62 pages 2-hour read

When the Moon Hits Your Eye

Fiction | Novel | Adult | Published in 2025

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Chapters 6-10Chapter Summaries & Analyses

Chapter 6 Summary: “Day Six: New York, New York | Columbia University”

Dayton Bailey, an associate professor at the Colorado School of Mines and a science writer, meets with his literary agent, Aubrey Stewart, to discuss his book’s poor performance. Aubrey bluntly tells him that his book on paramecia has failed beyond recovery and advises him to pursue a broader, more accessible topic. Inspired, Dayton proposes a new idea: That’s No Moon: The Science Behind Fantastic Takes on the Moon and Stars (and Other Stuff)—a nonfiction book that examines how popular media interprets space science, from the Death Star to lunar folklore.


Dayton’s publisher greenlights the project, and early reviews of the sample chapters generate positive buzz. The book launches with moderate success, supported by a podcast-heavy media tour. However, as soon as the moon inexplicably transforms into cheese, Dayton suddenly becomes an authority figure on lunar matters. Aubrey sends him an updated itinerary packed with major media interviews, including CBS, NPR, and Good Morning America. The book skyrockets to the top of Amazon’s bestseller list as the public scrambles for any explanation for the moon’s changes.


When Dayton speaks at Columbia University, he acknowledges that he cannot explain the moon’s transformation. However, he outlines the evidence supporting the claim that the moon has turned into cheese, specifically spectral analysis and the geysers erupting from its surface. He assures the audience that Earth’s tides remain unaffected because the moon’s mass has not changed. He notes that its albedo has increased significantly, making it appear unnaturally bright. Dayton also explains that the moon’s ongoing compression and release of gases will eventually create an atmosphere and lunar oceans. Still, he warns that the moon is too geologically unstable and small to retain this atmosphere for long.


Dayton mentions that the increased size of the moon will turn the upcoming annular eclipse into a total one and that future total solar eclipses will be more frequent. During the Q&A, he predicts that NASA will cancel the scheduled lunar mission due to safety concerns. He closes by expressing his continued faith in science: Just because current explanations fall short does not mean that a scientific answer will not emerge in time.

Chapter 7 Summary: “Day Seven: Maquoketa, Iowa | The Meadow Hill Church”

Chrissy Evans, a pediatric nurse and Sunday school teacher, faces an unexpected theological challenge when her young class refuses to sing a hymn about God creating the moon. The children argue that the moon no longer belongs to God and claim that the devil stole it and replaced it with the cheese moon. One child questions why God would let the devil steal the moon. Stunned and unsure of how to respond, Chrissy changes the subject rather than contradict or confirm their beliefs.


Later that day, Chrissy’s brother-in-law, James, approaches her after receiving a concerned message from a parent. Chrissy defends herself, explaining that she never said anything to promote or disprove the “devil stole the moon” narrative. Nevertheless, James, along with his wife, Abby, and Chrissy’s husband, Bobby, admits that this idea has begun circulating among members of the Midwest Evangelical Council.


Chrissy expresses alarm at this development, arguing that fear-driven narratives will only harm the community. James agrees that stoking fear is dangerous but also cautions Chrissy against dismissing others’ spiritual interpretations too readily. He encourages her to remain open-minded, especially when answers remain elusive. That night, Chrissy lies awake, consumed by anxiety and staring out at the now-glowing moon.

Chapter 8 Summary: “Day Eight: Culver City, CA | The Office of Hannah Leventhal, VP of Development, Bramblewood Studios”

The Hollywood Reporter publishes an article chronicling the entertainment industry’s chaotic response to the moon’s transformation. Studios immediately halt several space-themed projects due to concerns over marketability with the moon’s changes, while others scramble to produce new content based on the cheese moon.


Hannah Leventhal, vice president of development at Bramblewood Studios, endures a long day of nonstop pitch meetings. Each proposal becomes more ridiculous than the last, and her patience wears thin as most hastily conceived pitches lean into absurdity, with pun-laden comedies and outlandish musicals. The final pitch surprises her: a grounded, heartfelt coming-of-age story set in the Deep South. Relieved, she offers to option the script, only to discover that the story is an adaptation of a novel by Vanessa Colby, making it impossible for her to avoid cheese in a single pitch.

