45 pages 1-hour read

Will's Race for Home

Fiction | Novel | Middle Grade | Published in 2025

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Background

Content Warning: This section of the guide discusses racism.

Historical Context: The Oklahoma Land Rush and Black Homesteaders

Jewell Parker Rhodes’s novel is set against the backdrop of the Oklahoma Land Rush of 1889, a real historical event that saw some 50,000 settlers race to claim plots of “Unassigned Lands.” Beginning in the early 1800s, millions of Indigenous Americans were forcibly relocated to the so-called “Indian Territory” in modern-day Oklahoma. As western expansion continued, acts aimed at the systematic dispossession and forced assimilation of Indigenous Americans further reduced tribal land holdings. By the end of the 19th century, the US government opened for settlement millions of acres that had previously been home to resettled Indigenous Americans. The Land Rush of 1889 was one of the most prominent of these rushes, with two million acres being made available for settlement.


For many African American families like the Samuelses, the Land Rush represented a tangible opportunity to escape the exploitative sharecropping system of the post-Reconstruction South. Despite the victory of the Civil War, many Black people in the American South still faced violent racism and systemic disadvantages like extreme poverty. Following the Civil War, thousands of African Americans known as Exodusters left the South seeking economic independence and a refuge from racial violence. Many migrants traveled West, establishing numerous all-Black towns along the frontier. This pursuit of self-determination is the driving force behind the Samuelses’ arduous trek. Their dream of claiming “[their] own acres” and “owing nobody” (11) was shared by thousands of real Black homesteaders who saw the western frontier not as a land of conquest, but as a potential “promised land” where they could build a life of freedom and dignity.

Genre Context: Reclaiming the American Western

Will’s Race for Home is explicitly subtitled A Western, placing it within a genre traditionally defined by narratives of rugged individualism, frontier justice, and westward expansion. The American Western, which is typically set during the era of western expansion of the mid-19th century, has historically centered white male protagonists while marginalizing or erasing the experiences of women, Indigenous peoples, and African Americans. Characterization of the “Wild West” portrays the frontier as an uncivilized place, ready to be tamed and dominated by white men. Jewell Parker Rhodes engages with the genre’s conventions while simultaneously subverting them to tell a more inclusive story. The novel features familiar Western tropes, including a perilous journey across a harsh landscape, a chaotic “boomtown” (45) teeming with “restless, frantic” people (44), confrontations with dangerous outlaws, and themes of morality and justice. The novel’s most significant act of reclamation is its focus on a Black family. The central conflicts stem not from clashes with a wild frontier but from the pervasive threat of racism, embodied by resentful white settlers and former Confederate soldiers. Heroism is redefined through familial loyalty and communal survival rather than solitary conquest. Will, a young boy, becomes the hero who secures the family’s future, his courage rooted in his love for his family and his friend Belle. In her afterword, Rhodes states her intent to “reveal and reclaim stories beyond a Hollywood master narrative” (195), using the Western framework to challenge its historical exclusions and center a narrative of Black resilience, family, and hope.

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