61 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of death by suicide, animal death, and suicidal ideation.
At 8:15 AM, Eva-Lena writes that she has given Bo his medicine. Though he asked her to walk Sixten, she claims that she did not have the time.
After Ellinor leaves, Bo reaches for the jar with Fredrika’s scarf but cannot open it. He rests a hand on Sixten and falls into a memory of returning from the lake with young Hans on the bike’s pannier rack. They stopped to watch a crane family by the trees, and Hans dropped a tin of worms. Bo was about to scold him but then saw his face and said that it “d[id]n’t matter” (129). Hans said he was tired; they headed home as the cranes flew overhead.
Hans’s voice pulls Bo back to the present. Hans calls from the porch and then enters holding Fredrika’s jacket and says that they must get rid of Fredrika’s old clothing, as he cannot “just have her stuff lying all over the place, as though she still lives here” (129). Bo stays on the daybed, remembering his promise to himself that he would “fix things before [his] time is up” (130). Hans folds the jacket and puts it into a carrier bag in the porch.
Hans returns with groceries, saying that the jam that Bo likes was on special offer, and sets the Coop bag on the counter. Bo watches him and pats Sixten. The visit ends with Hans in a warmer mood, giving Bo a crooked smile that reminds him of Fredrika.
At 1:15 PM, Kalle writes that Hans and the Assistive Services have come to set up the adapted bed for Bo.
Hans arrives with a buyer, and the two men haul out Bo’s wooden daybed, taken from Fredrika’s parents’ house, and load it into a van parked on Bo’s cherished paving stones. Despite Bo’s protests, a hospital bed on wheels takes its place in the kitchen. Sixten whines as the room is rearranged. Hans demonstrates the trapeze handle and explains that the bed will make things easier for the carers. Bo spits into his cup, asking why it is “better” if it is not what he wants (133). Exhausted, he lets Hans set him up and cycle the backrest. After Hans leaves, the bed feels too soft, as if it could swallow him. At Bo’s coaxing, Sixten hesitates but then jumps up and settles along Bo’s left side.
Bo drifts into a memory: First, he remembers introducing Ture to his newborn son, and then he remembers an autumn trip to Ture’s cabin with nine-year-old Hans. On the trail, Ture found Hans the perfect walking stick; the air hinted of the coming frost. After dinner, by paraffin lamplight, Ture read from the Grimm Brothers’ Cinderella. Bo dozed and woke up when Hans blurted that the stepsisters were “chopping bits of their feet off” to fit the slipper (135). Later, father and son stepped outside to urinate under the full moon. Bo told Hans that the scary stories were only make-believe. On the way back to the cabin, Hans reached up and took his father’s hand. Bo squeezed back.
At 5:45 PM, Ingrid writes that Bo has asked her to note that he is “not happy with his new bed” (137), as it is too soft.
Bo wakes “drenched in sweat” (138). He is worried by the thought that, if Hans could take his daybed, he could take Sixten. Panicked, he fumbles his phone, nearly calls Hans, and then reaches Ture. Overwhelmed, Bo blurts that he will “kill [himself]” if Sixten is taken (138). Ture pauses, calls the words strong, and asks if Bo truly would. Bo can hear “a tone” in Ture’s voice that he does not recognize as Ture says that he would not want Bo to do as he has threatened (139). Bo reflects on his limitations and a local death by suicide, shame settling in; he concedes that he does not know.
Eventually, Bo says that he will not do so. Ture, regaining his usual tone, reassures him that Ingrid is handling things and that Hans will “see sense after all” (139). The weight on Bo’s chest eases a little as they end the call.
Sixten stands in the kitchen, signaling that he needs to go out. Bo ends a call from Marita, who checked in, and decides not to mention Sixten. Exhausted, Bo pulls himself up and notices that the breakfast has gone cold and stale. Sixten spins and waits by the door for his collar. When Bo stands, dizziness hits; he grips the table until “the dark spots disappear” (141). He cannot find his slippers, and the hard floor hurts his feet.
Opening the door, Bo lets Sixten dart outside, where he still waits briefly, quivering to go. Bo pulls on rubber boots, thick socks, and tracksuit bottoms and then steps out. Once the door is closed, Sixten races toward the woods behind the house. Bo follows as Sixten weaves among the trees that shield the house from the wind.
