46 pages 1-hour read

Winter Stroll

Fiction | Novel | Adult | Published in 2015

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Part 2, Chapters 13-19Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of substance use.

Part 2: “Saturday, December 5”

Part 2, Chapter 13 Summary: “Jennifer”

The next morning, Jennifer recovers from a hangover caused by taking Ativan with wine. She plans to go into town to buy a dress for the upcoming black-tie event. She asks her sons to come with her, but Barrett refuses, with the usual cruelty he’s adopted since Patrick has been gone. Jennifer reflects on how her sons have reacted differently to Patrick’s absence. Barrett takes it out on her, while Jaime has become clingier. She invites Kevin to join her with Genevieve. Jennifer takes two oxycodone pills, leaving her with only five. She decides to be “done with the oxy on Monday” (98), a decision she’s made before.


The town is aglow with Stroll festivities, but it only makes Jennifer miss Patrick more. They take Jaime to the pharmacy for hot cocoa and run into George, who’s there with Mary Rose, whom he met at the house tour the night before. Mitzi is back at the inn, “sleeping it off” (102). Jennifer has become a sort of liaison between Mitzi and the family since Mitzi and Kelley split. Jennifer apologizes to Kevin for inviting Mitzi to the baptism, but Kevin admits he wants Mitzi there. Jennifer remembers seeing Norah, Kevin’s ex, at the liquor store and almost tells him, but decides against it.

Part 2, Chapter 14 Summary: “Ava”

Ava sleeps in, and when she wakes up and checks her messages, she learns that Scott traveled with Roxanne to Mass General Hospital in Boston. She calls him and confirms he’s staying with Roxanne until she’s out of surgery. Scott won’t be home in time to attend the Festival of Trees party that night, “the premiere event of Christmas Stroll weekend” (105). Ava places most of the blame on Roxanne for behaving like a scared child, but she reminds herself that Roxanne has no family on Nantucket to help her. Scott promises to try to return home in time for Genivieve’s baptism on Sunday. Ava briefly considers asking Nathaniel to be her date and quickly rebukes the “wicked” thought.

Part 2, Chapter 15 Summary: “Margaret”

Drake tells Margaret he loves her. It’s the first time a man has told her this since Kelley. Margaret proclaims her love, too. They head into town to shop, though Margaret wears a hat and sunglasses to conceal her identity. When a shop worker recognizes her, she makes Drake leave, and they go to a café for lunch. Mitzi is there at the bar, so they leave to eat somewhere else.

Part 2, Chapter 16 Summary: “Mitzi”

Mitzi wakes up and immediately recalls the argument she and George had the previous night. She had discovered George drinking at the inn bar with Mary Rose, and they argued in their room later, as George admitted he enjoyed Mary Rose’s company because she was kind to him, unlike Mitzi. George isn’t in their room, and when she texts him, he says he’s having lunch with Mary Rose. Mitzi doesn’t know what to do, so she emails her pen pal, Yasmin, whose son is also an MIA soldier. She confesses to Yasmin that she should have never left Kelley and that she no longer loves George. She admits choosing George over Kelley was a mistake, but she’s unsure if reconciling with Kelley is possible.

Part 2, Chapter 17 Summary: “Kelley”

Kelley and Isabelle attend breakfast. When Kevin comes in with Genevieve, Kelley takes her and shows her to all the guests. Kelley “is a shamelessly proud grandpa” (121) and is completely smitten by his beautiful granddaughter. Throughout the morning, Kelley distracts himself from thinking about Mitzi being back in town. As much as her leaving him still hurts, he admits he misses her. The night before, when he drove her home, she confessed that George can’t empathize with her grief over Bart and that she’s unhappy with him.


Ava shares with Kelley about Roxanne’s accident and Nathaniel’s return. Kelley oddly feels a camaraderie with his adult daughter on how “weird” it is to have an ex unexpectedly return home. Later, Kelley attempts to spend time with his grandsons, but they are too immersed in their video games. The bartender from the Starlight calls Kelley and asks him to come pick up Mitzi, who’s too intoxicated to get home safely. Kelley picks up Mitzi from the bar, and she explains about George’s new friend, Mary Rose. She excuses her day drinking by saying she’s going through a difficult time. Mitzi puts her hand on Kelley’s leg and says that seeing him makes her feel better. When they get back to the inn, they sneak into Kelley’s room and have sex. Kelley enjoys it but knows that he’s made things more complicated than ever. He makes Mitzi lunch, and they play cards together.

Part 2, Chapter 18 Summary: “Ava”

Ava accepts a flower delivery, assuming they’re from Scott because he sends her flowers all the time, something Nathaniel never did. However, the flowers are from Nathaniel with a note saying he’s thinking of her constantly.

