62 pages 2-hour read

We Love You, Bunny

Fiction | Novel | Adult | Published in 2025

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Part 3Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of animal cruelty and death, sexual content, cursing, and violence and death.

Part 3, Interstitial 5 Summary: “We”

Aerius’s narrative breaks off, and the narrative returns to the voice of the four Bunnies, now speaking collectively. They explain that while it is important to them to give Sam access to Aerius’s version of events, they feel that he is misrepresenting them, and they now want to relay events from their own perspective.

Part 3, Chapter 15 Summary

The narrative returns to extended flashbacks. After Aerius escapes on Halloween night, the Bunnies are heartbroken and also worried about his compulsion to murder Allan. However, the next day, with no way to reclaim Aerius, they decide to take another rabbit back to the attic and try to turn it into a man.


They are able to do so successfully, and over the month of November, the Bunnies repeatedly turn rabbits into handsome men. These new creations (which they refer to as “hybrids”) are much more pleasant and agreeable than Aerius: They frequently pay compliments to the Bunnies and never express dissatisfaction with their lives. However, the Bunnies do not feel the same about these hybrids as they did about Aerius, and they are also disappointed and frustrated that these new creations are not able to have sex with them.


One night in late November, the Bunnies take their four hybrids on a date at a fancy restaurant (this is the same restaurant where the Poets are having dinner with Leonard Coel). They are disappointed with the date, and when they get home, they decide they must destroy the Hybrids. Kyra begins executing the hybrids one by one, but the final hybrid, Fyorg, behaves strangely. He begs Kyra not to kill him and references Aerius.

Part 3, Chapter 16 Summary

The Bunnies cannot fathom how Fyorg knows about Aerius. They ask him if he knows where Aerius is and follow him out into the night. Fyorg leads them to a park near the restaurant, and the Bunnies can smell and sense the presence of Aerius close by.


From there, Fyorg leads them to Ursula’s house. The Bunnies are very confused as to why Fyorg has led them there, and why he claims Aerius is inside. Ursula comes to the door and seems confused by the sight of her bloodied and distraught students. She invites them to come inside and tell her what is going on.

Part 3, Chapter 17 Summary

The Bunnies tell Ursula the whole story of how they created Aerius. They also allude to how none of their subsequent creations were satisfying. They explain that they want Aerius back and admit that he might be dangerous.


After listening to the story, Ursula begins to critique it as though it were a piece of fiction, leaving the Bunnies confused. She sends them away, vaguely alluding to a new project she has just begun and which will need her full attention. Confused and disappointed, the Bunnies leave.

Part 3, Chapter 18 Summary

The last few weeks of the term pass in a daze. At the Christmas party, Allan makes strange, cryptic comments to the Bunnies, leaving them angry with him. They continue to feel disdain toward Samantha for what they perceive as her closeness with Allan.

Part 3, Chapter 19 Summary

The Bunnies depart from the college campus and return to their respective homes for Christmas break. They are all haunted by sadness and regret during this time.

Part 3, Chapter 20 Summary

In January, the Bunnies return to campus. After time away, their attic space seems less impressive, and they are disgusted by the hybrids that they have created (which continue to live in the basement). They are eager for classes to resume, since Ursula will now be leading their workshop.

Part 3, Chapter 21 Summary

On the first day of class, the Bunnies are disappointed by the lack of guidance and inspiration that Ursula offers to them. Ursula is strangely aloof and seems preoccupied with her own work; she explains that she will be showcasing her new work at the end of the term.

Part 3, Chapter 22 Summary

January, February, and March pass; the Bunnies continue to pine for Aerius but feel more disconnected from the events of the fall. They also find themselves unable to catch any more wild rabbits to use in their creation of hybrids. Eventually, the Bunnies resort to purchasing domesticated rabbits from a pet shop, but they are unhappy with the hybrids that result from these experiments and immediately kill them.


They continue to be very unhappy with Ursula’s classes and notice that Samantha stops attending entirely. Their disappointment with Ursula’s teaching and their grief over losing Aerius converge to make the Bunnies very unhappy, leaving them to ponder how “we couldn’t mend our hearts” (365).

Part 3, Chapter 23 Summary

After the last class of the semester, the Bunnies are moping in the rose garden on a beautiful spring day. They see Ursula furtively picking some dandelions (Aerius’s favorite food), and they suddenly become suspicious of the strange behavior Ursula has been exhibiting all semester. They follow Ursula back to her house and see her enter the shed. Convinced that Aerius is inside, the Bunnies break into the shed. Inside, they confront Ursula, demanding to know where Aerius is.