At 8:20 AM, Johanna writes that she arrived at the house and found “no sign” of Bo or Sixten (142). Ingrid is coming to help her look.
Bo follows Sixten down a steep, slippery trail after rain. He stumbles but catches a branch and keeps going to the meadow he loves, where wildflowers spread “like a natural bouquet” (143). He recalls how Fredrika used to ask him to bring her flowers and how he returned with bouquets for the wedding-gift vase. The meadow has been his refuge during hard moments, like when Hans joined the Young Conservatives, when Ture first got sick, and after Fredrika left home. Aspen leaves rustle. Bo remembers a neighbor spotting a young bear crying in a spruce; there were many bears that year, Blixten stayed close, and Ture refused to visit, joking that he would be the first killed since 1989. The motherless bear was later shot after approaching houses.
Bo watches the flowers sway as unseen Sixten runs through them. He plans a loop via the old forest track and the main road past the mailboxes. Glad that he’s not wearing a diaper, he moves easier, pinecones crunching. Sixten brings a stick but never fetches; Bo throws replacements while the dog pounces and gnaws. Though it is July, the wind is cold.
Tracking Sixten, Bo trips and falls face down. His knee is tender. He rolls to sit, realizing that he missed a hidden, overgrown trunk. Sixten licks him and whimpers. Bo crawls to an aspen, leans back, and whispers that he just needs “a little rest” (145). Sixten sits alert, watching the meadow.
At 12:30 PM, Johanna and Ingrid write that they found Bo outside. He was not sure how he got to be there. Ingrid will write a report about what happened.
Johanna insists that Bo take a shower, telling him that it is “non-negotiable” (147). She scrubs him, washes his hair and beard, dresses him in clean tracksuit bottoms and a shirt, and puts on a diaper before tucking him into bed. Bo lies in the new adapted bed, fiddles with the remote, and dislikes the “contraption” (147). He sips tea instead of figuring it out.
Johanna and Ingrid review paperwork in the kitchen. Ingrid mentions that Marie has covered her remaining stops. As Johanna leaves, she tells Bo to stay “inside” rather than go to the meadow again (147). The apartment falls quiet. Ingrid reads and then approaches Bo. Sixten nudges her for ear scratches; at her nod, he jumps onto the bed by Bo’s legs.
Ingrid tells Bo that they will have to write a report. He bristles but cannot say much. She pats the mattress and says that she will explain “extenuating circumstances” yet warns that it could have been “really bad” (148). Bo cannot summon an argument. Ingrid sets a glass of water and an energy drink on the nightstand. The kitchen table has been removed. She unwraps chocolate for Bo. With one hand on Sixten’s back, Bo drifts into sleep. Ingrid encourages him to sleep and promises that she will return for a shift the following day as she closes the door.
At 6:30 PM, Kalle notes that Bo seems “brighter” (149). Kalle walked Sixten.
Bo’s phone rings, but it is hard to reach on a shelf under the bedside table because the soft mattress makes him sink. He answers to Ellinor, who says that Hans told her that the carers found Bo in the woods after a fall. Bo downplays it, insisting that he was “just out for a walk” (150). He says he’s fine, but Ellinor claims that they were worried, adding that Hans was too, even if he struggles to show it.
Bo sits on the edge of the bed and listens. He tries to change the subject to her studies. Ellinor explains that she has ordered course books for autumn and describes “different theories on how to talk to people” (151). She has completed two terms and is doing a summer placement at a home for people who cannot care for themselves. She plans to visit soon, possibly with her friend Sofie from last Christmas.
Ellinor asks about Sixten. Bo says that the dog is resting beside him. She notes that it must be getting harder to look after him. He says it is no problem. After a pause, she offers to “clip his claws” when she next visits (151). Bo agrees and imagines them on the kitchen floor. After the call, he believes that Ellinor will help keep Sixten with him.
Bo recalls his younger days as he readied his Monark bicycle in winter, oiled the chain, and sprinkled gravel so that no one slipped before his parents visited. Inside his workers’ room in Hissmofors, he and Fredrika finished cleaning and cooking; he wanted his mother to feel welcome and even hemmed the curtains to her taste. He told his parents that he was leaving home six months earlier. His father barely responded and mostly just “grunted” as his mother walked him to the bus (153). Bo was keen for Fredrika to feel as welcomed by his parents as he felt by hers, but he was cautious about his father’s attitude.
