Wolfsong

T. J. Klune

60 pages 2-hour read

T. J. Klune

Wolfsong

Fiction | Novel | Adult | Published in 2016

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Chapters 11-15Chapter Summaries & Analyses

Content Warning: This section contains descriptions of kidnapping, child abuse, torture, violence, animal cruelty, death, and sex.

Chapter 11 Summary: “Fight for Me/Family Is Everything”

Jessie tells Ox that she thinks they should break up. Ox agrees, which upsets her: She wanted him to fight for her. Ox is sad, and when he speaks with Joe later, Joe promises, “I won’t ever leave you” (108). Soon, Ox turns 18, but he and Thomas don’t talk about the bite. Ox and Carter graduate, and the cheer that goes up when they call Ox’s name is so loud that his happiness is painful.


One day in the summer, Carter comes to the shop and tells Ox that the Alpha wants him. On the way to the Bennett house, Ox confesses to Carter that he thinks he is attracted to men. Carter kisses him “hard…with a loud smack” and says now Ox has kissed a guy (111). Carter says it will make things easier in the future, though Ox doesn’t know what he means.


Thomas takes Joe and Ox into the woods, where he imparts a lesson about an Alpha’s duty to their pack. Then, they sit there in silence for hours. After that, Ox often goes on Joe and Thomas’s walks. Sometimes Thomas sends Joe and Ox on walks alone. Ox is glad to learn more about pack life, but he thinks they’re still keeping things from him.

Chapter 12 Summary: “Ground You Walk on/the Fallen King”

Ox is nervous to tell his mom that he’s bisexual, but she embraces him and tells him that she doesn’t think it’s weird or bad. She is becoming more and more a part of the pack, even training with them, and her relationships with Thomas and Elizabeth are deepening. Carter goes away to college, and Ox visits him. They go to a nightclub, where Ox kisses and receives oral sex from a man. A year later, a man named Nick gets stranded in Green Creek while Gordo repairs his motorcycle. He and Ox have a brief sexual fling, after which Joe doesn’t talk to him for three weeks.


When Ox turns 22, everything is going well. Then one day, a woman stops Ox on his way to the diner, and Ox immediately knows there’s something wrong about her. Her eyes flash violet; Ox realizes she is an Omega, a wolf that’s lost touch with its humanity and become dark and feral. Ox’s mother checks on him from the door of the diner, but he sends her inside to safety. Gordo appears shortly after this and warns the Omega that Thomas is on his way.


Two nights later, the Omegas attack during dinner. Gordo senses them through the magical wards he’s put into place. The fight ensues, and the Bennetts are winning until a fifth Omega appears from behind and grabs Maggie. Joe knocks the Omega’s grip on her loose, and Ox kills him with his silver-laced crowbar. After the battle, Thomas tells Ox more about werewolf history. There were once many packs, but they’d fought amongst themselves and were hunted for sport by humans and other monsters. He explains that the Bennett name carries a certain esteem and tells Ox that he will do “great things” and that people will “stand in awe” of him (125).

Chapter 13 Summary: “Low-Slung Shorts/You and Joe”

Time passes, and soon Joe turns 17. Carter briefly dates someone, but it ends quickly. A wolf named Osmond comes to visit and seems dismissive of Ox. A classmate of Joe’s, Frankie, follows him home and trails Joe everywhere, He is scared of Ox, which Joe finds amusing. Ox walks in on them kissing and leaves, feeling happy for Joe but not sure what the twisting in his stomach means. One night Joe comes over very late, pounding on the door. He clings to Ox and says, “Frankie,” which leads Ox to start plotting the boy’s murder. Joe tells Ox to look at him and then says that Ox doesn’t really see him. The next day, Joe apologizes, and they walk the dirt road holding hands like they have for the last six years.


Shortly before his 23rd birthday, Ox realizes that he finds Joe attractive. He immediately becomes a stumbling, incoherent mess, which leaves the wolves baffled—but not for long. Ox rushes home to get some distance, tries to shower the smell of lust off of himself, and douses himself in cologne before he goes back, hoping it will confuse the wolves. It doesn’t work. Ox’s rapid heartbeat is obvious. At first, they think he is afraid or under attack, but Carter quickly figures out what’s going on. Ox drags him away from the group before he can say anything to the others.


