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Content Warning: This section of the guide contains discussion of rape.
Chapter 16 begins in Naomi’s perspective as she staggers along behind her captors, carrying Wolfe. The attackers have taken Gert, the goat, and when they stop for their animals to drink, Naomi feeds goat milk to Wolfe. They reach a camp at sunset, and one of the attack party takes Wolfe from Naomi and gives him to a woman. A man drags Naomi away by the hair.
The point of view shifts to John, who can follow a faint trail of animal prints and Naomi’s footprints. He finds one of her sketches and knows he is on the right track.
The perspective shifts back to Naomi as she awakens the next morning. The man who dragged her by her hair took her to his lodge, where he shoved her into a corner and an old woman brought her water and a blanket. Now the old woman leads her toward a stream as the others break camp. Naomi wades into the water and washes herself and her clothes, which are bloody from her menstrual period.
She mimics holding a baby to ask where Wolfe is, but the old woman forces her arms to her sides, shaking her head. Naomi realizes that the woman who took Wolfe is going to keep him. She and the woman tell each other their names; the woman says to call her Beeya, mother.
John’s point of view resumes as he finds another of Naomi’s pictures. After resting for the night, he follows a river and sees a village that turns out to be Hanabi and Washakie’s. They welcome him, and he tells them about the attack and asks for their help finding Naomi. Hanabi says the attack sounds like the work of Pocatello, the chief who had caused trouble with the soldiers at Fort Bridger.
All the Shoshoni will soon gather together, as they do every three years. Washakie says Pocatello will bring the stolen animals and Naomi to the Great Gathering to trade. He makes John promise that if Naomi is alive, he will not kill Pocatello. If Naomi is not alive, Washakie will help John to kill the other chief. In addition, John cannot tell the army about the attack, because all the Shoshoni would suffer as a result. John agrees.
The perspective shifts back to Naomi, who relates that the man who took Wolfe and gave him to his wife was named Biagwi, and the one who dragged her into the lodge is Beeya’s son, Magwich, her father’s killer.
They walk all day. When they reach Fort Hall, Naomi is tempted to run to the wagons outside the walls, but she won’t leave Wolfe. Beeya has taken her dress and clothed her in a doeskin dress and leggings. She has assumed the role of Naomi’s mother and tells her that Biagwi’s wife, Weda—who recently lost her own baby—is now Wolfe’s mother. Beeya has discovered Naomi’s drawings and makes her draw for the other women.
Chapter 17 begins in John’s perspective as he heads to the Gathering Place with Washakie and his group. Washakie reveals that his parents were from two different Indigenous nations, making him a “two-feet” like John. He was raised by his Shoshoni mother, Lost Woman. He tells John that someday, “the blood of the Indian and the blood of the white people will flow together” (257), but he is not happy about it.
The point of view shifts to Naomi as Pocatello’s band reaches the Gathering Place and makes camp. At night, the celebrations begin with dancing and singing. Horse races follow in the morning, and the men bet on them. Beeya makes Naomi draw people’s portraits in exchange for beads that Beeya keeps. Naomi steals away to see Wolfe, who is sleeping in Biagwi’s tent, but Weda finds her and screams for her husband.
Biagwi arrives with Magwich, who drags Naomi away and tries to trade her to a warrior with a scarred face in return for horses that Magwich lost in a bet. Beeya runs to get Naomi’s drawings and shows them to Magwich and the warrior, causing Magwich to change his mind. That night, he rapes Naomi.
The point of view changes to John’s as he arrives at the Gathering Place. Washakie sends Hanabi and some other women to look for Naomi and Wolfe in Pocatello’s camp. The scouting women see them and report back to John. They tell him that Biagwi’s brother was the man whom Will accidentally killed, and Biagwi spared Wolfe in order to give him to his wife. Naomi is now Magwich’s woman, and he refuses to trade her, because her paintings are valuable. Washakie promises to speak up on John’s behalf when the group meets in council that evening.
The last section of the chapter is in Naomi’s point of view. She has seen Hanabi and reflects that the same Shoshoni people who killed her family once fed her family. Beeya gives her a new skirt and blouse and takes her away.
Chapter 18 opens in John’s point of view as he sits behind Washakie at the council meeting. When it is Washakie’s turn to speak, the chief says they should not break their agreement with the white men. He introduces John as a brother to his wife, who saved their daughter from drowning. He says John has come to ask for the return of his wife and her brother, who were taken by Pocatello.
John tells his story and then asks for Naomi and her brother to be given to him. Biagwi rises and says he claims Wolfe in the place of his dead brother, “A brother for a brother” (270). Magwich then stands and says Naomi is his and he will not give her to this “Pani daipo” (Pawnee white man). Washakie says Magwich stole a man’s wife, and Pocatello is going to bring death and vengeance to all the Shoshoni.
Another chief says to bring Naomi and Wolfe to the council, and Biagwi and Magwich go to get them. Naomi cries out John’s name when she sees him. They question Naomi, with John interpreting, and she identifies John and Wolfe. When Pocatello protests that the white settler killed first, Biagwi says that John should take his wife, but the child should stay. The leaders vote, and they agree to Biagwi’s plan. Washakie says that Biagwi is a man of honor and Wolfe will be raised as a son, like John was. Naomi protests, but John carries her away.