At the station, his father arrived with his mother. The introductions went smoothly. His father was polite to Fredrika, which eased Bo. They walked to Bo’s room. His mother admired the bicycle and the electric amenities, but his father remained silent. Over a cramped lunch, Bo mentioned that the meat and potatoes came from Fredrika’s parents. His father offered only a critique of the doorway, telling Bo to “attach the frame better” (155). Bo had hoped to talk about his sawmill job, but his father did not ask.
After they ate, Bo suggested that they head back so that his parents wouldn’t miss the bus. On the way, Fredrika said goodbye and turned home. Bo’s mother seemed like she was about to speak to Bo but then hurried after his father. Bo watched them go.
The scene dissolves, and knocking intrudes; the road and bus are gone. Bo wakes in bed with December’s chill still in his mind. Sixten shifts against him. Bo strokes the dog and tells whoever is knocking to come in.
At 10 AM, Hans restocks the freezer. He talks to Bo about Sixten, but they do not “see eye to eye” (157). He believes that his father is not in the right mood for this conversation.
Hans visits Bo and presses the case for taking Sixten away after the fall in the woods. Sitting by the bed, he insists that “this can’t go on” (158), positioning it as his decision to make. He argues that Bo cannot care for the dog and says that there is no other choice. Bo panics and then searches for alternatives, wondering if he could give up some care visits or coffees so that carers could walk Sixten, but Hans cuts that off, saying that it is not the carers’ job to look after people’s pets. Bo suggests that Marita might help; Hans refuses, shaking his head.
Hans stands to end the discussion. Bo, wishing that Fredrika were there to check their son, feels the decision closing in. Sixten lowers his head on Bo’s stomach and dozes. Bo worries about the prospect that “someone else will take care of Sixten” (159), even though he knows the dog best.
At 12:30 PM, Ingrid writes that Bo has no appetite following Hans’s decision to take Sixten away.
Bo lies in bed, wanting to do nothing and slipping into sleep, where he sees Fredrika and recalls errands. He remembers how they planned to stay with her parents when the house would be empty. He also remembers her vow to spend summers in Hissmofors after he inherited the Renäs house and the feel of the milk carton in his hand. Sixten stretches beside him. Fredrika once said that it is “just not the same without them” (161), a line that returns as Bo lies in a strange bed, facing the prospect of losing Sixten.
A phone rings. Sixten nudges him. The screen shows Hans. Bo refuses the call, muttering that Hans “can go to hell” (161). He lets it ring in the hope Hans will change his mind. When the ringing stops, Bo picks up the phone and presses the button to call Ture.
At 5:45 PM, Kalle writes that Bo remains uninterested in food; he is determined not to let Sixten go.
At 7:40 AM, Johanna writes that Bo seems “a little out of sorts” (164).
Bo feels unusually heavy and unsteady. He sits on the soft bed as Sixten drinks and then rests his head on Bo’s thigh. Bo calls Ture; there is no answer. Worried, he recalls their talk about burial: He would be buried in Hissmofors, beside Fredrika, while Ture preferred the memorial garden in Sundy with no grave, only a plaque.
Bo calls again. Ture picks up, sounding drained after a doctor’s appointment with no solutions. They sit with the silence. Ture admits that all he has left are these calls with Bo; he believes that “[his] time” is near (166). Bo can only tepidly agree. When Bo asks how he feels, Ture replies that he feels awful but accepts this. Bo tries to lighten the mood by noting Ture’s travels; Ture agrees that he has seen a lot. The call winds down with Bo repeating, “[I]t is what it is [and] it’ll happen when it happens” (167). Ture lets out a long sigh.
At 2:10 PM, Ingrid writes that Hans is visiting and that she filled Sixten’s empty water bowl.
