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The narrator opens by briefly sketching out the character of Chief Sekoto, a charming man whose three main pleasures in life are food, cars, and women. His womanizing is a source of some notoriety: in fact, he has a mansion for his concubines that is separate from his family mansion, and once caused a scandal when he stayed there for an extended period of time. In the present, however, Chief Sekoto is outside his main house, listening to cases brought by the villagers under his control. He sees Matenge arrive but, having no desire to deal with his troublesome brother, decides to draw out the case that is before him for as long as possible.
Sekoto’s present case has been brought by the villagers of Bodibeng, who have leveled accusations of witchcraft against an old woman who resides among them, Mma-Baloi. They blame her for the sudden deaths of various young children and for the even more surprising death of a young woman who visited Mma-Baloi. Sekoto brings in a doctor to testify, and it is revealed that the children had died from pneumonia and that the young woman had died from an infection that followed an abortion. Sekoto levels a penalty against the villagers and orders them to buy clothing to keep their children warm and free of pneumonia. Then, realizing that Mma-Baloi cannot return to such hostile people, he invites her to live on his own property.
Finally, Sekoto decides to deal with his brother. Matenge wants to give up his authority over Golema Mmidi. When Sekoto presses Matenge to provide clearer reasoning, he explains that Gilbert is harboring a refugee. Sekoto is not at all disturbed by this news and simply tells Matenge to report the matter to George Appleby-Smith, a local police official. Then, irritated by the encounter, Sekoto leaves his brother and drives off in his sports car to see George Appleby-Smith himself. The two men, it turns out, are close friends.
Although George Appleby-Smith does not share Sekoto’s taste for either hearty food or constant womanizing, the two men have a sympathetic, good-humored relationship. Sekoto arrives and explains that his brother is becoming a source of trouble, despite his best efforts. George suggests putting Matenge in jail for a time; George is also sympathetic to Gilbert’s work and will consequently “put his neck out” for Makhaya, even if doing so comes at a professional cost.
Once this friendly meeting is finished, George drives out to Golema Mmidi. He discovers Gilbert and Makhaya together, studying a map for one of their projects. George explains to Makhaya that, despite the government’s aversion to refugees, Makhaya will receive his goodwill and protection. However, Makhaya will need to report to Matenge the next morning.
Matenge’s habits and appearance are dictated by the idea that he is royalty: he tends to sit in a high-backed chair and normally wears a purple gown when he is in his house. He presents a contrast to his loud, crude ally Joas Tsepe, who comes from a lower class and has tried to take advantage of recent governmental changes. Botswana politics has two significant parties: a party of uneducated agitators who favor idealistic rhetoric, and a party dominated by the sons of chiefs, who are both more refined in expression and more pragmatic in their approach to national problems. So far, the party of the sons of chiefs has prevailed in Botswana’s elections, while members of the other party have been publicly mocked and punished for corruption.
Joas is speaking loudly and vehemently against Gilbert when Makhaya and Dinorego arrive. Makhaya meets with Matenge, and recognizes that the chief is a lonely, anxious man. Although Matenge acknowledges the new arrival, he makes a point of insulting Makhaya, describing the young man as undesirable and promising to make life difficult for him. Dinorego succeeds in leading the hot-tempered Makhaya away, but not before Makhaya himself insults Joas Tsepe.
After this scene of tension, Makhaya and Dinorego make their way to the home of one of Dinorego’s closest friends, an old, religious, independent-minded woman named Mma-Millipede. As young people, Dinorego and Mma-Millipede had been promised to one another in marriage. However, because Ramogodi, the womanizing son of a chief, had wanted Mma-Millipede for his own wife, the marriage between Dinorego and Mma-Millipede had been terminated. Fortunately, the two reunited later in life, after Ramogodi’s philandering created a scandal that resulted in the suicide of his brother and the exile of his son. Dinorego conveys all this information to Makhaya, yet the busy Makhaya cannot stay on Mma-Millipede’s property for long. His visit is mostly pleasant; soon after he departs, Mma-Millipede praises his good looks and Dinorego explains that he has been hoping to marry Maria and Makhaya.
