62 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of sexual content and violence.
Aerius resumes his narrative. He spends months in Ursula’s cottage. She pressures him to write but also to frequently spend time with her and takes a sexual interest in him. Leonard (the famous poet) has been transformed into a rabbit after Aerius killed him and now lives with Ursula and Aerius.
Ursula makes vague promises to help Aerius return to his “Lost Self,” and he is hopeful that she will fulfil these promises. Ursula also asserts that she has ownership over the narrative Aerius is writing because she has created the conditions and inspiration for his creativity. Aerius privately disagrees but does not argue with Ursula.
Ursula is planning to present Aerius’s manuscript at her upcoming showcase, and she explains that this manuscript is intended to revive her stalled literary career. Ursula warily trusts Aerius even though he refuses to show her the work in progress. Aerius confides to the reader that he has misled Ursula about what he is actually writing.
Aerius explains that when Ursula asks him to write “Flashes from the Other World” (390) so that she can resurrect her literary career, he is anxious and afraid. He desperately wants Ursula to return him back to his rabbit form so that he will no longer be plagued by sadness and longing for Jonah. He knows that he needs to produce a manuscript in exchange for Ursula fulfilling this promise, so he agrees, but then feels panicked and trapped.
Eventually, he finds a manuscript of Leonard’s poetry and begins a dual project. In the front of his notebook, Aerius transcribes and changes Leonard’s poetry into prose; he hopes this manuscript might satisfy Ursula when she eventually sees it. Meanwhile, at the back of the notebook, Aerius writes his “true” story—the narrative of the events he has lived through.
On the last day of classes, a beautiful May day, Ursula goes to teach, and Aerius lingers in the garden, enjoying the grass and flowers and reminiscing about Jonah. He sees a stranger looking at him through the gate and greets the stranger, who disappears without responding. A few minutes later, Ursula returns. She and Aerius are chatting in the garden when they hear the sound of the Bunnies approaching (this is the same day that the Bunnies follow Ursula home after beginning to suspect that she has Aerius).
Ursula orders Aerius to hide, and he listens as she speaks with the Bunnies. He is still afraid of them but also finds himself feeling more compassion toward their loss and longing for him. The conversation between Ursula and the Bunnies is worrying to Aerius because he has never explained his past to Ursula, and thus, she does not know that he initially lived in the attic with her students.
After the Bunnies leave, Ursula does not immediately confront Aerius. Later that night, she begins to question him. She is troubled by the accusation that she has stolen Aerius from the Bunnies, but he reassures her that he is her independent creation. Ursula becomes more insistent on seeing his book but Aerius refuses. Later, while they are watching a film together, Ursula tries to grab the notebook to read it, but Aerius snatches it back.
That night, Aerius lies awake and worries. He feels increasingly unsafe in Ursula’s cottage and haunted by the fear that she won’t be able to release him from his human form. Aerius has also had a lingering suspicion that he finally records in writing: He thinks that he may have previously been a rabbit.
Accepting and admitting this truth gives Aerius a sense of liberation and authenticity. However, “I was still lost from this Self. Still lost from the Lost Place” (407), as he remains trapped in human form. Aerius begins to ponder how, when he killed Leonard with the axe, Leonard transformed into a rabbit. He wonders if there might be some connection between violence and transformation.
Aerius falls asleep and awakens to find Ursula sitting in his room, reading the notebook. She is enraged by the account of him having first been created by the Bunnies and accuses him of having made up a story, which Aerius defends as the truth of his experience. However, when Ursula demands that he admit to being hers, Aerius lies and says that he is. He is still hopeful that she will change him back to his Lost Self.
Ursula threatens Aerius with the axe; he is unsure if he will die or be transformed back into his true self if she strikes him. Ursula hears a banging at the door and goes to open it. A group of campus activists who have been protesting the lack of action after the murders in the autumn have come to the door. Aerius hears them explain to Ursula that one of their members glimpsed “the murderer” in her garden earlier that day, and they have now come to demand justice. The activists catch sight of Aerius through the window.
Aerius panics and flees into the night, taking his axe, Pony, and Leonard the rabbit with him. His notebook is left behind. In a parking lot on campus, he happens upon Allan. Finally meeting the real Allan, whom he has been obsessed with killing, Aerius feels an immediate sense of recognition.
Allan seems unconcerned by Aerius’s plan to kill him. He probes into why Aerius feels compelled to kill him, and Aerius feels confused. He has flashbacks to the anger and frustration the Bunnies were experiencing at the time he was created: They were furious at Allan for the feedback he had given them. However, Aerius also feels confusion as he realizes that he does not have any personal antagonism toward Allan. Allan gently points out that Aerius doesn’t have to kill him just because his creators had the desire to do so.
Aerius vacillates over whether to kill Allan; Allan passively awaits his decision. He finally asks Allan to kill him with the axe, hoping this will send him back to his true self. Allan explains that “only your Creator can send you Back” (421). Aerius feels despair, but Allan explains that writing is also a mode of transformation. He suggests that Aerius attend Ursula’s presentation even though Aerius now faces danger from Ursula, the Bunnies, and the campus activists. Allan leaves Aerius and walks away unharmed.
Aerius hides in the rose garden, watching members of the campus community enter the Narrative Arts building for Ursula’s presentation. The campus activists are carrying posters with a vague image of him. Aerius overhears the Bunnies discussing their plans to seize him if they catch sight of him. Aerius is terrified of all the threats but also determined to get his notebook back.