Part 2, Chapter 19 Summary: “Mitzi”

Mitzi doesn’t want her afternoon with Kelley to end, though she knows she’s selfish as she’s deeply hurt Kelley. When she’s with him, “She is free from carrying the burden of Bart by herself. Kelley shares it with her” (135). Kelley asks her to be his date to the Festival of Trees party, but Mitzi says she doesn’t have the proper attire. Margaret and Drake return. Kelley asks Margaret to lend Mitzi clothes for the evening. Though Mitzi has often been critical of Margaret’s expensive style, in reality, she admires her class and confidence. Margaret lends Mitzi a purple Dior dress and offers to help her with her makeup. Margaret’s kindness makes Mitzi want “to be a better person” (140). The afternoon has made her completely forget George.

Part 2, Chapters 13-19 Analysis

Part 2 opens on Saturday, the morning after the party, with each character confronting the emotional residue of awkward reunions and impulsive decisions from the previous night. The festive energy of the holiday weekend points to Seasonal Rituals as Anchors During Instability, but the events quickly give way to private moments of reckoning, revealing how the characters manage, or fail to manage, their impulsive decisions amid the distractions and permissiveness of the holidays. The shift from public celebration to private reflection reinforces the novel’s interest in what lies beneath carefully maintained appearances. Despite lingering confusion and anxiety, everyone still prepares for the Festival of Trees party, underscoring the theme of Seasonal Rituals as Anchors During Instability and the idea that “the show must go on” even when no one feels truly ready.


Part 2 juxtaposes the season’s heightened loneliness with moments of connection, most notably between Margaret and Drake. While their relationship offers warmth and stability, others experience the holidays as isolating rather than comforting. The text describes Margaret’s bliss, “it feels just as wonderful as it did the first time, with Kelley. Or maybe it feels better because this second time, at age sixty, it’s a gift” (109). This statement reflects the changing life stages and attendant anxieties the characters as they move through the series. Other characters reflect the same dynamic of looking for comfort while feeling disconnected from those around them: George seeks solace in Mary Rose’s company, the town’s festivities only deepen Jennifer’s sense of misery, and Mitzi feels increasingly misunderstood by those around her. Ava, left without a date for the party, is forced to question the true nature of Scott’s relationship with Roxanne, underscoring how the season intensifies emotional uncertainty rather than resolving it.


Jennifer’s storyline becomes increasingly unsettling in these chapters as her dependence on prescription medication intensifies. Her need to take more pills each day exposes the fragility beneath her competence as a mother and professional. The text says, “It’s terrible how much Jennifer enjoys not being in her right mind” (99). While Jennifer continues to function outwardly, her reliance on substances underscores the cost of emotional containment and highlights the contrast between her controlled demeanor and Mitzi’s visible unraveling. Jennifer’s struggle complicates the novel’s portrayal of female resilience, suggesting that endurance without emotional release can become its own form of self-destruction.


Mitzi, meanwhile, remains emotionally raw, her grief over Bart surfacing in unpredictable and often socially uncomfortable ways. Rather than retreating inward, she continues to express her pain openly, forcing those around her to respond. Her instability sharply contrasts with the family’s desire for order during the holidays. Yet, it also exposes the insufficiency of surface-level cheer in the face of real loss. Mitzi’s unrestrained grief culminates in Kelley having to retrieve her from a bar, revealing how her emotional openness repeatedly demands intervention from those who love her, exemplifying Family Resilience in the Face of Crisis. Their decision to go to bed together afterward complicates Kelley’s attempts to move forward, as their shared loss continues to bind them despite their separation. This moment reveals how grief can blur the line between past and present, pulling people back into familiar, emotionally fraught patterns.


Mitzi’s afternoon with Kelley underscores The Search for Stability and Identity. Since Bart went missing, she has been emotionally and physically adrift, and being with Kelley offers her a feeling of safety she hasn’t been able to find on her own or from George: “Kelley had reached for her hand, and both of them had squeezed as though their squeezing alone might bring Bart back safely” (123). The moment shows how deeply her identity remains tied to their shared history and grief, and how comfort often comes from familiar relationships rather than actual resolution. Moreover, Margaret’s kindness in lending Mitzi a dress for the party forces Mitzi to reconsider the way she has long framed Margaret in her mind. Rather than seeing her as distant or judgmental, Mitzi recognizes Margaret as the kind of woman she has always wanted to be—composed, generous, and strong. This moment shifts Mitzi’s self-awareness, forcing her to recognize that her grief has not only unsettled her life but also challenged her understanding of herself and the women around her.

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