Matenge goes to see George Appleby-Smith and learns that the question of whether Makhaya can stay in the country will be decided in one week. Later, at the end of this interval, Matenge drives out to the office that handles immigration; here, he learns that Makhaya has been granted permission to remain in Botswana. Matenge, deeply upset, is struck with a case of high blood pressure that lands him in the hospital. Almost simultaneously, Joas is called away on a political mission, and their absences facilitate a month of rapid changes in Golema Mmidi.
The narrator explains that the changes and improvements in Golema Mmidi are enabled by residents with strong personalities, such as Dinorego and Paulina Sebeso, a young mother. Paulina is a relative newcomer to the village; in part, she relocated as the result of a disastrous marriage. Though apparently a man of honor, Paulina’s husband had been implicated in an embezzlement case at the company that employed him. He hanged himself shortly after being charged. Paulina brought her young son and daughter, Isaac and Lorato, to resettle with her. The girl attends a Golema Mmidi village school while the boy herds the family cattle.
From a distance, Paulina develops an attraction to Makhaya. She watches him as he roams the landscape around sunset, and finally decides to introduce herself by sending her daughter to greet Makhaya on the family’s behalf. Makhaya simply replies that he does not know Paulina and walks off. Embarrassed by this development, Paulina seeks out Mma-Millipede and voices her fears—that she has behaved improperly, that Makhaya is attracted to Maria. Mma-Millipede consoles Paulina by pointing out that there seems to be a romance between Maria and Gilbert.
Indeed, Gilbert is deeply attracted to Maria but is overcome with doubts; she has sought his company less often since Makhaya’s appearance. He eventually voices these apprehensions to Makhaya and finds that his anxieties only increase when Makhaya responds with unconcerned and uninvolved silence. Gilbert sets off to see Dinorego and Maria; he quickly secures Maria’s hand in marriage, bringing their long, unofficial courtship to an end.
Shortly after accepting Gilbert’s proposal, Maria goes to see Mma-Millipede. The old woman comforts her young companion—who finds that her thoughts are disoriented but resolves to be loyal to Gilbert—and begins making plans for a wedding feast. Gilbert rejoins Makhaya, and their friendship continues with its usual warmth and liveliness. Mma-Millipede and Maria make their way to the house of Paulina Sebeso, whose initiative will certainly be helpful in arranging a successful wedding feast. For her part, Paulina is delighted that Maria is no longer a competitor for Makhaya’s affections.
Having already presented many of her main characters—Makhaya, Gilbert, Dinorego—Head spends these chapters describing the few other figures that will play prominent roles in the narrative. Though their inner lives are not given quite as much attention as those of Makhaya and Gilbert, Chief Sekoto and George Appleby-Smith are important authority figures. They are also praiseworthy men and possess strength of character despite their indulgences, foibles, and whimsies.
For instance, even though Chief Sekoto uses the trial to put off his meeting with his brother, he also delivers a judgment that is fundamentally fair and compassionate. He relies on scientific facts to save Mma-Baloi, and her opponents from the village do not protest: they simply “fled in confusion from the courtyard, but the old woman sat for a long time on the ground, silent tears of gratitude dripping down into her lap” (48). The humorous George, like his hedonistic friend the Paramount Chief, could have become a mere caricature in the hands of a lesser novelist. Instead, Head enlists him as yet another ally for Makhaya, but an ally who is fully aware that he is taking on a risk with the refugee.
Head’s balanced sense of characterization extends to the two other major figures that emerge in this section: Paulina Sebeso and Mma-Millipede. Both of these women have endured personal catastrophes, but neither has given in to despair. Golema Mmidi gave Mma-Millipede a basis for reconstructing her life, much as it did for her younger confidante. Paulina after all “was not by temperament given to brooding on the past” and “soon recovered from the tragedy in her life and set out to build up a new life in Golema Mmidi” (72). This determination to build a new life aligns her with yet another character, her romantic interest, Makhaya. However, it remains to be seen whether Makhaya’s aloof and pessimistic nature will hinder a bond from forming, or whether their troubled pasts will assist Makhaya and Paulina in understanding each other.



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