46 pages • 1-hour read
Elin HilderbrandA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of substance use.
While Jennifer attends the caroling party, Kelley stays with his three grandsons, Barrett, Pierce, and Jaime. Barrett is 11 and has been acting out since his father’s incarceration, and Kelley decides to talk with him and his brother, since they are the oldest. Kelley encourages them to help their mom since she is under a lot of strain. The boys explain that their mom often acts irrationally, shouting at them or crying. Internally, Kelley worries about Jennifer, who is usually solid. The boys have no sympathy for their father, but Kelley reminds them that “[e]veryone messes up. Even dads” (51). The boys return to playing video games, and Kelley is uncertain they’re heeding his wisdom.
Jennifer bumps into Norah Vale, Kevin’s ex-wife, at the liquor store. In the six years Kevin and Norah were married, she and Jennifer never got along well because Norah thought Patrick and Jennifer were “perfect.” Jennifer wishes she could call Patrick. She reflects on how much their life has changed during his incarceration. At first, she’d worried their friends would judge them harshly, but most accepted Patrick’s mistake. Jennifer’s friend Megan, who has been undergoing cancer treatment, gave her oxycodone and Ativan to help with the stress. Jennifer didn’t take them at first, but when a parent at the school tried to have her removed from the parents’ association, Jennifer took one of the pills before the meeting. Jennifer retained her position on the association, but she continued to take the oxycodone, increasing her dosage each time to feel the effects. She also began taking Ativan along with alcohol.
Jennifer has used all the pills and had to ask Megan for more. Now she’s down to only seven pills, and she isn’t sure what she will do when they’re gone. Jennifer is so lonely without Patrick. She considers telling Ava that Kevin’s ex has returned to Nantucket. She calls and leaves a message, but doesn’t mention Norah.
Despite Margaret and Kelley’s fling last Christmas, Drake is hopeful there is no chance they will get back together. Drake has fallen in love with Margaret. Drake’s stressful job as a pediatric brain surgeon at Sloan Kettering makes him a good match for Margaret, whose job is also hectic, but he still worries that her near-celebrity status is a barrier between them. He cancels surgeries to surprise her at the inn in Nantucket for The Stroll weekend. He sits near the fire and completes some paperwork as Mitzi arrives and is visibly intoxicated. Drake doesn’t know who she is, but she begins to cry and explain that her son is missing. Drake offers comfort by sharing encouraging words he often gives his patients’ parents. Mitzi awkwardly hugs Drake just as Margaret enters the inn and Kelley walks in. Margaret is visibly confused over the scene.
It’s a short ride to her home, and Nathaniel asks to spend more time with Ava. They park on a bluff, and he holds her hand and tells her that he’s still in love with her. Though there are things about Nathaniel Ava misses, she treasures what she has with Scott, calling their relationship “solid and good and proper” (77). Her phone buzzes, and she assumes it’s Scott calling from the hospital, so she ignores the call. Nathaniel drives her home and asks to kiss her. Ava admits to herself that she wants to, but jumps from the car before anything happens.
Drake initially said he was too busy to attend the Stroll. Mitzi continues crying, and Kelley asks to speak to her privately. Margaret empathizes with Mitzi’s feelings, as she would be constantly unsettled if her son were missing. Drake kisses Margaret passionately and announces he’s taking her to their favorite restaurant for dinner. Just then, Kevin and Isabelle arrive. Margaret wants to see Genevieve before leaving for dinner. Drake follows her, which is a surprise since he’s never shown interest in her grandchildren before. Margaret snuggles the baby girl and thinks about how much she loves being a grandparent. Ava arrives home and wants time to talk with Margaret, but Margaret asks if they can delay until the morning since they have dinner plans.
Mitzi’s presence is painful for Kelley, as it’s taken him a whole year to process her leaving him for George. He’s accepted that he and Margaret aren’t getting back together and that she belongs with Drake. Mitzi only wants to see Bart’s room, which they haven’t touched since he went missing. Mitzi sits on his bed and cries as Kelley holds her hand.
Scott didn’t leave Ava a voicemail when he called and doesn’t pick up when she calls him back. Later, he tells her in a text that he still at the hospital with Roxanne.
The second half of Part 1 reveals how the Quinn family’s holiday tensions reverberate through those connected to them. By introducing the perspectives of Jennifer, Drake, and Margaret, the novel moves beyond the immediate household at the Winter Street Inn. It reveals a more complex portrait of the family’s emotional ecosystem. Jennifer’s chapters offer a view into the tension between public image and private struggle. On the surface, Jennifer looks like she is managing by juggling a demanding job, raising three boys alone, and maintaining stability while Patrick serves time, but beneath that façade is fraying at the seams. Her secret reliance on prescription medication and her escalating anxiety expose the unseen emotional cost of presenting a polished exterior. Jennifer embodies the theme of Family Resilience in the Face of Crisis as she is stretched thin, under-supported, and painfully aware that her family depends on her ability to keep going simply. Yet she continues plugging along, trying to create an everyday life for her boys.