Carter simultaneously teases and comforts Ox about his attraction toward Joe. He tells him that it was always going to happen, and that the wolf Joe gave him was a symbol of devotion, not just friendship. Ox says that he’s not going to do anything about it because Joe is young and has a life ahead of him. Carter wishes him luck in holding that line once Joe figures it out. He sends Ox home to shower the cologne off of him. When Ox returns, Joe pulls him aside and questions if he’s okay. He quickly figures out what Ox is hiding and flirtatiously tortures Ox all night with closeness and touching and sucking on a straw.

Chapter 14 Summary: “And a Bow Tie/Anything for You”

Things that were once confusing make more sense to Ox now: Joe’s discomfort with Jessie, Joe’s disappearances after Ox slept with other men, Frankie. Joe gives Ox three days to worry over it and then comes over to ask Ox’s mother for permission to court Ox. He’s dressed up and wearing a bowtie and has written a speech on an index card—the speech quickly becomes mortifying for Ox, and more so when he realizes the entire Bennett family is lying in the grass outside the open kitchen window, listening. Joe declares his intentions to be with Ox forever; Ox can’t understand why Joe—amazing, wonderful, future Alpha Joe—would ever choose anyone like him. He asks why, which upsets Joe. Joe furiously tells him that he’s wonderful and that he will always choose to have Ox in any way he can have him. Ox wants to believe that there’s something in him that Joe sees. He says yes.

Chapter 15 Summary: “What Life Is/I Need You”

Ox learns that wolves take mates. He tells Thomas that if he’s going to be with Joe, he deserves to know more about what happened to him. Thomas explains that Joe was kidnapped by a werewolf and former Alpha named Richard Collins. Richard and his family had been part of the Bennett pack, but his mother, father, and many more were tortured and killed in front of him when human hunters attacked. Thomas and his father had been away at the time. After the attack, Richard blamed the Bennetts. He went away and somehow became an Alpha—“Magic, maybe. Murder. Sacrifice.” (149). He became known for his cruelty and violence. Thomas and some other packs searched for him for years, but couldn’t find him—then, one day, Joe was taken. Richard called after three days. For the next eight weeks, he called the Bennetts and tortured Joe while they listened. Ox asks if Richard is dead, but Thomas explains he’s in a magical prison. Thomas values mercy. Ox doesn’t think he would have shown any.


As his first act of courting, Joe leaves a dead rabbit outside of Ox’s house. Ox and his mother look up a recipe and cook it for dinner. The second act is a huge basket of mini-muffins from the local bakery. Gordo is displeased to hear about the mating and warns Ox that it’s a huge decision to make at his young age. Ox tells Gordo that Joe gave him the wolf when he was only 10; he realizes suddenly that Mark must have given Gordo his wolf, too.


The wolves run with the moon for the first time since Ox’s and Joe’s relationship started. Joe is possessive in wolf form, which Ox finds charming. Later that night, Joe kills a deer and drags its carcass to the clearing for Ox. Joe confesses to Ox that he was jealous of Jessie, that he hated her, that he smelled other men on Ox and wanted to tell him to wait for him, but couldn’t, because it wouldn’t be fair. He tells Ox that he wants him so badly it’s sometimes violent. He tells Ox about Richard Collins, and that Richard had told him his family didn’t want him anymore, that they didn’t want him to be Alpha. Richard tried to take the Alpha from Joe, but he just “made me want to be a monster” (158). He explains that the time he spends with his father in the woods is to help him learn to control his rage. Joe reiterates that he would always choose Ox in any circumstances. They cry together a little and embrace.