Ursula rebukes the Bunnies for their accusations. She tells them she will be showcasing her new project the next night and invites them to attend. Chastened, the Bunnies leave the cottage.

Part 3, Chapter 24 Summary

The Bunnies are confused: They could sense the presence of Aerius in the cottage, but they also still respect and trust Ursula enough to be persuaded by her denials. They lament to the Hybrids that they still cannot find Aerius and wonder if he will be at her showcase.


In the present-day timeline, the Bunnies cut off their narrative and explain that they will now return to Aerius’s point of view.

Part 3 Analysis

While the Bunnies offer some of the narrative from Aerius’s point of view, they inevitably want to return to their own perspective, especially because they are portrayed as manipulative and domineering in Aerius’s narrative. They hastily point out, “we feel we should interject with a little interlude of our own […] lest you think we’re the fucking monsters he paints us out to be” (314). The Bunnies’ need to reclaim the narrative and recenter their own perspective reflects Authorial Control and Agency Over Narratives. They give Aerius a limited voice within the narrative but ensure they remain in control when his perspective does not conform to their wishes.


The Bunnies narrate events from the month of November (during which time, unbeknownst to them, Aerius is living with the Poets). They discover that they are able to transform more rabbits into men, beginning a regular practice of creating individuals that they variously call “hybrids,” “drafts,” or “darlings.” These names for the subsequent rabbit creations allude to how the violent conjurings (marked by an explosion that can symbolize a breakthrough or eureka moment) parallel the writing process. Amongst writers, editing or revising a first draft is sometimes referred to as “killing your darlings”; the Bunnies increasingly treat their hybrids as disposable and become more comfortable with the idea of regularly murdering them (a task which typically falls to Kyra). This portion of the narrative functions as key backstory to the plot of Bunny, in which the Bunnies continue the practice of creating and killing hybrids throughout their second year.


The months (from Halloween night until May) during which Aerius is absent strongly develop the theme of The Pain of Unrequited Desire. While the Bunnies create numerous other men from rabbits, none of these subsequent hybrids can satisfy their longing. While the subsequent hybrids are much more agreeable and demure than Aerius, they lack genitals and possess instead only “a small, smooth bump, quite like a Ken doll’s” (318). While Aerius exhibits certain aspects of androgyny, appearing dressed in a flowing nightgown and wearing pearls, the subsequent hybrids conform to more normative masculinity, wearing suits. The Bunnies find themselves frustrated by the “dickless man-in-finance types” (335) they keep creating. The subsequent hybrids contrast with Aerius and, rather than bringing comfort or satisfaction to the Bunnies, they ultimately remind them of their loss.


The pain of losing Aerius is compounded by the grief and disappointment the Bunnies feel after Ursula lets them down, invoking Disappointment Over Failed Role Models. When they confide the story to Ursula, they presume she will offer wisdom or at least sympathy, but the Bunnies are crushed when she remains cold and aloof. Their disappointment grows when Ursula repeatedly disappoints them, first by brushing them aside prior to Christmas vacation and then when they find her teaching to be lackluster for the entirety of the second semester.


Rivalry and tension between Ursula and her students become a major theme as the months pass. Aerius symbolizes creativity, sexuality, and vibrancy, and for this period of the story, he is possessed by Ursula while the younger women perceive him as having been inappropriately stolen from them. They note with suspicion that Ursula “seemed far too … happy. Flustered. Almost like she’d just been fucking or something” (355). Ursula experiences Aerius’s presence as a source of rejuvenation and revitalization. He reawakens her sense of creative fecundity, which is presented as a close parallel to fertility and sexuality. The younger women, however, resent this change in Ursula: While they were willing to revere her as a role model and guide, they don’t like the idea of her as a rival.


Due to the New England setting, the passage of time is marked by strong seasonal changes and the presence of pathetic fallacy. The Bunnies experience their greatest despair during the bleak winter months, during which “our creative fire, the heat of our hearts’ blood, had grown cold. The hive mind was dark” (353). As spring arrives, the longing for sexual and creative rejuvenation is heightened, and the Bunnies describe how “May brought with it a scent of freshly budding green that made our thighs ache” (366). Their longing for Aerius is not diminished, but rather heightened, as spring arrives.

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