68 pages • 2-hour read
Lucinda BerryA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of child abuse, self-harm, physical abuse, and emotional abuse.
There are three instances of violins in the novel, and each contributes to its use as a symbol of Kate’s life before leaving Scott and Abbi. Scott recalls Kate’s playing, and Abbi says she watched an old video of Kate’s recitals, which contributes to their memories of Kate as a fun, engaging person. However, the videos of these recitals were burned with the rest of Kate’s belongings during the funeral Scott, Abbi, and Meredith hosted to move on from Kate’s disappearance. The burning of these videos represents the “death” of Kate as Scott and Abbi knew her, highlighting how Kate is not the same person when she returns.
This change is then further cemented by Kate’s refusal to play the violin when she returns, noting that she has not heard any music in 11 years. Kate no longer plays the violin because she is not the same person that she was prior to leaving her family. Instead, Abbi plays the violin, which forms a symbolic connection between Abbi and her idealized image of Kate.
The violin represents a version of Kate that is not real, though the Kate symbolized by the violin did exist at some point prior to her disappearance. Scott and Abbi hold on to this image of Kate, hoping that she can return, but the Kate that comes back cannot fulfill this fantasy. Abbi plays the violin for Kate, hoping that it will bring them closer together, and she feels connected to her mother as a result. However, the fact that Kate still arranges to have Abner kidnap Abbi undermines this connection, making Kate’s refusal to play the violin a decision to not only abandon music but to abandon that connection and her family.
Abbi’s locket is only mentioned a couple of times in the text, but it is a locket she has worn since Kate’s disappearance and so has great significance to her. The locket contains a picture of Kate and, like the violin, it symbolizes the ideal Kate that does not exist outside of Abbi and Scott’s fantasy.
Specifically, the locket is a way for Abbi to keep her mother close to her, even though she admits to having very few memories of Kate outside of Scott’s stories. Instead, Abbi has a feeling of what Kate could be in her life, which sustains her desire to get to know Kate when she returns. For Abbi, the transition from obsession, which she experienced shortly after Kate’s disappearance, to the near apathy she feels just prior to Kate’s return is stark, and the locket symbolizes the love Abbi had for Kate as a child. Much like the locket, Abbi’s conceptual love for Kate has remained static and close to Abbi’s heart, but it does not reflect any real connection with Kate.
As a manifestation of Abbi’s desire to have a “real” connection with Kate, the locket is one of the elements that contributes to Abbi’s defense of her mother’s behavior. When Meredith provides evidence of Kate’s lies, Abbi attacks Meredith for even looking for evidence, relying on blind faith in Kate to protect her family. Even after Kate arranges Abbi’s kidnapping, Abbi still holds on to this ideal image of Kate in the locket, only giving it up when Kate admits to her involvement. When Abbi leaves the locket at the police station, she is not just indicating that she no longer wishes to have Kate in her life, she is forsaking the concept of Kate that she held onto for most of her life. Essentially, giving up the locket means giving up on the chance that the “real” Kate will ever return.
As Kate becomes more entrenched in Love International, Ray continues to compare her experiences and the message of Love International to Biblical quotes. In one of their first meetings, Ray summarizes Love International’s purpose as aligned with Matthew 25:35, from which Ray recites the series of lines in which Jesus thanks the Christians he intends to save for offering him hospitality. However, in Ray’s presentation, he interprets the passage as referring to the methods by which Jesus will judge humanity when he returns, including how those who did not serve Jesus during their lives will be excluded from the “kingdom.” The idea of inclusion versus exclusion from the “kingdom” later becomes a dominant motif in Ray/Abner’s conception of Love International, and he promises to lead disciples into the kingdom and demands obedience in exchange for inclusion.
Other Biblical references, such as Ray’s comparison of Kate’s time in the basement to Jesus’s temptations in the desert, serve a more practical purpose in terms of Ray’s manipulation of his followers. By modeling his abuses after Christian stories, he adds a spiritual undercurrent to behaviors that seem obviously violent and cruel. These comparisons serve a specific purpose in the context of Ray/Abner’s aims, in which he compares himself to God and his disciples to other Biblical figures, creating the appearance of grace and piety to mask his abusive intentions. Nonetheless, Ray’s methods echo a lengthy history of Christians following or emulating the events of the Bible, such as fasting or self-flagellation, both of which appear common in Love International. Brian and Dean suspect that most of Kate’s injuries are self-inflicted, which hints at further use of Biblical dogma to convince Ray’s followers to hurt themselves, hurt others, or allow themselves to be hurt by Ray.



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