49 pages 1-hour read

Syou Ishida, Transl. E. Madison Shimoda

We'll Prescribe You a Cat

Fiction | Novel | Adult | Published in 2024

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Chapter 4Chapter Summaries & Analyses

Content Warning: This section features discussion of emotional abuse, substance use, animal cruelty, and illness.

Chapter 4 Summary: “Tank and Tangerine”

Handbag designer Tomoka Takamine watches three employees, including senior design assistant Mitsuki, quit in quick succession, frustrated by her perfectionism. Her business partner, Junko, urges her to see a psychiatrist. Tomoka reluctantly visits the Nakagyō Kokoro Clinic for the Soul, where the doctor and the nurse, Chitose, are under the influence of catnip tea. The doctor scolds Tomoka for “doing everything the wrong way” (195) and prescribes her a cat for two weeks. She receives a blue-eyed Ragdoll with an instruction leaflet that mistakenly identifies the cat as Tank, a male American shorthair. Tomoka takes the cat home to the apartment she shares with her boyfriend, Daigo, who is in between jobs. Daigo’s unemployment discourages Tomoka from introducing him to her parents. 


Ten days later, Tomoka has grown attached to the cat. In a design meeting with Junko and the now-returned Mitsuki, Tomoka’s proposal for cat prints is rejected as off-brand. A major client, Kozue, arrives early, sees a cat sketch, and commissions a large custom order. Hoping to use Tank as a model for her designs, Tomoka returns to the clinic to extend the prescription. The doctor reveals she was given the wrong cat: The Ragdoll is Tangerine, a female from a cat café. When the doctor teases Tomoka about managing two cats at once, Tomoka accepts. The doctor then prescribes the real Tank, an energetic American shorthair, alongside Tangerine for two more weeks. He adds that Nakagyō Kokoro Clinic is not actually a psychiatric clinic and that he has been using Dr. Kokoro Suda’s name after the animal hospital saved him and Chitose. That night, Tank and Tangerine’s excitable behavior (also called “zoomies”) wreaks havoc in Tomoka and Daigo’s apartment. 


The next day, Kozue’s friend, Abino, a geiko (regional term for geisha used in Kyoto), visits the shop. Noticing her resemblance to Chitose, Tomoka mentions the nurse by name; a distressed Abino insists on visiting the clinic. They search for the clinic, but the alley where the clinic is located has vanished. Abino asks if the clinic was in the Nakagyō Building, then reveals that this building is where Chitose was born. They find the building, but the fifth-floor unit is locked and vacant. Abino notes Dr. Kokoro Suda’s animal hospital is behind the Nakagyō Building.


Daigo fails to keep his promise to clean after the cats’ rampage, going out to drink instead. When Tomoka returns to the same mess in their apartment, she confronts Daigo about his job-hopping and his unwillingness to commit to their shared future. Tomoka subsequently realizes that while she is controlling at work, she continuously permits Daigo’s complacence. During the argument, both cats vomit and collapse. Daigo rushes them to Suda Animal Hospital, where Dr. Suda diagnoses them with poisoning from a toxic houseplant they knocked over and ate. Both Daigo and Tomoka blame themselves.


In the following days, Tomoka’s cat-inspired designs flourish, and Junko praises her flexibility. When the prescription ends, Tomoka tearfully returns both cats. The doctor, Dr. Nikké, assures her they are going back to beloved homes and says the door to the clinic opens only if she wants it to. Outside, the alley vanishes again, leaving only the Nakagyō Building. Tomoka resolves to have a serious talk with Daigo.

Chapter 4 Analysis

The Nakagyō Kokoro Clinic for the Soul functions as a central symbol that challenges Tomoka’s rational worldview by introducing absurdity as a therapeutic agent. The clinic defies conventional expectations: The staff is under the influence of catnip tea, medical advice is nonsensical, and the prescriptions are based on a mix-up. This surreal environment serves to invalidate Tomoka’s reliance on logic. The physical instability of the clinic, which appears at the end of an alley only to vanish, underscores the theme of The Need for New Perspectives While Healing. It is not a place found on a map but a psychological space that becomes accessible through need, which the doctor confirms when he explains that “[t]he door will open if you want it to open” (240). 


The Cat Prescription, which is also a motif for The Healing Power of Interspecies Connection and Responsibility, symbolizes this alternative therapy; it is not a pill with predictable effects but a living creature that forces interaction and emotional engagement, healing the patient through experience rather than direct intervention. Throughout Tomoka’s journey, her identity, initially rooted in perfectionism, is dismantled and rebuilt. At the outset, Tomoka’s self-worth is inextricably linked to “things done the right way” (191), a rigid philosophy that alienates her employees. The Cat Prescription serves as a direct challenge to this worldview; the doctor’s diagnosis that she is “doing everything in the wrong way” (195) inverts her core belief, forcing her to confront that her methods may be the source of her unhappiness. The arrival of the serene Tangerine and the chaotic Tank introduces an uncontrollable element into her ordered life. The nightly “zoomies” that destroy her living room are a physical manifestation of this chaos, demonstrating that her perfectionism is no match for the spontaneous energy of life. Ultimately, her professional breakthrough comes not from rigid adherence to a brand concept but from an absentminded sketch of a cat. This development suggests that creativity and success can emerge from vulnerability and emotional connection, fundamentally altering her understanding of personal and professional fulfillment.


The narrative employs foils and juxtaposition to catalyze Tomoka’s character development, primarily through her relationships with her boyfriend, Daigo, and the two cats. Daigo is presented as Tomoka’s opposite: aimless, unreliable, and lacking professional ambition, which reinforces Tomoka’s perception of herself as “the put-together, responsible one” (231). When Daigo fails to live up to his promise of taking care of the mess in their apartment, Tomoka realizes the contradiction of her failure to demonstrate at home the same kind of control she exerts at work. This suggests that Tomoka’s perfectionism compensates for her inability to confront Daigo until their home situation reaches a crisis point. The cats, Tank and Tangerine, function as similar foils. Tangerine, the calm Ragdoll, initially seems to fit Tomoka’s aesthetic, but Tank, the energetic American shorthair, is an agent of chaos. Together, they represent a duality of elegance and wildness that she cannot control. Their near-death experience, a result of both her and Daigo’s oversight, serves as a catalyst for understanding that true responsibility lies in attentive care and emotional honesty.


This chapter extends the metaphor of the clinic door introduced in the previous chapter. Entering the clinic symbolizes the difficulty associated with acknowledging a problem and seeking help. The elusiveness of this door, which appears to Tomoka and Abino as a locked entry into a vacant unit, suggests the nonlinear and often confusing nature of the healing process. This metaphor culminates in Dr. Nikké’s final piece of advice, which reframes the door as a test of personal volition; access to healing is contingent on one’s willingness to open it. Tomoka’s ability to walk away from the Nakagyō Building at the end without needing to confirm if the door is locked signifies her progress. She has passed through a metaphorical doorway into a new state of being, one where she can accept mystery and focus on her relationships and emotional well-being.

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