53 pages • 1-hour read
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Content Warning: This section includes discussion of death, graphic violence, illness, sexual content, and emotional abuse.
Inez has a dream triggered by Cleopatra’s golden ring. In it, Cleopatra frantically searches through scrolls before finding a single sheet of parchment featuring a snake eating itself, the Chrysopoeia. The scent of burning, the view of the sea, and the city under siege all point to Alexandria as the location of the alchemical sheet. When Inez shares this information with Whit, they speculate that Cleopatra might have hidden the Chrysopoeia there and that Lourdes is following the same clues.
When Inez’s aunt and cousin learn of her plans to leave for Alexandria, Amaranta berates her for abandoning her family barely after they arrived, while Lorena, though distressed, supports Inez’s decision. Before departing, Lorena gives Inez the second magic-touched teacup, allowing her to communicate with Ricardo while she’s away.
On the train to Alexandria, Isadora and Whit bicker while Inez attempts to keep the peace. When her half-sister storms out of the compartment, she insists that he apologize. When he reluctantly leaves to do so, Inez examines her mother’s journal again and notices a sketch of a statue of a man with a strange crown and staff, flanked by a three-headed dog.
In the dining car, Whit catches up with Isadora. He accuses her of deliberately leading them into danger, still being in contact with her father, and following him into the opium den. Though Isadora deflects most of his questions, he goads her into letting it slip that her parents are rarely apart.
Inez, Whit, and Isadora arrive in Alexandria and check into Hotel Abbat. Inez sends a telegram to Farida to let her know where they are. Then, the trio argues about who should go to Lourdes’s supposed address. In the end, Isadora volunteers to stay behind to unpack.
Inez learns from the hotel attendant that the address is a bank near the Place des Counsels, an area heavily damaged by the British bombardment. She and Whit head there in disguise, Whit posing as her guard and Inez adopting Lourdes’s identity. Inside the bank, however, the bank employee assisting them becomes suspicious when Inez can’t provide the correct address tied to the account. Before the situation escalates, Whit knocks the man unconscious. While Inez distracts the others, he goes to find Lourdes’s file.
As they rush from the bank and head back to the hotel, Inez confronts Whit about their relationship. She tells him that while she may no longer be angry with him, she hasn’t forgiven him and never will. Before he can respond, they spot Lourdes across the street, heading toward the bank. However, a sharp whistle warns her off, and she vanishes.
Whit is convinced that Isadora was the one who warned Lourdes outside the bank and let her escape, but Inez defends her half-sister and suggests that Mr. Fincastle is more likely the culprit. Upon returning to the hotel, they find Isadora still unpacking their luggage. They recount their failure at the bank but plan to immediately confront Lourdes at the new address, fearing that she may flee again.
The trio heads out by carriage. However, Isadora is conflicted about seeing her mother again. She says the last time she saw her was when she and her father parted ways with Lourdes in London. Whit points out that she told them her parents were never apart, but Isadora deflects, and Inez is too caught up in her own emotions to notice.
They arrive at a modest, nondescript house that doesn’t reflect Lourdes’s usual lavish tastes. Whit picks the lock, and they search the house. They find a cluttered library filled with magical objects, journals, and letters. They begin to sift through the mess, and Inez takes the bottles of magic-touched medicine, an earring that amplifies sound, and a bracelet that warms the wearer. Before long, Mr. Sterling interrupts them, standing in the doorway with his pistol aimed at Inez.
Sterling orders his armed men to confiscate all the magical objects, journals, and clues that the trio gathered from Lourdes’s house. Whit and Isadora are forced to comply, while Inez secretly hides one of the magically shrunken bottles in the collar of her dress. Sterling then separates Inez from the others for a private conversation, pressing her again to join him. Inez refuses, declaring that she would rather die than help him. Sterling remains calm and promises that she’ll eventually change her mind. He then leads Inez back to the others, but not before giving her a magic-touched calling card. He promises that Lourdes won’t be able to resist it.
