73 pages • 2-hour read
Rebecca RossA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of graphic violence, death, physical abuse, sexual content, emotional abuse, child death, child abuse, and sexual harassment.
Matilda of Underling and Skyward is the protagonist of Wild Reverence. She is tall, with dark brown eyes and bright red hair. She is the daughter of Zenia of Underling, goddess of winter, fire, and cunning, and Thile of Skyward, god of dusk, oaths, and summer. When Matilda is born, Zenia hides her existence from Thile, as their relationship ended badly, and she fears Thile’s retribution. Matilda doesn’t know who her father is as she grows older, only that he’s an unnamed Skyward. This bisected identity, a member of two warring clans, strongly influences her characterization; she thinks, “I was both sky and the underworld, and for that reason, I would never belong wholly to either of them” (124). Matilda feels pulled between the under realm and Skyward, as she is the only god with claim and access to both divine kingdoms, yet she feels like an outsider in both.
This dual identity is not a positive thing to Matilda, however. As she explains to Vincent, “I am an Underling, but I am also a Skyward. I cannot claim one over the other. And I am the worst thing that has ever happened to the gods” (166). Matilda claims that her birth is a detriment to the gods above and below, demonstrating her low self-regard in the early chapters of the novel, as she assumes that her birth is an aberration that the gods reject. Her mother seeks to protect her, but the gods’ fixation on being powerful and feared over being compassionate and loved makes Matilda feel alone and undeserving of genuine connection.
Matilda begins to change meaningfully after her return to the mortal world, and her character arc is largely entwined with the development of her relationship with Vincent. Though they had a friendship as children, the meaning of that relationship only becomes clear to Matilda after she returns to him 13 years later, to save his life. When she sees him, she doesn’t know what to say, contemplating saying “that he was familiar, even enclosed in steel and gold? That he wore the title of lord with grace and poise, despite knowing it was a responsibility that he had never desired?” (173). Though Matilda hasn’t seen Vincent in over a decade, she still knows him well enough to understand that he doesn’t want the power that’s been bestowed upon him, no matter how naturally he wields it. Matilda’s understanding of Vincent leads her to a greater understanding of herself. The empathy she first felt for him as a child returns, encouraging her to embrace her vulnerability and emotions, and weighing The Risks and Rewards of Vulnerability becomes an important part of her character’s journey throughout the novel.
Matilda also embraces her newfound power after the revelation of her true abilities. Though Orphia initially labels Matilda as the herald of the gods, she is also a soul-bearer, capable of thwarting both death and fate. Matilda’s relationship with Vincent and her new power are equally significant in her character development; as she notes, “I had let the past version of myself peel away, and what was I left with now? Twelve stars to my name. Immense power that I had yet to publicly claim. A mortal man I loved. A place on the river I could call home” (430). Matilda is no longer a goddess torn between the realm above and below, subject to the will of the more powerful gods. She can embrace her empathy, compassion, and love without needing to use fear and violence as tools to protect herself. She has become one of the most powerful gods and has found a place where she belongs, completing the development of her characterization.
Vincent of Beckett is the secondary protagonist and romantic interest of Matilda in Wild Reverence. He is the third son of his father, the lord of Wyndrift, until he is murdered by Vincent’s uncle, Grimald. Grimald believes he should be heir, based on the historical tradition of primogeniture, and when Vincent is 16, Grimald murders his father and older brothers and almost kills Vincent and his younger brother Nathaniel. This traumatic experience shapes Vincent’s future as he accepts a leadership role while simultaneously processing his grief.
Vincent has black hair and gray eyes, and Matilda describes him as “tall and lean for his age. He was made of sharp angles, hollow cheeks, and tenderhearted sorrow, as if he were hungry and anxious but had grown despite the hardship, like a weed emerging through cracked limestone” (19). Though the first time Matilda sees him, he’s almost 13 and has not lost his father and older brothers, she notes that there is pain within him. This immediate understanding of his inner emotions demonstrates both Matilda’s innate empathy for Vincent and his emotional vulnerability, which contrasts with her own reserve.
Though Vincent later tries to hide his vulnerability, afraid that Matilda will think he’s weak, Matilda understands Vincent’s greatest fear when he begs her to accompany Nathaniel in Wyndrift: “His father was dead; his mother had abandoned them. He had lost two brothers. He could not bear to lose another, to be left alone in the world, the last of his name. The last son of Beckett” (182). Vincent doesn’t want to be alone in the world, and this fear helps him understand Matilda better. He sees Matilda’s loneliness and can fully empathize with her, as they’ve both lost a parent and struggled to trust others in the wake of the tragedy. Though their losses initially harden both Matilda and Vincent, they soften as they build trust and intimacy together.
