63 pages • 2-hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
For most of his early life, Coates believed in the idea of “cosmic justice, that good acts were rewarded and bad deeds punished” (110). His parents’ unsympathetic responses to Coates’s being bullied on the streets of Baltimore and his later reading of history eventually convinced him that it was always better to be the aggressor than to be prey—that “[m]ight really does make right” (110). American history, with its celebration of immoral but strong figures like Andrew Jackson, forced Coates to see that the wider culture was mostly not interested in justice.
Coates found a counternarrative to “might makes right” in the defiance of Black American figures like Celia and Margaret Garner—enslaved women who murdered rather than submit to their masters. Coates identifies them as foremothers who taught him that to be free was to be defiant and always to hold the White supremacists to account for their theft and violence. When Chuck D rapped with “total disrespect and ill regard for America’s hallowed heroes and insisted that the pop culture of plunderers be treated as the theft it was” (112), Coates heard a more modern form of this ethos.
Coates calls this attitude “black atheism.” The attitude served him equally well as he confronted racism and when he experienced the rejections common to all writers, especially novice ones. His success near the end of Obama’s first term caught him off guard, however. When Coates became the designated “Black Writer’” at The Atlantic, he felt that he at last had a cultural perch that gave him a voice to which people—including White people—listened.
“Fear of a Black President” is the first work in which Coates felt he had control over his genre and influences. Success followed success: Coates won awards, became an in-demand commentator on matters of race, and was financially stable. Looking back, Coates realizes that this role was not always merited, especially since he was an expert in only some domains of Black culture. He also feared that he was mostly speaking to a White audience. When presented with this flattering recognition, he found it hard to maintain his old attitude of defiance.
Coates argues in this essay that Barack Obama faces a predicament: He is a Black president in a country that barely accepts the notion that a Black man could be president. White conservatives harbor a suspicion that at any moment, Obama’s talk about American ideals transcending America’s racist history will slip, and his supposed hatred of White people will be revealed by his actions.
For most conservatives, that moment for which they had been waiting came with Obama’s relatively mild observation that Trayvon Martin, a Black teen George Zimmerman tracked and killed in 2012, could have been his son. The sympathetic, “transpartisan” response to the killing—outrage and sadness that an unarmed young man could be killed with impunity—transformed suddenly to conservative outrage about the supposed racism of Obama’s response. Obama was unable to respond effectively to the shift.
For most of America’s history, Black people could only rely upon protest to confront White supremacy. Obama is the president, a position that gives him control over substantial federal powers, so he should have other options. He is hampered, however, by his frequent choice to avoid or minimize plain talk about White supremacy in America. Despite Obama’s reluctance to name White supremacy and racism, these forces explain many of the difficulties Obama faces as a political figure.
The presidency is the ultimate symbol of White privilege in a country in which only White people could claim to be citizens for most of its history. Obama and his family, potent symbols of Black excellence, are threats to White supremacy precisely because they disrupt the White supremacist narrative that Black people deserve to be second-class citizens because they are inherently inferior. Furthermore, even White people who claim to be allies are deeply uncomfortable with naming the role of White privilege in their own lives.
White conservative reactions to Obama’s anodyne comments on Trayvon Martin show the persistence of “racial animus” among White people. This animus is present even among White Democrats, who were much more comfortable voting for Bill Clinton than Obama. Racial animus is there when critics accuse Obama of harboring secret hatred of White people when Obama discusses issues that have nothing to do with race. Birtherism, the conspiracy theory that Obama is not American and is thus not a legitimate president, is a pure expression of the impact of racial animus on the Obama presidency.
Coates is sympathetic to the untenable position in which Obama finds himself as a result of this racial animus. Obama has been forced to live out that old saw that a Black person must be twice as good as a White person to gain half as much success. The man must be nearly perfect to survive politically, and this was true even before he became president. Obama’s campaign for the presidency had a near-death experience when video of his pastor, Jeremiah Wright, calling for God to damn America for its racial crimes and labeling 9-11 as chickens coming home to roost went viral in 2008.
The video of Wright’s denunciation of America's White supremacy undercut the “convenient narrative” that Black people would suffer and wait patiently for White people to deliver on the promise of democracy—that they would never express a fully justified Black rage for the wrongs of white America. The attacks on Obama for words another person said were outrageous, but the politically adept Obama responded with one of his few candid speeches on race. In the “More Perfect Union” speech in Philadelphia, Obama called for more candor about race.