Sterling and his men leave the house, and Inez and Isadora return to the hotel. Whit follows Sterling through Alexandria to a hidden headquarters in Turkish Town. Hiding, Whit observes Sterling execute a young man in his employ who made a mistake. Once the lights inside all go out for the night, Whit sneaks into the building. He searches Sterling’s cluttered office but finds no clear proof of Sterling’s illegal activities. He then grabs the box containing Lourdes’s belongings and quietly escapes the building, planning to review its contents with Inez.
Inez receives a telegram from Farida saying that Ricardo and Abdullah are being poorly treated in prison. She, Whit, and Isadora dive into their investigation using the items from Lourdes’s home and Whit’s latest raid on Sterling’s headquarters. Inez discovers peculiar maps of Alexandria, including one featuring Pharos Island and sketches of Cerberus, the three-headed dog. Meanwhile, Whit uncovers drawings of the lighthouse of Alexandria and inscriptions in Greek, and they think that Lourdes and Mr. Fincastle might be excavating there.
Later that night, the trio goes to Pharos Island via rowboat. Upon reaching the lighthouse’s crumbling base, they explore the interior. Inez is drawn to a carved relief depicting Cerberus and the god Inez noticed before, whom Whit identifies as Serapis, the patron of Alexandria. Inez slips into another vision, in which Cleopatra travels through a secret underground canal system beneath Alexandria. When Inez shares this with the others, the group realizes that Cleopatra likely hid the Chrysopoeia along this network of tunnels. However, Isadora then points her gun at Inez.
Whit pulls Inez to safety as Isadora starts firing on them. After she corners them, Isadora reveals that she was working with Lourdes to sabotage their search. She deliberately led them into the ambush in Cairo and was the one who whistled the warning. She also admits that she always saw Inez as a rival for their mother’s love. When she tries to shoot again, Whit pushes Inez out of the way and is shot instead. Inez runs, fleeing up the deteriorating staircase of the ancient lighthouse, and Isadora chases and attacks. In the ensuing scuffle, Inez knocks the gun from Isadora’s hands. The steps crumble beneath them, and, though Inez holds on, Isadora falls to her death in the rubble below. Whit tries to convince Inez to let go of the crumbling staircase, promising to catch her and admitting that he loves her. She finally lets go, falling into his arms. They then escape as the lighthouse collapses around them. Back at the rowboat, Inez frantically rows them to shore as Whit deteriorates from the gunshot wound.
Back at the hotel, Inez anxiously paces outside the hotel room while a physician tends to Whit. While waiting for news on his condition, she realizes that Mr. Fincastle will seek revenge for Isadora’s death.
The physician emerges and tells Inez that he removed the bullet, but Whit’s condition is critical because of blood loss and infection. His survival depends on making it through the night. Inez must keep him hydrated and monitor his fever closely.
In the room, as Whit drifts in and out of consciousness, Inez tends to him with cold compresses, water, and constant reassurances throughout the night. She’s exhausted but refuses to release his hand. When he wakes, he laments the loss of the ink bottles her mother used for healing, and Inez remembers that she hid a bottle from Mr. Sterling. She pours the contents onto the wound. While it heals, she distracts him from the pain by asking why he saved her life. He admits that he has loved her for a long time and would do it again. Inez kisses his cheek, and he drifts back to sleep.
Inez wakes up beside Whit the next morning and sees the bullet wound has closed, leaving only a scar. After she orders a large breakfast for them, they discuss how to find the underground passageways beneath Alexandria and realize that Abdullah, with his extensive knowledge of ancient maps and history, could be the key. They use the magic-touched teacup to contact him and Ricardo. When they ask about the tunnels, Abdullah tells them that they’re Alexandria’s cisterns, part of the ancient water system designed by Alexander the Great. In addition, he mentions rumors of a secret library linked to the Serapeum, the temple of Serapis.
The physician returns, and while he checks on Whit, Inez waits outside. She reflects on her guilt over everything that happened and briefly considers using Mr. Sterling’s calling card to hand over the problem to him but instead decides to tear the card in half. When she returns to the hotel room, Whit tells her he loves her again, and they have sex.
The next day, Inez steps out to get them breakfast but is accosted by one of Mr. Sterling’s men. With a pistol pressed into her back, she’s forced to leave the hotel with him.