Bo wakes to Hans and Ingrid talking in the kitchen. They are looking at photographs that Ingrid found in the bedroom of Ellinor dressed as a bumblebee in the school play. Hans recalls the evening and says that grandparents often went along. Bo laughs, remembering the role of the bee “too fat to fly” (169). Bo had intended to give Hans one photo of himself holding Ellinor’s hand outside the school as a memory. Hans thanks him. Ingrid calls the gesture sweet and keeps the fire going while tidying the kitchen.
Hans prepares to leave, offers to show what he put in the freezer, and then pulls on his cap. At the door, he raises the picture and thanks his father. Bo accepts this thanks. After Hans goes, a moment of calm settles, but when Sixten presses against Bo’s legs, Bo remembers the plan to take the dog away.
As Bo’s relationship with Hans grows increasingly negative, Bo delves into his memories at an increasing rate, invoking The Interplay of Painful Recollection and Longing. He seeks to remember Hans when he was young, hoping to kindle his nostalgia for a time when he and his son were not locked in a stubborn impasse. For Bo, Hans’s apparent acrimony toward his father is illustrative of an issue with how he was raised. Since Bo is never anything other than complimentary about the way Fredrika acted toward Hans, Bo blames himself. His trip into his memories of Hans is not only an attempt to remind himself of better times but also a review of where he went wrong with his parenting.
This is a particularly important issue to Bo given his very negative experiences with his own father. Bo does not believe that he resembles his father. He resents his father’s coldness, aggressiveness, belittling attitude, and emotional distance; Bo would like to believe that he did not raise Hans in a similar manner, but he cannot understand why Hans is acting in this fashion. He cannot understand how Hans seems to have so little empathy, especially regarding Sixten and especially when Hans seems so open and honest with his own daughter, Ellinor.
Bo’s inability to understand the root cause of his difficulty with Hans is elevated by the nature of his narration. His first-person narration is relentlessly interior; it is Bo’s subjective view of the world, and as much as he allows the reader to understand his own thoughts and feelings, he demonstrates his struggles to process the feelings of others. The narrative style demonstrates how Bo struggles to understand Hans’s true feelings and motivations, while also failing to understand that he and Hans are very much alike: They are both insular, reserved, and stubborn. It is this similarity between father and son—not their differences—that ultimately causes the most conflict.
One of the many issues that demonstrates the communication issues between Bo and Hans is the removal of the daybed. For Bo, this is yet another blow struck against him by his son, followed by the installation of a modern medical bed. Bo is deeply attached to the daybed. As he explains to Fredrika through his narration, he has a deep sentimental attachment to the bed that has been with him from before Hans was born. For Bo, the bed is a direct link to his past and a source of a great number of warm memories. He loathes Hans for taking the bed away because he feels like Hans is severing all his connections to the nostalgic past. Bo harbors this resentment, but he does not vocalize it.
Just as Bo is unable to understand Hans’s motivations, Hans does not understand Bo’s attachment to the bed. From Hans’s perspective, he is helping his father by overseeing the installation of a brand-new bed. What seems like an insult to Bo is seen as a gesture of goodwill by Hans. The problem is that Bo is unable to communicate his frustration to Hans, who is similarly unable to ask his father about the emotional reality of the situation. The result is that they both become locked in a war of pride and passive aggressiveness, caused by their inability to be frank and honest with one another.
Bo reaches a new low point when he trips in the woods while taking Sixten for a walk, which once again brings The Need to Preserve Agency in Old Age to the forefront. The trip itself is not described in detail; Bo barely notices the branch that makes him fall. The physical pain is almost inconsequential, particularly when portrayed from Bo’s point of view. The lack of physical pain is, in part, due to the terrible realization that is dawning over Bo. The fall is, he begins to fear, a complete vindication of everything that Hans has been saying about Bo’s increasing inability to care for the dog.
This section also speaks to The Comforting Cycles of the Natural World, as Bo returns to a meadow that has long held significant sentimental value for him. The flowers remind him of his wife and their love for one another, while the familiar landscape brings him a sense of peace. The seasonal rhythms of nature also reflect different stages of Bo’s life: His persistent association of Fredrika with flowers speaks of spring and summer, allowing him to recapture the sensations and emotions of being young and in love again. Since it is currently summer again when Bo visits the meadow, now alone and frail, the contrast formed by Bo’s advanced age creates an elegiac tone for the scene, suggesting that he is now nearing the end of a natural cycle.



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