War Games

Alan Gratz

63 pages 2-hour read

Alan Gratz

War Games

Fiction | Novel | Middle Grade | Published in 2025

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Themes

Content Warning: This section of the guide contains depictions of racism, religious discrimination, anti-gay bias, graphic violence, and child death.

The Hidden Realities of Corrupt Regimes

Alan Gratz’s War Games explores the stark contrast between deceptive appearances and hidden realities, demonstrating how the Nazi regime masked its systemic persecution and war preparations. As visitors and tourists behold the immaculate appearance of Berlin, the seemingly welcome tone of the Games, and the fervent support of the German people, these elements create an illusory atmosphere of solidarity and achievement. However, Karl and Heinz, two characters living through the increasingly treacherous Nazi regime, expose Evie to the truth of Hitler’s Germany, both through their own experiences and through those of their loved ones. With these details, the novel argues that true perception requires peeling back society’s carefully constructed surfaces to uncover the dangerous truths they conceal.


Evie’s own evolution exemplifies this process on an individual level. Initially, she observes the sparkling buildings, crisp Nazi flags, and punctual streetcars and declares, “Berlin is practically perfect!” (51). Because she is coming from a desperate situation in the United States, Berlin appears wealthy and secure to her inexperienced eyes. However, she soon learns that this pristine veneer is a carefully managed illusion, designed precisely to convince newcomers of Hitler’s fictional successes. Heinz later reveals the truth by showing Evie that many Nazi flags are strategically placed to hide the decaying and damaged buildings. Just as the buildings are still crumbling after the first World War, the German people are straining under the pressure of the Nazi government, as evidenced by the forced smiles and evasive behavior of regular German citizens.


Leni Riefenstahl’s filmmaking further reinforces this theme, for she only films the Games to create Nazi propaganda and perpetuate an idealized image of strength and unity. As she bluntly tells Evie, she is “not interested in the truth” (243). These public displays are designed to project an image of a prosperous and peaceful nation, while actively concealing the state-sponsored violence and poverty simmering just beneath the surface. Not only will Leni’s film serve to reinforce the commitment of the German people, but it will also showcase Germany’s apparent strength and excellence. Just as Hitler’s racist ideology of “Aryan” supremacy is undermined by the success of Black and Jewish athletes like Jesse Owens and Helene Mayer, the grandeur of the German government is undermined by the suffering of its people, whom Leni calls “losers.”

The Moral Complexities of Survival and Resistance

In War Games, Alan Gratz delves into the moral complexities of survival and resistance, illustrating how oppressive systems force individuals into compromising positions. The novel suggests that while self-preservation often requires morally ambiguous choices, genuine courage is found in the eventual decision to actively fight against injustice, despite the personal risks. When facing tyranny, Gratz’s characters are forced to choose between acquiescing to Nazi terror or resisting in any way they can. Monday, specifically, tries to hide behind a perspective of moral relativism, lauding the Nazis as “takers” and criticizing marginalized people as “givers.” However, the value of “giving” becomes increasingly apparent throughout the novel, leading to a conclusion in which Evie decides to give everything she has to make a difference.


Several characters initially adopt strategies of compromise to navigate the dangers of Nazi Germany. Evie begins her journey as a self-proclaimed “Nonpolitical sportsman” (38), determined to ignore the political turmoil in her single-minded pursuit of an Olympic medal. Similarly, Heinz joins the Hitler Youth, an organization whose ideology he abhors, as a pragmatic way to protect himself and his Jewish family from persecution. The most pointed example of this compromise is Helene Mayer, the Jewish fencer who gives a Nazi salute on the medal podium, seemingly embracing her role as a “token Jew.” Gratz presents these actions as fraught calculations made under duress, showing that individuals must weigh their safety and ambitions against their moral convictions.


The novel charts a clear progression from compromised survival to active resistance, and the bank heist serves as the central vehicle for this thematic development. What begins as a scheme for personal enrichment soon evolves into a daring act of defiance. For Karl and Ursula, the robbery is explicitly political; they intend to use their shares of the gold to fund resistance movements and help others escape the Nazis. Their motivations push Evie to look beyond her own selfish desires, and in the end, she chooses to join this criminal enterprise because it directly harms the Nazi regime. Her shift from personal ambition to collective action signifies a crucial moral evolution, and together, she and her friends demonstrate that in the face of systemic injustice, the lines between right and wrong can blur, and true moral action may require people to break the rules of a corrupt system and risk personal harm to help others.

Redefining Victory Beyond Medals and Money

War Games challenges traditional notions of victory by contrasting the pursuit of personal glory with the triumphs of moral courage and solidarity. Through Evie’s journey, Alan Gratz argues that true victory is measured in the selfless acts that people perform to secure the freedom and well-being of others. Initially, Evie’s definition of success is narrowly focused on individual achievement. Traumatized by her family’s poverty, her only dream at the start of the novel is to “win a gold medal, and become famous, and be in movies” (16). For her, an Olympic victory represents a path to financial security and a life free from the hardships of the Dust Bowl. With her conventional understanding of victory as a competitive, zero-sum game, her initial interest in the Reichsbank heist is an extension of this mindset; to her, the Nazi gold is simply a different kind of medal: a more direct route to the wealth she craves. This perspective aligns with the ethos of the Olympics, which celebrates individual champions, but Evie’s hollow stance will ultimately prove to be insufficient to meeting and overcoming the morally charged atmosphere of 1936 Berlin.


Evie’s understanding of victory undergoes a distinct transformation as she becomes entangled with the doings of her heist teammates and gradually confronts the ugly realities of the Nazi regime. The crucial turning point occurs when she learns that Karl and Ursula plan to use their shares of the loot to fund anti-Nazi resistance efforts, for their selflessness forces her to look beyond her own needs and recognize a greater purpose. This trend culminates in her decision to give her entire share of the stolen gold to Heinz so that he can help his family and other Jewish people to escape Nazi Germany. With this generous gesture, she sacrifices her long-held dream of personal wealth for the sake of others, and this selfless choice represents her true victory, a moral triumph that far outweighs any Olympic gold medal. Though Evie begins as an uninformed bystander to the brutality of the Nazis, she comes to understand the importance of resisting tyranny in any way possible. When she accepts an offer of a stunt double job from her friend Mary Brooks, this good fortune further reinforces her new redefinition of success, as she has come to value a future built on collaboration and friendship. In this way, Gratz suggests that the most meaningful accomplishments in life are those that uplift others and do not focus on the accumulation of personal accolades or riches.

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