62 pages 2-hour read

Willa of the Wood

Fiction | Novel | Middle Grade | Published in 2018

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Symbols & Motifs

Content Warning: This section discusses physical and emotional abuse, cultural erasure and assimilation, murder, violence, and child death and injury.

Faeran Blending

The ability of Willa and a few other Faeran, including her villainous uncle Naillic, to “blend”— to change the color and texture of their skin—is an important motif, reflecting The Importance of Identity and Belonging. Willa uses her blending in several ways throughout the novel, primarily to avoid external danger, but also to avoid persecution by her own people. This establishes early in the novel that Willa does not belong among the Faeran, even though she is using a skill they all once had before the padaran forced it out of them. Willa’s blending is a defense mechanism, directly contrasting with how the padaran uses it as a force for oppression. Willa makes herself hidden and more like the natural world she loves, while the padaran uses it to make himself look more fearsome and godlike, allowing him control over others.


Willa’s ability to blend both shows that she is the last force of her people’s culture and heritage and that she is willing to change her identity depending on her environment. The latter is a trait that grows as her identity and sense of purpose strengthens, and she slowly begins to blend less habitually except when she absolutely needs to. For example, in her first encounter with the prison guards, she blends on reflex to protect herself; in the second encounter, she uses it strategically to protect Iska and then reveals herself to save the children. Willa’s blending is an important part of her identity, but as she comes into her own, she relies on it less, marking her difference from her uncle, who uses it so much he has no real identity apart from his false persona.

Fire

Fire is symbol that serves both positive and negative functions in the novel, exploring the theme The Role of Family in Resisting Oppression. Willa starts the novel disliking fire, since she doesn’t see it as necessary to see in the dark or keep warm, but slowly grows to view it in a positive light through Nathaniel’s candle. He uses the controlled flames to make their home comfortable and safe. This shows that fire, to Willa and Nathaniel in their secure family structure, can be used as a form of safety and security when controlled. 


Fire, however, is also an uncontrolled force of destruction. The padaran’s foolish use of it in the Great Hall destroys all the Hollow and even kills him, nearly destroying the entire life of the Faeran with it. The padaran, as Willa’s uncle, directly parallels Nathaniel, Willa’s father figure. Both of them are members of her “family” who use fire, but one respects nature and uses it only when necessary, and the other disrespects nature and uses fire as a weapon and a tool for control. Willa’s biases against humans fade as she realizes that human beings are just as capable of respecting nature as Faeran are of disrespecting it, and fire is an important basis for her to draw this conclusion.

Names

Names are an important motif in the novel. The reversed names of the Faeran—Willa and Alliw, Gredic and Ciderg, and Cillian and Naillic, among other such pairs, represent how highly the Faeran value fusion and inherent loyalty, both between twins and within the clan at large. Names also reflect The Challenges of Growing Through Grief, as most of these twins, even if only briefly mentioned, are separated by the events of the book, showing how broken the Faeran people are. 


Willa’s grief over Alliw is key to this theme. Although she has several scenes where she openly grieves her sister, she continually reminds herself that Alliw is part of her and she cannot lose that. The very structure of their names is what makes this true: Since they share the same letters, they are symbolically permanently linked, inextricable in identity and spirit even if Alliw is gone in body. Acknowledging that Alliw, as well as all the other people she has lost, are always with her is key to Willa’s ability to move on throughout the novel. While characters like Nathaniel brood on their grief for the entire novel, characters like the padaran are too twisted by greed to even feel it. Willa uses her understanding of how much her sister is her other half to maintain momentum, never forgetting how much they are one thanks to their names.

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