29 pages 58-minute read

Wild Seed

Fiction | Novel | Adult | Published in 1980

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Symbols & Motifs

The Sun and the East

When Doro first meets Anyanwu, they compare names and traditions. Anyanwu, diverted by Doro’s unusual intelligence, tells him about her name first, which means “the sun” in her Igbo dialect. Later, Doro explains his own name. “Among my people, it means the east—the direction from which the sun comes,” he says (7). Thus, upon their first meeting, Doro absorbs Anyanwu, rhetorically making himself a center around which the sun revolves.

Animal and (Wo)man

Anyanwu has the extraordinary ability to transform herself into an animal. However, this is a power touched by perversity—“abomination,” as Anyanwu’s tradition would have it. Anyanwu comes across many things in the world that she finds to be an “abomination.” Some of these prescribed ethical concerns will correspond to the reader’s own, such as Anyanwu’s prohibition against bestiality and incest. Others are less universal. “If your people wish to debase themselves by drinking the milk of animals, I will turn my head,” says Anyanwu to Doro, in arguably her strongest reaction to an ethical taboo in the book (130).


These abominations have to do, each in one way or another, with animal sexuality. Likewise, what defines Doro in his most extreme cruelty is animality. She dismisses the idea that her influence “[...] could somehow prevent him from becoming an animal” because “he was already an animal” (211). So, too, does Anyanwu have taboos against the transsexual coupling that could be so easy for her to have with Doro. Nevertheless, she is never freer, and Doro is never more perplexed and disarmed by her, than when she is indulging her animal, sexual side. She manages to escape from Doro’s grasp for a hundred years by becoming an animal.


Butler suggests that such sexual indulgence—such “animality”—is not a solution to Anyanwu’s human problems. In order to overcome Doro, Anyanwu eventually turns to normatively female weapons such as an obligation to teach mercy, raise families, and perform social obligation, along with a frightening willingness to self-negate in service of these goals.

Eugenics

Butler has a long-standing and well-noted fascination with Eugenics—the unscientific idea that racial characteristics go beyond skin color and that physical characteristics are markers of inner traits—that extends well past books like Wild Seed. In retelling the story of Eugenics from a science fictional perspective she at once empathizes with the rationalizing impulse of the Eugenicist while turning the tools of the Eugenicist against him, demonstrating that the conclusions of Eugenics are culturally determined.


Doro, despite his cruelty, is close to being a sympathetic character. As readers we thrill to the super heroic deeds of the characters in the novel. Our thrill mirrors Doro’s cold fascination with “mixing breeds” to see what happens. He is the motivating factor of the book. Yet Eugenics is a science born out of a cultural need for white Europeans to separate and dominate in an arbitrary hierarchy. This book, therefore, explores what happens when a black man from Africa discovers and masters this pseudoscience one thousand or more years before Europeans ever discovered the continent.

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