62 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of death, sexual content, and cursing.
Annette Li arrives at a job interview at The Fromagery, a cheese shop in Madison, Wisconsin. Phyllis Hubbard, the co-owner, interviews her. Annette admits that she is struggling financially due to college tuition and has taken the interview out of necessity despite being lactose intolerant. Phyllis, unfazed, offers Annette a bottle of Lactaid and tells her she understands. She hires Annette on the spot and explains that business has tripled since the moon turned into cheese.
Phyllis warns Annette about a rival store across Capitol Square—DemocraCheese—run by her brother-in-law Ted. Annette admits that she has an interview there later that day but cancels it.
During her first shift, the shop becomes packed. Jack, Phyllis’s husband and co-owner, explains that they get three types of customers: regulars, tourists, and “weirdos.” While Jack and Phyllis fetch more cheese from the back, a young man asks Annette to pick a cheese for him. Annette warns him that she has no experience, but he insists. She makes a selection, and he leaves without complaint.
Later, Jack tries to persuade Annette to spy on DemocraCheese. Ted, Jack’s brother, banned him from the shop years ago. Curious, Annette agrees to retrieve a specific cheese for Phyllis: wensleydale.
To her surprise, the young man from earlier is behind the counter at DemocraCheese. His name is Felix. After work, Felix meets Annette and explains everything. It is also his first day. He shares the backstory of the feud: Jack and Ted, only a year apart, both fell for Phyllis. She chose Jack, and Ted never forgave them. He even boycotted the wedding. Although he is now happily married, he still causes drama at family events. The brothers no longer speak and have divided cheese suppliers between them. Phyllis and Ted’s wife agree that the feud is ridiculous.
Annette shares her reason for taking the job. Felix, once a doctoral student in astronomy, dropped out when the moon turned into cheese, experiencing an existential crisis. Annette admits that the moon does not affect her much. She has too many other concerns. Moved by the conversation, she kisses Felix to give him something better to consider.
Vera Garcia, a former sex worker turned real-estate agent, takes a call during a house showing. The caller, Danica Albright, offers her a lucrative consulting job. Vera agrees to meet later.
Danica explains the job: Representative Mike Groupo of Idaho has a request. Vera must enter his hotel suite around 10 o’clock that evening and wear a specific costume. She must observe him pleasuring himself while dressed in the suit. There is no sex involved. They offer Vera $10,000 for her services. Vera, skeptical but needing the money, agrees.
Charlie Simms, Groupo’s assistant, greets her that evening and shows her to the suite. Vera dons a blue NASA jumpsuit with astronaut LeMae Anderson’s name stitched onto it. She mutters an apology to LeMae and completes the job.
Two days later, Danica calls Vera again, citing a problem. Someone in the neighboring hotel suite recorded audio of the encounter and sent it to the press. The Review-Journal plans to run the story. Groupo’s team wants Vera to hold a press conference, claim that she had consensual sex with Groupo, and take a $100,000 payout. Danica warns Vera that her name will be exposed either way.
Vera agrees to meet with Simms at four o’clock that afternoon to discuss the statement. She arrives early and overhears Simms on the phone. He plans to have Vera claim that a spontaneous encounter occurred and then leak her past as a sex worker to make her look like a political pawn, discrediting her and redirecting blame to Groupo’s opponents.
Vera leaves briefly but then returns at four o’clock, pretending that she heard nothing. Simms hands her talking points. At the press conference, Vera introduces herself, displays the notes that Simms provided, and dramatically throws them in the air. She tells the truth: She was hired for a non-sexual act, she never slept with Groupo, and Simms planned to smear her as part of a political cover-up. She explains that she wore a NASA jumpsuit, rubbed Groupo with cheese, and watched as he pleasured himself with a wheel of brie.
Astronaut Davis Baruch reflects on his childhood dream of spaceflight, sparked at age seven while watching Apollo 13. He has dedicated his life to that goal, often at the expense of other possibilities. Now, he grapples with frustration over Jody Bannon’s rogue moon landing.
Davis participates in a NASA outreach session. He answers questions about Jody’s mission, sticking to approved language while inwardly cringing at the memory of Jody’s crash course in astronaut training. When a reporter asks about lunar instability, Davis explains that spaceflight always involves risk and that Jody accepted that risk. When a YouTuber calls the moon’s transformation a miracle, Davis agrees but adds that other phenomena, like vaccines or childbirth, are also miracles in their own way.
Another reporter brings up the Groupo incident, which Davis declines to comment on. A journalist asks whether it is fair for Jody to land on the moon, bypassing the years of training that Davis and others have undergone. Though NASA gave him a scripted answer, Davis goes off script, claiming that it is unfair but that it is the world we live in.
After the event, Davis meets with fellow astronaut LeMae Anderson and admits that his superiors told him to take the next day off. He expects to watch the moon landing from home.
Jody Bannon finds space travel uneventful and surprisingly dull. He questions why NASA requires elite astronauts when computers can handle the mechanics of lunar landing.
Years ago, Jody recognized that he lacked the discipline for traditional astronaut training. Instead, he purchased an aerospace firm, won a government contract, and designed the Major Tom lander with extensive automation so that he could go to the moon safely. He then created HMS bots matching his own physical parameters, maintaining his body weight for two years to pass as one. His plan hinged on slipping past NASA protocol, which he did.
On the third day of his journey, Mission Control at Manta relays concerns from Houston. Lunar geysers have released enough material to form a thin atmosphere, and seismic activity is increasing. Houston fears that the lander could be struck by debris mid-descent. They recommend aborting, but Jody refuses. He believes that his only shot at avoiding legal fallout is landing on the moon.
