53 pages 1-hour read

Where the Library Hides

Fiction | Novel | YA | Published in 2024

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Part 2Chapter Summaries & Analyses

Part 2: “The Gate that Moves”

Part 2, Interlude 1 Summary

Content Warning: This section includes discussion of graphic violence, addiction, substance use, death, and racism.


After Inez leaves, Porter hugs Whit and assures him that his actions saved their sister. Whit tells him that he’ll give them the money only if Porter stops their father from gambling, and his brother reassures him that he’ll ensure the money isn’t squandered and that they secure Arabella’s future via a protected dowry. Despite Porter’s offer for them to leave Egypt together, Whit refuses. He recognizes that his marriage to Inez is broken, but she’s still his best shot at finding Lourdes and the alchemical Chrysopoeia.

Part 2, Chapter 9 Summary

Back in the hotel, Inez pieces together that her mother will likely fence the stolen artifacts at the underground auction hosted by the Tradesman’s Gate smuggling ring. She proposes infiltrating the auction to locate Lourdes and the cache of Cleopatra’s relics. Isadora questions how far they’ll get without money and suggests that they go to Argentina to regroup. Inez decides to think it over but returns her travel tickets for cash for the time being.


Once Inez gets the money back, Whit arrives. He convinces her to hear him out and then tells her he knows how to find the location of the Tradesman’s Gate meeting. She reluctantly agrees to work with him if he stops lying to her and they can divorce once it’s over.


At an opium den, Whit meets a contact, Yves, and exchanges his beloved revolver for information about the next Tradesman’s Gate auction, which will be held in the old government building in a few days. After Yves leaves Whit with the bill, a shadowy stranger drops the money on the table. Though Whit tries to follow them, they vanish, and he returns to the hotel.

Part 2, Chapter 10 Summary

Inez’s Tía (Aunt) Lorena and her cousin Amaranta arrive at Shepheard’s Hotel, and Inez breaks down as she recounts what happened. Amaranta demands retribution and says that Lourdes must pay for Elvira’s death with her own life. Inez agrees that her mother needs to face justice, though she privately struggles with the idea of killing her.


Inez meets with Ricardo, who is furious about Whit’s absence and the disastrous fallout from the discovery of Cleopatra’s tomb. Mr. Maspero, the antiquities officer, then arrives with men to arrest Ricardo and Abdullah, accusing them of negligence and complicity in the theft of Egypt’s national treasure. Despite Inez’s protests and her attempts to implicate her mother and Fincastle as the real culprits, Maspero dismisses her claims, believing that Lourdes is dead. As Ricardo and Abdullah are dragged away in front of hotel guests, Inez rushes to find Whit, already at the hotel’s entrance, standing with Abdullah’s granddaughter, Farida. Farida asks what they can do, but Whit and Inez know that the only way to free the men is to locate Lourdes and the stolen artifacts.

Part 2, Chapter 11 Summary

After Whit leaves to reason with Monsieur Maspero, Inez, Isadora, and Farida regroup in Inez’s room to assess the situation. Farida says she has photographs taken at the Philae dig site with a magic-touched camera that can take images through walls. One shows Lourdes holding a card, which Inez thinks is an invitation to the illegal auction. When Inez tries to point this out to Farida, Isadora takes her aside and cautions her against being so trusting. The half-sisters argue about involving the third woman before Isadora finally agrees. After Farida warns them about Maspero’s history of torturing prisoners, Isadora says she knows where and when Tradesman’s Gate is meeting. The trio plans to go, and Inez uses her mother’s magic scarf to shrink the camera so that they can take it with them.


Whit, meanwhile, spends the day unsuccessfully negotiating with Sir Evelyn and Maspero for Ricardo and Abdullah’s release. He returns to the hotel lobby to rest but notices Inez, Isadora, and Farida sneaking out. As they leave Shepheard’s Hotel, he follows them.

Part 2, Chapter 12 Summary

In the dark, Inez and Farida follow Isadora through Cairo toward the auction’s location. As they bicker about whether they’re going the right way, three men try to corner them. Isadora defends the women with her small handgun before Whit arrives and knocks the men out. He confronts Inez about where she’s going, and she says she’s on her way to the auction to get photographic evidence of the illegal trade. When he says they’re going the wrong way, she insists that Isadora must have just gotten lost. They agree to team up and go together. One of the attackers wakes, and Isadora shoots and kills him.


Whit leads them to the dilapidated building housing the auction. They sneak in through a side entrance, where Whit knocks out the guards and leads them inside.

Part 2, Chapter 13 Summary

The group splits up: Inez and Isadora sit among the masked attendees to observe the auction, while Whit and Farida explore the surrounding rooms, capturing photographic evidence of the hidden relics. They plan to meet up on the street outside afterward or in the hotel lobby if things go wrong.


While Farida takes images of the hidden artifacts, Whit takes the mask and uniform of an auction staff member to disguise himself. While preparing to take the artifacts onto the stage with another employee, Whit sees that he has a clipboard with the addresses of the auction’s buyers.