Chapter 9 Summary: “Day Nine: Chicago, Illinois | The Gold Coast Penthouses”

The Chicago Tribune runs a feature on growing public curiosity about moon cheese’s taste. Although NASA continues to avoid officially confirming the moon’s new composition, many private chefs side with scientific experts. Astronomer Bill Fait explains that even if someone could retrieve a moon sample, the material would likely be degraded, irradiated, or completely carbonized due to solar bombardment and the moon’s internal collapse. Dennis Gable, director of communications at the Johnson Space Center, refuses to comment in detail, citing national security. He notes that even if the moon is cheese, it has aged four billion years, so is hardly appetizing.


Meanwhile, a bored and entitled trust-fund heir, Luke Rose, demands that his financial handler, Eric Lopez, procure authentic moon cheese. Lopez, whose job is to control Rose’s extravagant spending, pushes back. However, Rose argues that rival billionaire Thurman Mahoney is also seeking moon cheese, and he refuses to let Mahoney outdo him. Lopez agrees to investigate.


Lopez enlists Hannah Bostwick, a skilled procurement specialist. She informs him that acquiring a moon sample is nearly impossible. NASA has locked down all verified samples, and even lunar meteorite auctions on eBay have vanished. Worse, no one knows what real moon cheese tastes like, so verifying authenticity becomes nearly impossible.


Nevertheless, Bostwick locates a seller, Lamar McCarthy, who claims to possess a sample. Lopez brings Virgil Augustine, the museum director and likely the only person to taste moon cheese, to assess it. Augustine sniffs the sample and declares that it smells like parmesan. McCarthy insists that it is pecorino romano and confesses that his dog ate the real sample.


The meeting turns unexpectedly when James Ulrich, representing Mahoney, arrives and offers triple the asking price. Lopez quietly withdraws and allows Mahoney’s team to make the purchase. Afterward, Lopez and Bostwick reflect on the situation. Bostwick believes that she’s failed, but Lopez celebrates that Mahoney just spent a fortune on fake cheese. As a final touch, Chef Able Young prepares Rose a custom “moon cheese” grilled cheese using a blend based on Augustine’s tasting notes. Rose believes that he has won as the first person to taste “moon cheese.”

Chapter 10 Summary: “Day Ten: Houston, Texas | The Diana Missions Control Center”

The lunar lander Major Tom launches from Manta, Ecuador, with full control assigned to Ricky Miller, with John Able monitoring from Houston. NASA plans to keep the uncrewed vessel in low Earth orbit and has backup systems to abort if needed. Initially, the flight proceeds as expected. Then, without warning, the craft overrides the simulation and engages in a real trans-lunar trajectory. Control hears David Bowie’s “Space Oddity” playing through the comms, and a new voice comes through: Jody Bannon.


NASA officials quickly realize that Jody replaced the HMS bot on board—designed around Jody’s mass, size, and appearance—with himself. He disguised his physical presence using a pressure suit and programmed a fake data feed to mimic bot telemetry. When confronted, Miller denies any knowledge of the swap. NSA agents confirm that they have found no evidence of his involvement. Able and Olsen both acknowledge that Jody must have spent years planning this deception.


Olsen threatens to cancel Jody’s contracts and have him arrested upon return. However, Able warns that the livestream of the launch—including Jody’s announcement—has already gone public. If NASA attempts to stop him or discredit the mission, the public backlash could be severe. Glover, the NSA operative, recommends that NASA announce the trip as a coordinated mission.


Olsen orders the team to assist Jody in reaching the moon safely. Meanwhile, Jody opens an “Ask Me Anything” on Reddit, claiming that he wanted to prove that the lander was safe. He vows to collect moon cheese and downplays his company’s stock spike, though he clearly enjoys the attention. He declares that there’s nothing wrong with a privileged billionaire being the first person on the moon in decades.

Chapters 6-10 Analysis

While the first section of When the Moon Hits Your Eye explored society’s stunned reaction to the moon’s transformation, this section marks the beginning of a broader, more layered response. Scalzi uses satire and absurdity to critique human institutions, showing that even when faced with the incomprehensible, people instinctively reach for patterns—some scientific, some theological, and some selfishly opportunistic.