Despite this message, the political lesson Obama took from this episode during his run for the presidency was to avoid such candor from then on. His silence on issues that touch explicitly on race means that Obama has failed to lead on issues of real import to Black Americans, including mass incarceration. This self-imposed silence on important issues has extended to any issues that critics might connect to Obama’s supposed Black anger.
The firing of Shirley Sherrod, a US Department of Agriculture Obama appointee, is a prime example of how Obama handles racially sensitive issues these days. When Ms. Sherrod told a story about how her work in the farm community allowed her to come to terms with and overcome her anger at White people, critics miscast her statements as racism. Coates characterizes Obama’s reaction—firing her—as an act of cowardice that was the natural consequence of his silence on racial issues. The lack of moral courage extends to other actions, such as Obama’s use of drone warfare behind the veil of national security. There is something unseemly about watching a Black president rely upon this national security rationale because the government used this same rationale to justify spying on civil rights activists in the 1960s.
Coates has a deep distrust of America’s government, rooted in the actions of the government in surveilling civil rights activists but also in the police killing of Coates’s close friend Prince Jones in 2000. Like Wright, Coates saw 9-11 as just deserts for the police officers who died in the attack. Coates’s bitterness and anger at the police and state power softened somewhat with the election of Obama, but the episode with Trayvon Martin is proof that racial animus and fear of Black anger are here to stay.
In such a country, Obama will always be forced to calm White people’s racial animus and avoid showing any hint of his own anger. Despite Obama’s failure in this regard, Coates argues that Obama is still an important symbol of America’s attempts at racial integration. Like Shirley Sherrod, a woman much wronged by Obama, Coates cannot help but feel a little protective of Obama.
A more confident Coates is once again on display in the fifth essay. The central purpose of the essay—to critique Obama’s handling of racial animus—also shows that Coates is much less optimistic about the Obama presidency as a moment during which America can transcend its White supremacist roots.
Coates signals this shift from optimism to foreboding in several ways. In the note, Coates describes in detail how his life as a bullied child on the streets of West Baltimore forced him to accept that power, not goodness or some balance in the universe, shaped the world. Coates also uses the title of this essay—“Fear of a Black President,” a play on Fear of a Black Planet, Public Enemy’s iconic 1990 album—to preview his more pessimistic take on the course of the Obama presidency.
When the reader gets to the essay, there is no surprise when Coates harshly critiques of Obama’s approach to racial politics. Obama’s brand is all about hope and change; his emphasis on these elements of the American story is out of step with America’s actual history, which Coates consistently casts as a tragedy. The somberness of the essay makes sense, given that Coates was writing in the context of the killing of an unarmed Black person.
While contemporary readers are likely to see the killing of George Floyd in 2020 as a galvanizing moment that may have opened up some possibility of change, in 2012, the mood was more pessimistic. At the time that Coates published his essay, it seemed clear that George Zimmerman would likely not be held to account for killing Trayvon Martin, and the Black Lives Matter movement for civil rights had not even achieved trending hashtag status.
Coates wrote the note with full knowledge that Zimmerman was acquitted and that the outrageous, explicitly racist attacks on Obama were in large part successful in neutering Obama’s policy agenda. One can see in the essay Coates’s shift from seeing Obama as a transcendent Black figure to seeing him as the embodiment of what is wrong with America’s racial politics. The harshness of the critique is ameliorated both by Coates’s growing understanding of how deeply White supremacy—coupled with White innocence about the benefits that accrue from White supremacy—shapes America. Coates brings this understanding to bear in his analysis of the historical significance of a Black man occupying the seat of power.
The final impression one gets of Coates, vis a vis Obama, is the sense that Obama has unavoidably betrayed his Black constituents. In the essay, Coates uses the final quotes from Shirley Sherrod to telegraph that feeling, but in the note, Coates explicitly makes the argument for understanding Obama as a man trapped in a machine—White supremacy—not of his own making. Nevertheless, this pairing of note and essay marks one of the first instances in the book in which that pessimistic mood prevails in both.



Unlock all 63 pages of this Study Guide
Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.