On the fourth day, NASA provides new landing coordinates in a relatively calm region as Jody rehearses an inspiring quote to say upon landing. Manta Control interrupts him, shouting at Jody to abort the mission as a geyser erupts. Debris strikes Major Tom, tearing it apart and hurling Jody across the lunar surface. Another geyser erupts moments later, and the flying debris kill Jody instantly.
President Brett Boone releases an official statement, honoring Jody Bannon as a symbol of human courage and innovation. He encourages continued exploration despite the tragedy.
CNN offers additional context, explaining that the moon’s new “organic matrix” has destabilized its surface. The geyser that killed Jody formed too quickly for prediction, resembling a geological super volcano.
At a high school lunch table, students Mackie Meyer, Lisa Christensen, Peter Strickland, and Cyrus Marx discuss Jody’s death. Mackie observes that, despite Jody’s many accomplishments, he will now be remembered primarily for his death. Cyrus mentions an emerging Reddit theory that the geyser launched Jody into space, not onto the moon.
The novel examines how humanity navigates a world without logical sense. The moon remains irrevocably altered, but life persists. People work retail jobs, fall in love, commit political blunders, and gossip in cafeterias. These chapters illustrate the quiet, persistent professionalism of those who take their responsibilities seriously, especially at NASA. Scalzi’s satire argues that humanity remains resilient—and sometimes foolish—in the face of uncertainty.
Annette and Felix’s story highlights the everyday nature of Societal Adaptation to Change. Despite the moon’s impossible transformation, they meet, flirt, and fall for each other while working at rival cheese shops in Madison. Annette needs a paycheck to cover tuition, while Felix has dropped out of his astronomy program in existential despair. Their brief romance occurs against a backdrop of family feuds and workplace rivalries. Annette’s attitude to the crisis is pragmatic: “The moon turning to cheese is a real thing and it shouldn’t be, and I guess if I spent any time thinking about it, it might freak me out, too. But at the moment I’m trying to pay bills” (146). This refusal to collapse under the weight of cosmic upheaval demonstrates how people cling to routine and connection even when the universe appears to unravel. Their kiss in a taco shop becomes a quiet but significant act of defiance against chaos.
This grounding in the ordinary recurs at a high school lunch table, where students Mackie, Lisa, Peter, and Cyrus discuss the death of Jody Bannon. Mackie shares with the group, “Consider this: One minute you’re a billionaire about to land on the moon, […] and then the next minute literally every orifice you have is being invaded by cheese. Think about it” (186). His irreverent comment captures the surreal collision of wealth, technology, and absurdity that defines Jody’s story. As the students move between jokes, rumors, and conspiracy theories—including one claiming that Jody was launched into space and not the moon—Scalzi underscores how swiftly myth, irony, and spectacle fill the vacuum left by a fractured reality. The world may be facing an inexplicable change, but teenagers still gossip over sandwiches.
However, even as humor and habit offer stability, the human desire for meaning persists—particularly when science fails to provide answers, once more reflecting The Intersection of Science and Belief. Representative Mike Groupo, for example, arranges a bizarre sexual performance involving a wheel of brie and a NASA jumpsuit, while some known astronomers become discouraged by the lunar changes. In contrast to some of the more extreme responses, NASA becomes a counterpoint—an institution quietly committed to duty, logic, and preservation of life, even when mocked or outmaneuvered. After Jody hijacks the Major Tom lander, NASA does not abandon him to his fate. Instead, they calculate new trajectories, warn him of increasing lunar instability, and provide updated coordinates to protect him. Their actions speak to the nature of institutional integrity: Even when individuals abuse the system, committed professionals within it continue to uphold its values.
Astronaut Davis Baruch embodies that commitment while also addressing The Role of Politics and Power During a Crisis. A lifelong dreamer dedicated to space exploration from childhood, Davis finds himself sidelined while an unqualified billionaire receives global attention. At the NASA outreach event, Davis cannot suppress his frustration: “It’s absolutely not fair […] it’s not fair to any of the Diana mission astronauts […] but more importantly, it’s not fair to the American public, whose tax dollars fund a space program that its government […] farmed out largely to billionaires” (169). Davis’s anger is not just personal, instead offering a broader critique of how public resources are co-opted by private ambition, often at the expense of expertise, accountability, and democratic purpose.
Jody embodies the novel’s most overt satire of power during a crisis. Determined to land on the moon without undergoing real training, he uses his wealth to get his way: Buying an aerospace company, winning a government contract, and designing a lander so automated that even “an untrained dipshit (which he [i]s) could make it to the moon and back, just by pressing the occasional button” (172). He views space not as a frontier of collective achievement but a stage for personal legacy. Despite NASA’s repeated warnings about increased geyser activity, his refusal to abort the mission seals his fate, reinforcing his arrogance. The moon—recast by Scalzi as a volatile, living entity—rips his lander apart and kills him instantly. It is a moment of cosmic irony: The man who tried to out-engineer nature is destroyed by it.
However, even Jody’s death is not allowed to remain personal. President Boone immediately rebrands it as heroic, saying, “Jody Bannon went to the moon, and with humility and in representing the best of humanity” (183), while using the tragedy to rally support for continued exploration. News outlets rush to produce commentary, while Reddit erupts with speculation. What should be a sobering moment becomes, instead, another spectacle, manipulated for narrative, political gain, or entertainment. Scalzi thus suggests how politics turns disaster into myth, exploiting failure as fodder for messaging rather than reflection.



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