Throughout these chapters, characters grapple with The Intersection of Science and Belief. Real science requires time, replication, and verification, yet in a media-saturated age, society demands instant explanation. Dayton Bailey inadvertently becomes a spokesperson for lunar truth, not because he understands what is happening but because he appears credible. His book discusses the scientific ramifications of the moon being made of cheese. His agent, Aubrey, tells him plainly, “It’s because the world is chaos right now and everyone is looking for someone to make sense of it […] You’re the only one doing that today. Not the president, not NASA. You” (71). This dynamic underscores a broader theme: In times of uncertainty, authority often shifts not to those with the most accurate information but to those who appear most confident or most available to provide ready answers.


Dayton understands his limitations. He does not try to fabricate certainty when asked to explain the moon’s transformation. Instead, he compares modern confusion to ancient wonder: 


Today we know what an eclipse is […] But ten thousand years ago, from the point of view of the humans looking at the eclipse, the impossible was happening and there was no way to explain it […] on this particular matter, we are no different from those humans ten thousand years ago looking at an eclipse (77).


In this analogy, Dayton places humanity in a recurring cycle where new phenomena force societies to suspend certainty, relying on observation, humility, and patience. His point is not that belief or fear is wrong but that certainty, in the absence of evidence, is dangerous.


That danger becomes clear in the reaction of the Meadow Hill Church. The parishioners draw upon belief in an attempt to fill the void left by science. Chrissy Evans finds herself in a theological debate when her students now believe that the devil stole the real moon. Chrissy rejects this conclusion, but even the pastor, James, admits that the church has no better answer: “The moon has turned to cheese. No one knows why or how […] So it falls to us […] to try to figure it out” (83). Chrissy warns him not to indulge that fear-driven logic, replying, “Nothing good is going to come from declaring a moon made of cheese is the work of the devil” (84). She reminds James that ignorance cloaked as faith can do real harm. James admits, “We’re not doing anyone any favors by letting people indulge in their fears” (85), but insists that he cannot ignore the scope of the problem: “These same things are going on everywhere else on the planet…It adds up” (86). This moment becomes the emotional and philosophical core of the novel: The problem is not individual ignorance but the cumulative global reaction to uncertainty, where misinformation multiplies faster than facts.


Amid these public and spiritual reckonings, the novel deepens its exploration of The Role of Politics and Power During a Crisis. Many embrace opportunism in the face of the crisis, seeking self-aggrandizing gains. In Hollywood, film executives abandon space thrillers and rush to pitch moon-based comedies. Meanwhile, billionaires like Luke Rose and Thurman Mahoney engage in a grotesque arms race to be the first to taste moon cheese. Their actions parody how the ultra-wealthy leverage crises for entertainment or clout, disconnected from the existential implications that everyone else faces. The absurdity of a grilled-cheese sandwich made to simulate the taste of lunar cheese embodies how image matters more than authenticity and how perception outweighs truth.


Nowhere is the abuse of power clearer than in the subplot of Jody Bannon. A billionaire desperate to save his company, Jody deceives NASA, switches places with a robot, and launches himself into space without permission. Though he frames his stunt as noble—proof that his lander is safe—it becomes clear that Jody’s real motivation is profit and prestige. The moment when Jody breaks protocol, NASA officials scramble, not to stop him but to manage public perception. NSA advisor Glover suggests that they pretend the mission was a group decision, not because it was but because it will play better in the press. This moment suggests that during a crisis, public relations often outweigh truth or legality.


Even Jody’s “Ask Me Anything” on Reddit, full of self-justification, is a satire of tech billionaire arrogance. A Redditor asks, “Are you not at all concerned about the optics of the first man going back to the moon in decades […] being an immensely privileged billionaire?” (132). Jody responds, “No, should I be? I can’t help it if hard work, smarts, and, yes, a little luck worked out for me” (132), completely unaware—or unconcerned—with the ethical implications of an unqualified, wealthy non-astronaut buying his way into space. Jody goes on to state, “[I]f I am the [the last man on the moon for decades] I will try to represent humanity with honor, humility and dignity” only to then tell his fellow billionaires to “suck it” (132)—an addition that emphasizes how lacking in “humility and dignity” his motives and behavior actually are.


Jody’s achievement overrides institutional control, scientific caution, and national sovereignty. In this way, Jody becomes a dark mirror to Dayton: One seeks understanding; the other seeks validation. Through these contrasting figures and responses, the novel explores how power, belief, and science all compete for dominance when the world ceases to make sense.

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