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Sixth-grader Maria O’Sullivan answers her personal phone at 4 pm, but nobody says anything on the other end. Another day, Maria invites her friend Sophie over to her house. Once again, her phone rings at 4 pm, but nobody says anything. Sophie mentions that she is not supposed to talk about Maria’s brother, Brian, because he is “weird.” Hearing this, Maria decides not to invite Sophie over again.
Maria’s mom asks how the day went with Sophie, and Maria mentions the exchange about Brian. Maria’s mother thinks that the family should move. When Maria asks why no one will talk about Brian, her mother merely kisses her goodnight. Maria remembers how Brian used to fight with her parents. Then, one day when he was 16, he left home and never came back. These days, Maria is beginning to forget what Brian looks like. She digs up photos of him and remembers his dragon tattoo. Although she really wants to talk to someone about Brian, her parents refuse to talk about him, and her friends at school avoid the subject, too.
The phone rings again at 4 pm, and Maria suddenly recognizes the pattern. The caller hangs up, and she wonders if it is Brian. For the next few days, she stays near the phone at 4 pm, but it does not ring until Friday. She wonders if a classmate is pranking her and suddenly feels angry.
Two weeks later, the call comes again. Maria angrily interrogates the caller, but they hang up. She cries, and her dad comes to comfort her. Maria blames her father for driving Brian away. Now, when she asks her father about Brian, he changes the subject.
The next time the phone rings, Maria treats the caller as her secret friend. She tells them about her life, who she is, and who her parents are. She shares that when her brother left, he left her a secret note apologizing for leaving and telling her that he loves her. It feels good to talk to someone even if they don’t respond. She reminisces about how Brian was always good to her even if her parents thought he was a bad influence. She worries that Brian is hurt or dead. She even asks the caller if they are Brian, but the caller doesn’t answer.
Maria’s parents announce that they are having a new baby, and she is glad to see them so happy. She resolves not to run away from her new brother. She asks the caller to verify that he is Brian by saying nothing. When the caller says nothing, Maria excitedly decides to believe that it really is Brian. She invites the caller to meet her at McDonalds.
She waits at the McDonalds for two hours, but nobody shows up. She cries and admits to herself that the caller might not be Brian. That day, her family receives a letter from a telemarketing company which states that the 4 pm calls have been a result of a computer error. Over dinner, Maria suggests naming her little brother Toby and volunteers to teach him to talk.
Somebody lands a spitball on the book belonging to the teacher, Mrs. Wessex. Lately, Mrs. Wessex has been getting angry more often. Now, she demands that Gregory Martinez come to the front of the classroom. Gregory is a short 11-year-old who is new to the school but already has a reputation for being smart. Lately, Mrs. Wessex has been accusing Gregory of misbehaving, which has ironically improved his social standing with the class.
Mrs. Wessex points out the spitball. When Gregory pulls his hands from his pockets, his coins clatter to the floor. Gregory knows that Ryan Jurgensen, the class bully, was the one to land the spitball. Gregory sees Ryan’s balled up fist and interprets this as a threat against tattling. Mrs. Wessex makes Gregory stand in the shame corner even though he is innocent.
During recess, he gets a lot of positive attention from other kids when he vows to get revenge against Mrs. Wessex. Gregory goes to Mrs. Barman’s candy store and asks to see her son, Tiny. Tiny is a massive figure who never smiles and will occasionally sell kids fire crackers if they ask him properly. Tiny takes Gregory into a dingy back room, and Gregory buys a smoke bomb and a stink bomb.
Gregory follows Mrs. Wessex to her house, which is very run-down. Gregory had assumed that teachers were rich. He starts to feel uneasy about his plan but worries that the kids will taunt him if he doesn’t go through with it. He hides in the crawlspace under the house, then finds a trap door that leads into a closet. He hears Mrs. Wessex talking and hides against the wall. She throws her dress and bra in the closet. Gregory feels like a criminal.
He overhears Mrs. Wessex talking about the spitball. She knows that Ryan Jurgensen is the one who threw it, but because Ryan thrives on being the center of attention, Mrs. Wessex intentionally picks on Gregory because she knows that this will help him to gain favor from the other kids. She worries that if the other kids resent Gregory for being smart, he will deny his own intelligence. She admits that she resents Gregory and interpreted him dropping his coins as a way to make fun of her. Gregory slips back through the trap door and throws the firecrackers away.