Mitzi is a foil to Jennifer, highlighting different approaches to managing grief and personal turmoil. While Jennifer conceals her pain, keeping up appearances for her children, her household, and the Quinn family, Mitzi openly displays her emotions by publicly grieving Bart and visibly unraveling upon her arrival at the inn. Mitzi’s line, “My boyfriend and my estranged husband and so many other people treat me like I’m an inmate at the asylum” (72), highlights her sense of alienation and unfiltered grief. This contrast underscores how individuals cope with trauma and responsibility differently, and those differences can create discomfort for others. Jennifer’s restrained, controlled demeanor emphasizes resilience and endurance, whereas Mitzi’s uninhibited expression of sorrow exposes the raw vulnerability that makes her both compelling and destabilizing. Together, the two women illuminate Hilderbrand’s exploration of female strength, demonstrating that it can manifest as either steadfast composure or emotional transparency, and that both approaches can affect those around them.
Margaret’s chapter highlights her empathy and her deep commitment to family. She is happy to see Drake when she arrives at the inn, but her priority is her granddaughter, showing that her focus is always on the people who depend on her. From her perspective, Margaret balances concern for Mitzi, even amid Mitzi’s emotional turmoil, with a steady, guiding presence for the woman who replaced her. Margaret’s strength comes from acting decisively, caring for those around her, and navigating complicated family dynamics with clarity and compassion. Though Drake is an outsider to the Quinn family’s inner dynamics, his presence provides a valuable perspective on the chaos unfolding at the inn. As Margaret’s boyfriend and a pediatric surgeon, he brings both emotional insight and practical care to the situation, gently comforting Mitzi despite the awkwardness of her grief over Bart. Drake’s role highlights how those outside the immediate family can mediate tension, offer stability, and provide a lens through which readers see the Quinn’s’ struggles more clearly, reinforcing the novel’s themes of empathy, connection, and the ways emotional support can emerge from unexpected sources.
Ava continues to embody the theme of The Search for Stability and Identity. When she accepts a ride from Nathaniel, she is immediately confronted with feelings she thought she had left behind, and her instant confusion highlights the tension between her desire for security and the pull of unresolved emotions. Ava’s reflection, “People don’t change […] We are who we are, and then we keep becoming more and more ourselves” (78), underscores her awareness of enduring patterns in relationships and personal identity, highlighting her struggle to reconcile her feelings for Nathaniel with her current life. This moment illustrates how Ava is still exploring her sense of self as she balances personal longing, responsibility, and the expectations placed on her by family and circumstance. Ava assumes her relationship with Scott is steady and predictable. Yet, his excessive attention to Roxanne begins to shake that assumption, forcing her to question both his loyalty and her own feelings. The tension intensifies when Nathaniel reappears and reveals that he is still in love with her, immediately destabilizing the sense of security she thought she had.
Through Ava’s experiences, Hilderbrand illustrates that emotional stability is not merely about external predictability; it also requires navigating lingering attachments, unresolved desires, and the inner conflicts that resurface in moments of intimacy and reflection. Ava’s romantic entanglements are a microcosm of the story’s complex relational dynamics. Her confusion over Scott and the sudden reappearance of Nathaniel reflect broader themes of loyalty, desire, and emotional uncertainty that ripple through the Quinn family and their extended network. By focusing on Ava’s romantic struggles, Hilderbrand highlights how personal relationships can both stabilize and destabilize individuals, and how navigating these tangled connections is central to the characters’ growth and the narrative’s tension.
This section highlights Kelley’s internal struggles as a man caught between two lives. He is attempting to move forward from the painful separation with Mitzi, yet the shared grief over their son Bart creates a bond that neither can ignore. To comfort her and support their family, Kelley must push past his lingering resentment toward Mitzi and face the complicated emotions that arise from love, loss, and responsibility. Hilderbrand uses Kelley’s struggle to explore themes of forgiveness, parental connection, and the ways family ties can both constrain and sustain individuals, even when relationships are fractured.
Despite the individual subplots and intrigues surrounding each character, Part 1 cements Kelley and the Winter Street Inn as the physical and emotional hubs of the story. Throughout Part 1, the characters scatter to attend events, manage obligations, or confront personal challenges, encountering complications that unsettle them in different ways. Yet no matter the tension or disruption, each character ultimately returns to the inn, seeking comfort, connection, or stability. The shared space and the rituals tied to it provide emotional grounding amid chaos, and reinforce the theme of Seasonal Rituals as Anchors During Instability in the lives of the Quinns.



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