The title of Part 3, “The Bride of the Mediterranean,” refers to a nickname of the primary setting where it takes place: Alexandria. It was a critical location during Ptolemaic Egypt, and, given the importance of Cleopatra VII to the story, the story had to end there. Because Sterling returned Cleopatra’s ring to Inez in the previous chapters, Inez again experiences a vision of its original owner, which ends abruptly with Cleopatra fleeing as her city burns. In the novel’s present, the city is likewise devastated, though this time because of its bombardment by the British. From the moment the group arrives, the description of the city emphasizes its war-torn state. They observe ruined buildings, debris-filled streets, and partially destroyed landmarks. Whit reflects on the devastation: “Humans can be so careless with beautiful things: lives, animals, art. Nothing is safe from our hands” (217). It’s a grim reflection on human nature, born from witnessing the worst of humanity. As a former member of the British military himself, Whit is fully aware of what they were capable of, which helps develop ideas that illustrate the novel’s thematic concern regarding The Manipulation Inherent in Power Dynamics.
While the narrative focuses on the search for Lourdes and then the hiding place of the Chrysopoeia of Cleopatra, the thematic focus returns to the balance of trust, betrayal, and loyalty. The novel reveals that Isadora, whom Inez came to trust and even love as a sister, was manipulating her all along. Thematically foregrounding The Perilous Balance of Extending and Withholding Trust, Isadora tells Inez, “I warned you once that you were too trusting, Inez. Too naive to see what had been in front of you all along” (272). Isadora’s choice of words reveals how she viewed Inez all along: not as a sister, not even a rival, but as a fool. Despite what Isadora tries desperately to deny, she’s a foil for Inez. Both women are intelligent, resourceful, and capable of great strength, yet the different ways they were raised shaped them, raising questions about nature versus nurture: whether Inez, had Lourdes raised her more attentively, could have turned out like Isadora; whether Isadora, had she grown up further from Lourdes’s influence, would have been more like Inez. Despite her outward confidence, Isadora’s emotional vulnerability is evident in her outbursts. Her anger stems from years of living in Inez’s shadow. She insists, “She picked me […] I’m the one she trusts the most; I’m the one she confides in. You she liked to keep in the dark, in a different continent. You’re deluded if you think she cares for you as much as she does for me” (273). As she chases Inez up the crumbling stairs of the lighthouse, her desperation becomes increasingly apparent. The predator becomes reckless. Her obsession with besting her half-sister and proving her superiority leads Isadora to take one step too far. The structure beneath her gives way, and she falls to her death in a moment of sudden brutality: “The sound of her body hitting the ground went through me. A loud smack, bones breaking, her scream abruptly cut off” (276). Isadora, who worked so hard to craft an identity of power and control, is instantly a broken body beneath the rubble.
Conversely, Whit’s arc embodies the struggle of earning back lost trust. Once broken, it isn’t easy to repair, but consistent action can reforge it. His commitment to Inez results in his taking a bullet from Isadora to protect her. Despite his injury, he tells her he’ll catch her when the lighthouse stairs collapse. Until now, Inez convinced herself that Whit didn’t love her and was staying only out of obligation, guilt, or the desire to find the Chrysopoeia. Now, her decision to let go isn’t just about physical survival but finally accepting that she can trust Whit. She must believe that he’ll catch her, which he does. He, in turn, must put his life in her hands as the damage from the gunshot wound worsens. The romantic power dynamic shifts. In earlier chapters, Whit held the upper hand. He was more experienced, knew more about Inez’s financial situation, and used that knowledge to his advantage. However, Whit is now vulnerable and physically weakened, so he must rely on Inez’s care and protection. In declaring his love for her, he admits his emotional surrender. His survival marks the rebirth of his relationship with Inez, and her use of the magical ink to heal his gunshot wound symbolically restores their fractured bond. As the wound closes, so does the distance between them. When they become intimate in Chapter 22, it’s not just a moment of passion but an affirmation of the trust they’re rebuilding. At this point, their romance returns to the narrative forefront and becomes the emotional anchor leading into the novel’s climax.



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