The next morning, he rushes into Mrs. Wessex’s classroom and tells her that she is the best teacher in the world. He tells the kids on the playground that he got his revenge and that they’ll see it in the way Mrs. Wessex acts. She doesn’t get angry for almost a month after that.
“Talk to Me” and “Teacher Tamer” take different approaches to examining the nature of loneliness and the challenge of Overcoming Obstacles to Human Connection. While Maria O’Sullivan suffers in the absence of her runaway brother, Brian, and chafes under her parents’ awkward silence on the topic, Mrs. Wessex must endure a different form of isolation amongst her students, who see her as an austere authority figure rather than a fellow human being. Additionally, although each story’s premise differs greatly in the details, the protagonists (Maria and Gregory, respectively) must find a way to gain a better understanding of their own situations despite the mysteriously aloof and ostensibly unfair behavior of the adults in their lives.
Maria’s experience centers on her long-lost brother Brian, who left home after fighting with their parents and has since become a taboo subject in the family. Dismayed by this systemic silence, Maria struggles with the weight of her desperate need to remember Brian and process his absence despite her parents’ refusal to acknowledge his existence. Because her friends avoid the topic too, Maria’s isolation deepens, and the secrecy imposed by her parents prevents her from forming genuine connections with her peers and keeps her locked in loneliness.
This taboo around Brian illustrates the tension between adult authority and adolescent self-determination. Maria is told repeatedly that Brian should not be mentioned at all, but her lived experience of him as a loving older brother clashes with the shameful version that her parents carry. Faced with this contradiction, Maria experiences an internal struggle that reflects a common rite of passage: the moment when an adolescent recognizes for the first time that the adult narrative may not capture the whole truth. When she doggedly questions her parents and even blames her father for driving Brian away, these bold acts show her growing desire to assert her own moral perspective.
At the same time, Maria demonstrates empathy and longing for connection, as is demonstrated when she projects hope onto the anonymous phone calls by deciding to treat the silent caller as Brian himself. The imagined conversations allow her to process her grief, guilt, and longing, and she also finds a way to express her gratitude for the love that Brian gave her. Even when she suspects that the caller may not be him, she clings to the idea of connection because it fills the void left by her family’s persistent secrecy and silence. Her choice to share her thoughts and feelings with the caller reveals how badly she needs someone to listen, even if that listener is imaginary. These emotional threads build to an ironic climax when the revelation that the calls were simply a telemarketing glitch underlines the futility of Maria’s forlorn hope. However, Avi still closes the story on a note of growth, for rather than collapsing in despair, Maria resolves to act differently with her soon-to-be-born brother. In this light, her decision to help teach Toby to talk is symbolic of her resolve to break the cycle of silence and repression that surrounded Brian. In the end, her loneliness teaches her the importance of communication, empathy, and connection, even in the face of adult-imposed taboos.
Just as Maria finds herself conflicted between her own interior truth and the version of reality that her parents attempt to perpetuate, Gregory’s experience in “Teacher Tamer” examines the contradictions of authority and the ways that children interpret the actions of adults. To Gregory, Mrs. Wessex’s habit of singling him out for punishment appears irrational and unfair, especially when she punishes him for actions that he did not commit and repeatedly misreads his intentions. This conflict-ridden dynamic fuels Gregory’s resentment and leads him to fantasize about taking petty revenge on her. However, when Gregory discovers that Mrs. Wessex’s actions are deliberate, he gains a chance to learn about the power of Empathy as an Antidote to Cruelty; his perspective is fundamentally altered when he realizes that she has been intentionally picking on him to create a social buffer that allows him to thrive in his new school. Paradoxically, by redirecting her punitive actions towards him, she ensures that he gains his peers’ approval and solidarity, and they do not reject him for his intellect. Suddenly, Gregory realizes that what felt like cruelty was in fact a protective strategy, and his new understanding allows him to reframe Mrs. Wessex’s stern behavior as a hidden kindness, not a form of hostility.
The story is ultimately a study in empathy. Gregory initially sees Mrs. Wessex only as an authority figure and assumes that her role gives her wealth, security, and distance from the struggles of her students. It is only when he follows her home and gains a glimpse of her modest lifestyle that his assumptions begin to shift. Upon seeing her in a context beyond her teaching role, he finally recognizes her humanity, her vulnerability, and her deep concern for her students. This shift in perspective helps him to reinterpret her classroom behavior in a positive light. By telling her that she is the best teacher in the world, Gregory responds to her hidden empathy with a newfound empathy of his own.



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