The point of view moves to Naomi. John finally puts her down and cries with his arms wrapped around her. Lost Woman, Washakie’s mother, has followed them. She gives them blankets and food. John tells Naomi that Webb and Will survived and that Wyatt is leading the boys to find the wagon train. She can tell that John thinks the attack was his fault, but she thinks if he and Wyatt had been with them they would be dead too.
The point of view returns to John. The next morning, they return to the Gathering Place and see Lost Woman and Hanabi. Naomi goes into John’s tent to sleep, and John tells Hanabi that Naomi can’t leave Wolfe. Hanabi tells him that he and Naomi should stay with her band. He says he has nothing, and she says, “You have all things” (278).
Chapter 19 opens in John’s point of view. He takes care of his animals and then goes to find Wahatehwe, the scarred warrior who took Naomi’s drawings. The man is taking part in a horse race and easily wins. John asks for the “paper faces” that Magwich gave him and trades with the man for one picture each of Winifred, Warren, William, and Webb. Then he offers his horse for the rest, but Wahatehwe won’t take it. John offers to race him for the pictures. If he loses, Naomi will paint another skin for Wahatehwe. Magwich inserts himself into the race to get back the five horses he lost to Wahatehwe, but Wahatehwe says that if Magwich loses, he will give the horses to John.
They race, and John’s horse wins. He collects the drawings from Wahatehwe just as Magwich stabs both John and his horse. He slashes at John, but the cut is shallow. They fight, and John tells him to take Wahatehwe’s horses and go, but Magwich continues fighting. John kills him, expecting all the men to confront him, but they do not.
The perspective shifts to Naomi as she wakes up in John’s tent. She sees John, blood-stained, leading his horse toward the camp. He washes himself and the horse, then gives Naomi the satchel containing her drawings. Wahatehwe arrives with the five horses John won in the race. John says they can trade the horses for whatever they need to spend the winter in the camp. He then tells her how he won the horses and that he killed Magwich in self-defense. She has been shrinking from him, but he tells her that neither of them has anything to be ashamed of. They touch each other gently.
The mention of Naomi’s menstrual period in Chapter 16 will take on greater significance later in the story. This establishes that she is not pregnant when she is taken captive by Pocatello’s band, so that if she is raped in captivity and becomes pregnant, she will know that the child’s father is her rapist’s and not John’s. She will later discover that she is not pregnant upon her release.
The Complexities of Cultural Identity are a key focus in Chapters 16-19. Naomi’s thought upon seeing Hanabi at the Gathering—“The same people who killed [her] family fed [her] family” (267), echoes John’s earlier comments that all groups of people contain both good and evil members. Magwich is the second Indigenous man who has attempted to force Naomi into sexual enslavement (the first was Black Paint earlier in the novel); unlike Black Paint, he succeeds in claiming her as his property and rapes her. The depiction of Magwich, like the depiction of Black Paint, plays into colonialist discourse portraying Indigenous men as a sexual threat to white women. His sudden attack on John after the horse race is yet another instance of unprovoked Indigenous aggression in the text.
Similarly, Pocatello is depicted as entirely selfish and murderous, even though the attack on the settlers was in response to the (accidental) killing of one of his warriors. Washakie is depicted more favorably, but he is also the Indigenous chief who openly advocates for dealing “fairly” with the white settlers, which means he helps to serve the ends of the white protagonists and does not object to their encroachment on Indigenous territory. Meanwhile, some of the Indigenous women are depicted as morally ambiguous: Beeya, for example, shows kindness to Naomi but also trades Naomi’s drawings for beads that she keeps herself. By contrast, virtually all of the white characters—apart from Caldwell earlier in the text—are depicted in a relentlessly positive light.
The importance of the bond between siblings is a matter of life and death in these chapters, adding a new dimension to The Power of Love. Naomi’s love for Wolfe keeps her alive even when she feels herself floating away from reality. Washakie describes John to the gathering as “a brother to my woman” (269), helping to ensure that Naomi is returned to him. Biagwi stakes his claim to Naomi’s baby brother by saying he will take the place of Biagwi’s dead brother, an idea supported by the majority of the leaders of the Shoshoni gathering. A sense of interconnectedness flows through each of these relationships, whether formed by blood or by loyalty.
John and Naomi enter a sort of limbo when they return to Washakie’s band in Chapter 19. Naomi’s deep bond with John has been partially severed by her personal losses and her rape, and she feels both of them are lost. The author repeats the word lost several times in this section of the text, linking it with grief to establish that it is the opposite of belonging to a beloved person. In Chapter 17 Washakie tells John that his mother is called Lost Woman because she is “lost in grief” (255) after losing her husband and all but one of her four children. Later in the chapter, Naomi thinks, “I am lost” (267), and she repeats the idea in Chapter 18 even after John rescues her.
Only Hanabi believes that John and Naomi’s love will survive because they belong together. She articulates this thought as she tells John that he still has his mules, his wife, and the ability to build a home and hunt, and so he has “all things” (277) even if he chooses to stay with the band. As Naomi and John seek a way forward after their ordeals, their love will play a key role in their healing.



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