Vincent’s vulnerability with Matilda helps him move forward from the trauma of losing his father and brothers. Though he once fantasized about vengeance, his time with Matilda helps him realize that he wouldn’t benefit from answering the violence with further violence. When he faces Grimald in the aftermath of their final battle, he thinks, “I had often dreamt of taking my revenge on Grimald, carving him into ribbons, and yet now that the opportunity was upon me…I realized it was nothing like my mind or my heart had imagined it would be. My emotions were no longer aligned with my past” (447). Vincent no longer wants to inflict unnecessary pain upon Grimald; he realizes his desire for violence will not heal him from his loss. His relationship with Matilda offers him hope of a future filled with love, freeing him from the painful emotions of his past.
Bade of Underling is the god of war, and he describes himself as ugly and scarred. At the start of Wild Reverence, he is allied with Zenia, Phelyra, and Alva. Bade is Matilda’s salt-sworn ally, a vow he exchanges for temporary access to Zenia’s power, but as he was the first to hold Matilda when she was born, he also sees himself as her father. Through Bade’s example, Matilda sees both how difficult and how rewarding pursuing love is. Though he first attempts to con Adria into feeling affection for him with ulterior motives, he falls for her in earnest, even attempting to bargain away his power for Adria’s life.
As the narrative continues, Matilda’s understanding of Bade shifts; she notes that he is softer than she first thought and has his fault line in his heart: “He had once made me doubt, but now there was no question. It was his heart, and he had just revealed it to the entire clan. All because of her, a mortal woman he had once plotted to deceive” (50). Matilda’s perception of Bade’s relationship with Adria demonstrates her initially simplistic view of love; she assumes love is a weakness that has made Bade powerless and vulnerable to betrayal. Despite this, Matilda remains loyal to Bade, and when he asks for help in saving Adria, Matilda thinks, “He was my salt-sworn ally, my soul-forged father. And I knew what he needed before he could utter the words” (52). Though Bade is not Matilda’s biological father, he acts paternally toward her, protecting her from harm and treating her with the love and kindness missing from her life.
Bade’s character changes significantly in the context of his relationship with Adria. Adria is a mortal woman from a humble background who rises to political prominence due to the merit of her writing. Her romance with Bade leads to her transformation from mortal queen to the goddess of peace, as the matriarchs Orphia and Rowena of Underling and of Skyward give her stars from their constellations to grant her immortality. Adria’s transformation, however, is not shocking to Matilda, who reflects, “Upon first glance, I would have never known she was not one of us. I would have never known she had been born mortal, so gracefully did she wear her immortality and power, save for the compassion that dwelled constant in her eyes, in her heart” (103). Adria takes to godhood naturally, as her leadership abilities transfer over seamlessly.
The aspect of Adria that Matilda notes as unusual for a divine is her compassion for those around her. It is this compassion that shapes Bade and his own transformation, as during the battle at Wyndrift. Matilda sees that “[Bade] did not desire to be here. He took no joy in cutting down mortal men. Not as he once had. What had wrought this change in him?” (288). Though Matilda questions why Bade’s bloodlust has dissipated, the answer is clear: Adria. He now shares her compassion for mortals. Adria also helps Matilda with her own transition from herald to soul-bearer, as Adria guides Matilda to realize the true breadth of her power and even gives Matilda two of her own stars, keeping Matilda’s magic safe from theft by any other divine.
Warin of Skyward is one of the principal antagonists of Wild Reverence. He is described as cruelly handsome, with ashen hair, a symmetrical face, pouty lips, and dark eyebrows. Warin is the god of spring, initially, and he kills two other gods to steal their power and become the god of iron and rivers as well. He teams up with Grimald to attempt to take over Wyndrift because he believes that, as god of the river, he is owed a toll by all who cross. Warin is cruel, selfish, and manipulative, and his characterization represents the worst aspects of the divine clans. He coerces Matilda into a sexual relationship by beating her at an archery competition, and as Matilda notes, “He was persistent, but it was not me he truly wanted, much as I did not truly want him. He wanted my knowledge, and maybe that is why I grew as cold as the moonstones that I continued to wear about my waist” (124). Matilda’s guarded nature frustrates Warin, who begins abusing her physically and emotionally in hopes of obtaining influence over her.
Grimald is a mortal parallel to Warin. He is similarly cruel, as he was abusive to Vincent and his brothers when they were growing up. However, despite his cruelty, Grimald wants to be loved, as evidenced by Vincent’s deep understanding of Grimald: “My uncle had always wanted to be loved. To be served and worshipped, as if he were a god” (187). Grimald wants adulation without the sacrifices that leadership often requires, demonstrated by his willingness to destroy Wyndrift and kill its people to obtain his goals. He is a static character who experiences little growth before Vincent finally kills him. Warin is also a static character, remaining violent, petulant, and unkind throughout the narrative, and Matilda’s ability to stand up to him to protect herself, Bade, and Vincent is a turning point in her character arc. As when Vincent kills Grimald, Matilda’s killing of Warin and taking his power is a climactic moment that offers her and the mortal realm freedom from his tyranny, marking complete defeat for the antagonists that sought to take Wyndrift from its rightful heirs.



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