As the auction begins, Phillip Barnes, the host, introduces the first few items from Cleopatra’s tomb. Inez recognizes the blue asp statuette as an artifact she sketched at the site. She bids on it to get the organizers’ attention and, despite lacking actual funds, wins it for a bid of 50,000 pounds. Whit, disguised as auction staff, steps onto the stage to take the statuette away. Another staff member then summons Inez to a private meeting with the founder of Tradesman’s Gate.

Part 2, Chapter 14 Summary

While Isadora waits outside, Inez is led to meet with Tradesman’s Gate’s founder, Basil Sterling, the man responsible for Elvira’s death. He attempts to get Inez to reveal the whereabouts of Lourdes and Mr. Fincastle. When she says she doesn’t know where they are, he proposes that they work together. She refuses, and he returns the golden ring, which once belonged to Cleopatra and was a gift from Inez’s father, as a “gesture of goodwill” (182). He lets her go, and Inez reunites with Isadora and the group. Whit says he got the address linked to the payment for the asp statuette. Though the address is fake, he points out that it could still be a lead since Lourdes would carefully track any funds. The address is in Alexandria, and they question if she might be starting a rival “black market” there.


Before leaving for Alexandria, Inez insists on visiting Ricardo and Abdullah, who are held in a Cairo prison awaiting trial. Lorena, Amaranta, and Farida join her. Lorena presents Ricardo with a magic-touched teacup that allows instant communication through water, providing a method of contact between them.

Part 2 Analysis

In Part 1, Whit upends his enemies-to-lovers relationship with Inez, leaving her reeling from his betrayal. In Part 2, Ibañez steps back from the romantic subplot and focuses on the novel’s mystery and adventure elements. Inez channels her anger and frustration into developing a plan to confront her mother, seek justice, and find the artifacts that Lourdes and Mr. Fincastle stole from Philae by infiltrating the Tradesman’s Gate auction.


As Inez’s relationship with Whit becomes rocky, Isadora’s importance to both her and the novel grows, and she becomes a source of emotional support and practical assistance. However, even this early, some moments foreshadow Isadora’s true motivations. For example, she continuously brushes off her parents’ crimes and leads Inez and Farida right into the ambush rather than the auction, which is closer to the hotel than she led them to believe. She’s likewise evasive about placing blame on her parents for their crimes despite knowing exactly what they did. The familial tension continues in how Inez approaches the issue, which thematically foregrounds The Perilous Balance of Extending and Withholding Trust. Her aunt, Lorena, and cousin Amaranta arrive to deal with Elvira’s remains and demand restitution. Amaranta’s vision of justice for her deceased sister is clear-cut. She tells Inez, “Your mother needs to die” (137). However, Inez’s perspective is more complicated, which thematically illustrates Navigating the Complex Bonds of Family. While she acknowledges that her mother is responsible for Elvira’s death and other crimes, Inez struggles with the idea of killing her, stating, “I hated my mother, but I didn’t want her to die” (138). In Inez’s view, justice shouldn’t come at the cost of losing her humanity, and she seeks accountability through legal means rather than personal revenge. By rejecting Amaranta’s path of vengeance, Inez solidifies her moral stance, distinguishing her from other characters who view violence as the only solution, such as her father.


The infiltration of the auction is the main event in this section. The physical description of the building, with its rickety stairs and dimly lit corridors, establishes an eerie and tense atmosphere. While Inez is returning Farida’s camera to her so that she can take photos of the auction, she says, “Magic is a beautiful thing […] It’s a shame it’s becoming extinct” (166). Her words reflect her own sense of loss and disillusionment. She grew up with grand ideas about adventure, love, and history. When she came to Egypt, she experienced nothing but betrayal, grief, and the harsh realities of power and greed. Her wistfulness about magic represents her realization that ideals are fragile things. Whit’s response, “Everything comes to an end at some point” (166), supports the point about impermanence: Nothing—including magic, innocence, or a relationship—is guaranteed to last.


While magic is dying out, greed and exploitation are thriving. The illegal auction depicted in Chapter 13 is proof of that and is a microcosm of the power struggle between imperial authorities, corrupt dealers, and those who seek to preserve history rather than profit from it. Basil Sterling represents the worst of these forces, using his wealth and influence to strip Egypt of its treasures for personal gain. The attendees of the auction, all wealthy and influential, represent the exploitative nature of colonialism and the commodification of cultural heritage. Meanwhile, the novel reveals the compromise of Monsieur Maspero’s integrity, demonstrating how easily corruption can taint institutions meant to protect history. The arrest of Ricardo and Abdullah highlights the hypocritical and bureaucratic nature of colonial power, which selectively wields legal authority. Maspero’s accusations that the discovery of Cleopatra’s tomb was mishandled and that Egypt has lost a national treasure are politically charged. Regarding Lord Evelyn Baring, Whit observes, “He was the most powerful man in Egypt, the one who could have opposed Maspero’s order to detain them in prison, but did he use his power and influence for any good? Of course not” (153). Critically, neither of the imprisoned men is European. Abdullah is Egyptian, and Ricardo is Argentinian. Power, in colonial contexts, isn’t about justice but maintaining dominance, an idea that further develops the novel’s theme of The Manipulation Inherent in Power Dynamics.

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