Aerius thinks back to the original plan Ursula had orchestrated for the presentation. She had planned for him to enter backstage, put on a costume, and then wait on stage at a marked spot. Aerius slips inside and follows these steps, donning a rabbit mask located at the spot where he is supposed to stand. Ursula seems surprised but pleased when she sees him in his position, seemingly prepared to go along with the plan for the presentation.
The presentation begins with Ursula on stage at a podium; Aerius is concealed and not yet visible to the audience. Ursula explains how, after a period of writer’s block, she experienced a sudden resurgence of creativity in the autumn. Ursula takes out the notebook and begins to read the first part of the narrative, Aerius’s transcription and adaptation of Leonard’s poetry. The members of the Poetry cohort, who are seated in the audience, recognize the work and begin to loudly accuse her of plagiarism. The Bunnies chime in, claiming that Ursula “steals” from her students.
Ursula responds that she is being falsely accused and is capable of a transformative creativity that extends beyond words. She throws down the book, and a spotlight suddenly reveals Aerius, kneeling on the stage. Struggling to see, he begins to grope for the notebook. As he does so, Ursula looms over him with the axe, preparing to strike. At the last moment, Aerius leaps forward, and Ursula’s blow with the axe narrowly misses him.
The audience erupts in chaos. Terrified that he will be taken captive again, Aerius submits to Ursula, asking her to kill him. She is distracted as hundreds of rabbits suddenly pour into the theater, adding to the chaos. Aerius manages to grab his notebook, and when the lights go out in the theater, he flees.
Aerius’s third captivity with Ursula closely parallels his previous two captivities with the Bunnies and then the Poets. Like the others, Ursula smothers and controls him, trying to ensure that he will be entirely subservient to her, once more invoking Authorial Control and Agency Over Narratives. These similarities reveal how some writers (or artists more broadly) tend to become possessive and egotistical about their creative process. None of them values Aerius for himself, only for his capacity to satisfy their egos and desires.
While the Bunnies and the Poets are young and thus their self-absorption is a sign of their immaturity, Ursula’s character reveals that even a mature writer can display the same weaknesses. If anything, her ego needs are even greater because Ursula has largely been consigned to obscurity and written off as a “has-been.” She explains to Aerius that “this Showcase […] must be her great Comeback. Her undeniable Proof of Genie-yes [Genius] to all who doubted Mother’s Capabilities” (387). Ursula fears aging and becoming irrelevant as an older woman; her fear of creative decline also fuses with her fear of becoming less sexually desirable. In many fairy tales, such as Sleeping Beauty or Cinderella, an older woman becomes a jealous rival to a younger beauty as she fears her own declining youth and beauty. Ursula embodies this character trope, and Aerius notes that her lust for him exceeds that of the Bunnies: “[T]his hunger of Mother’s, as I have shared, is not at all like my Keepers’ Hunger. Tis Fathoms deep, fueled by Decades of Neglect and unfulfilled Longings” (387).
Ursula urges Aerius to begin writing for her own selfish reasons, but she inadvertently contributes to his development of agency and selfhood. As he begins writing down his story, Aerius finds an outlet for naming his emotions, thoughts, and memories. Like a child acquiring language, his ability to narrate his experiences allows him to differentiate himself and make sense of the world around him. While many characters in the novel fixate on using language and writing as ways to acquire fame and power over others, Aerius’s experience reveals how language and storytelling are fundamental to the human experience. His notebook becomes a powerful symbol for his agency and selfhood: Aerius refuses to show it to Ursula, and he feels violated when he catches her reading it while he sleeps. Aerius’s experience with writing down his narrative helps him see his story as belonging to him alone and recognize that it is inappropriate for Ursula to try to claim his story.
Aerius’s exploration of narrating his story leads him to finally become aware of his inner self. Initially, Aerius is simply haunted by vague memories of a deeper connection to nature, a time without language, and a longing to return to some kind of authentic self. Eventually, Aerius writes down his revelation: “I knew at last what I was. I had a Name at last for the Lost Self. Twas Bunny!” (406). Aerius’s language around “perhaps indeed you, like me, have always known” (406) reflects this revelation as a kind of “coming-out” moment in which he finally names and shares a powerful aspect of his identity. The novel uses graphic representation to highlight the impact of this admission: The words “a bunny” appear alone on a page (405) in tiny font, requiring the reader to look closely and revealing the shyness of Aerius’s admission. While the time he spends with Ursula is still a kind of imprisonment, her fixation on Aerius “tapping the wound” (179) does lead to a new kind of self-awareness.
As with his other captivities, Aerius eventually flees (revealing that creativity ultimately cannot be controlled or harnessed), once more reflecting Disappointment Over Failed Role Models as he realizes Ursula cannot help him after all. By chance, he encounters Allan. This moment could mark the climax of his quest, especially since Allan passively submits to Aerius’s plan to kill him. Allan, however, offers Aerius a powerful message about agency and self-determination, explaining that “they may have conjured you, Aerius […] but you are also a Free Spirit. With your own Heart and your own Mind and your own Soul” (419). Allan also suggests that Aerius can be transformed through the power of the written word, motivating him to attend Ursula’s workshop even though he is afraid to do so. While the Bunnies are frustrated with Allan, he proves himself to be a wise and good educator to Aerius.
The showcase erupts into chaos after the Bunnies and the Poets publicly accuse Ursula of plagiarism. The question of stealing their work blurs the line between forms of writing and Aerius himself; the roots of the word “plagiarism” come from the word for “kidnapping,” revealing the intimate relationship between a writer and their creative output, which can be seen as akin to a child. Ownership of Aerius becomes a feud amongst various competing parties on the campus, but they all covet Aerius for their own reasons. None of them can see that Aerius is actually trying to claim his own agency and freedom.



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