Chapters 11-15 Analysis

In these chapters, Wolfsong shifts Ox and Joe’s relationship from friendship and belonging toward romantic love and intimacy, highlighting the theme of Queer Love as Liberation. Klune grounds the novel’s central relationship in choice and consent—two forces that resist the inevitability implied by supernatural “mates” in many heteronormative romantasies. Joe’s promise to Ox—“I won’t ever leave you”—functions as both devotion and foreshadowing of trials to come (108). In these chapters, Joe and Ox follow parallel coming-of-age narratives, which signal that they’re beginning their relationship as adults rather than children. Thomas teaches Joe to be an Alpha, look out for the pack, and control his rage, while Ox comes out as bisexual and acknowledges his romantic attraction to Joe. Both learn the power of honesty and the responsibility commitment carries. In this buildup to their romance, Klune shows that love is a vow that must be constantly renewed through choice and action.


Defining queer love on its own terms continues in this section with Joe’s open courtship of Ox. When he arrives “dressed up and wearing a bow tie,” nervously reading from an index card as he asks Maggie’s permission to court Ox, the scene mirrors the tradition of courtly love found in 19th-century Romance literature and fuses humor with a sort of radical vulnerability by bringing it into the present day (141). The moment, overheard by the eavesdropping Bennetts, inverts stereotypes of queer secrecy with a public, if embarrassing, declaration that is immediately accepted by Ox’s mother. This too inverts the gender norms both classic and contemporary courtship, when the male suitor approaches the stoic father of his beloved to ask for her hand. That rite of passage, which is meant to be a kind of test or hazing for the suitor is here a lighthearted moment in which Joe shows his sincerity without the risk of rejection. Klune writes queer love not as a rebellion but as belonging, a domestic, communal celebration rather than a transgression or confrontation. Joe’s awkward sincerity and Maggie’s warmth mark another turning point in Ox’s understanding of masculinity: It no longer means emotional suppression, and affection no longer has to be a source of shame.


References to 19th-century Romantic literature continue in this section with the introduction of the Bennett’s rivals, the Collins family. These family names (with a slight spelling difference for Bennett) come from Jane Austen’s classic romance novel Pride and Prejudice (1813). In that novel, Elizabeth Bennet, who bears the same name as Joe’s mother, is the protagonist and one of five daughters who need to be married off to financially save their family. William Collins is Mr. Bennet’s distant cousin and the heir to the Bennet estate (only men could inherit at the time). He hopes to marry Elizabeth to secure his position, but she rejects him. In Pride and Prejudice, the Bennets and Collinses aren’t exactly rivals, but the Collins family has the power to oust the Bennet family from their home when Mr. Bennet dies. In the end, Collins marries someone else though he’ll still inherit the Bennet estate by law. This scenario doesn’t map perfectly onto the relationship between the Bennetts and the Collinses in Wolfsong, but the name choice, antagonism, and reference to Regency-era romance are notable.


Thomas Bennett’s revelation of Richard Collins’s fall from grace introduces the ethical stakes of leadership in the pack, highlighting The Importance of Found Family. Through this storytelling, Klune situates empathy and control as opposing instincts. Thomas’s emphasis on mercy stands against Richard’s transformation into a monster of resentment and revenge, who breaks bonds rather than forms them. The Omegas represent the opposite of the Bennetts: They’re pack, but they’re linked by their desire for destruction and revenge. The contrast foreshadows Ox’s later moral tests and reinforces the idea that the human side of the wolves’ identities has to be cultivated just as much as the animal side so that the two can exist in harmony rather than conflict.


Throughout these chapters, the novel also explores jealousy and self-worth. Joe’s offerings—a dead rabbit left as a courting gift, baskets of muffins from the bakery—are comic on the surface but speak to a deep desire to care for Ox physically and symbolically. Ox’s hesitation, his disbelief that some “as amazing, wonderful, [and] future-Alpha” as Joe could choose him, reveals how internalized shame still shapes his sense of self and his feelings of unworthiness to be loved. Klune treats Ox’s self-doubt as the emotional residue of his father’s coldness. Ox must learn that being loved doesn’t depend on performance or strength.


By the end of Chapter 15, love and morality have merged into one theme: the freedom to choose connection over fear. Joe’s confession—“He made me want to be a monster and I don’t always think I can stop it”—positions Ox’s gentleness as an antidote to violence and cruelty (158).

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