing the Nazis’ own tools of deception, the heist team essentially undermines Nazi authority by mimicking the party’s deliberate performance of power.


As Evie casts aside her self-centered goals and becomes a bold, strategic leader, her brave actions illustrate The Moral Complexities of Survival and Resistance. This dynamic is illustrated with her frustration over Riefenstahl’s collusion with the Nazi regime, for in this moment, she realizes that both the filmmaker’s indifference and Monday’s cynical moral relativism are untenable positions to take in the face of such rampant injustice. Whereas Monday sees only “takers” and “givers” in the world, Evie arrives at a clear ethical judgment that “the Nazis were bad guys, because they took and took without caring who got hurt in the process” (244). This moral clarity empowers her to seize control of the heist from Monday and rally her friends around a new plan. As she focuses on striking a blow against the Nazis and securing the means for Heinz’s family to survive, her new decisiveness marks her maturation into an effective agent of resistance.


As these chapters execute a pivot from a sports drama to a high-stakes heist thriller, the accelerating narrative pace reflects Evie’s own shift in purpose and agency. Chapters 37-39 build tension around the singular question of her athletic performance, but her eventual failure acts as a narrative hinge when her sudden insight in Chapter 40 launches the story on a new trajectory toward urgent, collective action. The subsequent chapters unfold as a rapid sequence of escalating challenges characteristic of the heist genre: the infiltration, the disguise, the confrontation with guards, and the series of deadly physical obstacles within the bank. However, this structural shift also serves to align the novel’s form with its deeper message about the importance of taking decisive action to resist oppressive systems. Thus, when the “Olympic hero” portion of the narrative draws to a close, this development sends the story in a new direction, positioning the heist as the only remaining path to a meaningful moral victory.

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