44 pages • 1-hour read
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The author and main figure of the memoir, Rhimes conveys both her strengths and her flaws throughout the book. In one respect, Rhimes lives a life that is unfamiliar to her readers due to her career: She interacts with well-known actors, writers, and other figures within the media daily. She is privileged to attend elegant events and engagement and interacts with world-renowned figures such as President Barack Obama and media mogul Oprah Winfrey. On the exterior, Rhimes comes across as a confident and powerful person, due in large part to the success her television shows and media company have achieved. Educated, intelligent, and well-liked, the memoir provides a deeper version of Rhimes’s complex inner life than what is often viewable from the outside.
Rhimes paints herself as a natural introvert—most comfortable when she is alone writing and fearful of many aspects of public and social interaction. Some of her insecurities stem from her feeling awkward and unattractive as a child. Yet, Rhimes, through the nurturing of loving parents and the privilege of a rich education, grew to a capable and skilled writer. Honing her craft was a natural pursuit for her, as her family has always valued ambition and success. It is this inner drive and motivation that Rhimes attributes much of her success too, noting that it did not come her way by luck. Despite her success and her awareness of her abilities, Rhimes struggles, as the book opens, to feel confident in her life and also experiences great unhappiness, despite working at a job that she loves.
As she embarks on her Year of Yes, Rhimes reveals both the flaws and areas of weakness that she hopes to remedy, and the strengths which she relies on to institute such large-scale life changes. Her fear of being publicly shamed, embarrassed, or judged is a key factor that stands in the way of her saying yes. Likewise, she has succumb to societal pressures that insist she must excel at parenting at all times, causing her feelings of shame for seeking help or for prioritizing other areas of her life at times. Her drive to focus all of her energy and attention on her job and career cause her to feel guilty when she shifts her focus to her children, however. Likewise, she uses food to cope with stress; avoids having difficult and honest conversations with others; and does not know how to enjoy and applaud her own success.
As Rhimes learns more about these flaws—along with how they impact her life and the factors that allow them to perpetuate—she uncovers ways of overcoming them. She relies heavily on her personal drive and commitment to accomplishing a task once she has made up her mind to carry it out. Knowing that she will not allow herself to fail and being willing to apply hard work is what causes Rhimes’s Year of Yes to be effective.
Rhimes’s older sister, Delorse is the impetus—though she does not intend to be—for Rhimes making significant life changes. When Delorse complains that Rhimes consistently turns down opportunities rather than seizing them (“You never say yes to anything”) Rhimes’s attention is immediately captured. Delorse’s words force Rhimes to take stock in her life, assessing the approach she takes in choosing to pursue what makes her happy. Delorse’s words prompt Rhimes to truly consider her life and force her to realize that she is not indeed happy and, further, wants to be. Though Delorse did not intend her words to be a challenge, they prompt Rhimes to confront her fears and improve her life in long lasting and meaningful ways.
Throughout the novel, Rhimes paints Delorse, their other sisters, and their parents as fiercely loyal and loving but with a kind of “tough love” that proves invaluable. Delorse refuses to accept the excuses Rhimes makes when she insists she must say “no” to opportunities. Reasonable, rationale, and grounded, Delorse helps Rhimes to assess her life in an objective and honest way.
Delorse’s humility and love for her sister is evident at the end of the memoir when Rhimes thanks her for changing her life. Delorse shrugs off the gratitude, refusing to accept it because, she insists, it was Rhimes, not Delorse, who did the difficult work of making the life changes and therefore it is Rhimes who should be applauded. This staunch dedication and support is echoed by the rest of Rhimes’s family members, demonstrating the loving support system she is surrounded by.
This is the phrase Rhimes uses to describe the group of her close friends and confidants. The group consists of actor and writer Gordon James, film producer Zola Mashariki, and writer Scott Brown. This group of colleagues is one Rhimes has worked closely with for many years on numerous television productions. More than mere work associates, Rhimes stresses that this group of close friends supports her unconditionally and provides love and friendship that motivate and nurture her. This group is more than a social system, too—serving as a kind of sounding board for Rhimes when she faces difficult decisions or wrestles with challenges in her life. She turns to her “Ride or Die” group for advice and guidance. One of the significant characteristics of this group of friends is their honesty and openness where one another are considered. Rhimes cites, for instance, two occasions where she was experiencing difficulty with another friend. In both instances, she turned to the Ride or Die to express her feelings of frustration or hurt with said friend. The group confirmed Rhimes’s hypothesis that the friend involved is a toxic person and that Rhimes’s inclination to no longer keep that person in her life was correct. In these and other instances, the group allows Rhimes to make her own decisions and does not prevent her from making her own mistakes—instead, they honor Rhimes’s autonomy and validate the insights she arrives at. In this way, Rhimes trusts the “Ride or Die” unfailingly, knowing they are true friends who have her best interest in mind at all times.



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